【摘要】：印度神話資源豐富,但是關于印度神話的研究卻并不是那么豐碩,國內學界有關印度洪水神話的研究成果更是寥寥。在涉及印度摩奴體系的洪水神話時,研究者多根據書面文本定型時間推測神話文本的先后順序,較少從文本內部考慮神話的形成、發(fā)展以及情節(jié)進入文本的先后順序。文章以古印度摩奴體系洪水神話為研究對象,首先提取對象文本的情節(jié)單元,繼而分離故事的核心情節(jié)與旁逸情節(jié),并探討二者的基本功能。在此基礎上,探究旁逸情節(jié)中隱含的不同時期摩奴洪水神話背后的文化信息,并根據這些信息,分析不同文本中情節(jié)內容生成的時期,以及摩奴洪水神話在歷史進程中的發(fā)展變化。
[Abstract]:Indian mythology is rich in resources, but the research on Indian mythology is not so rich. When it comes to the flood mythology of the Manu system in India, researchers usually speculate on the sequence of the mythological texts according to the formative time of the written texts, and less consider the formation, development and sequence of the plot into the texts from the inside of the texts. In this paper, the flood myth of the ancient Indian Manu system is taken as the research object. Firstly, the plot unit of the object text is extracted, then the core plot and the side plot of the story are separated, and the basic functions of the two are discussed. On this basis, this paper explores the cultural information behind the myth of the Manu flood in different periods implied in the bystander plot, and according to these information, analyzes the period in which the plot content is generated in different texts. And the development of the myth of the Monu flood in the course of history.
【作者單位】： 中國社會科學院民族文學研究所博士后流動站;
【分類號】：I351.077

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