【摘要】：2015年畢希納文學獎獲得者賴納德·格茨是德國后現(xiàn)代文學代表人物。他的初期作品帶有自傳色彩,此后受社會學家盧曼的影響,轉(zhuǎn)向記錄和揭示當代社會文化的戲劇、小說和文學博客創(chuàng)作,將對社會的真實描摹與社會系統(tǒng)理論方面的分析結(jié)合起來。格茨尤其深入體驗現(xiàn)代電子音樂文化,在《銳舞》等作品中展現(xiàn)了1990年代以來的德國流行文化,被評論家譽為當代社會與文化的"編年史家"和"速記員"。在戲劇創(chuàng)作中,格茨的后現(xiàn)代戲劇對傳統(tǒng)戲劇形式進行了解構(gòu)和超越,他提出劇作家應(yīng)展現(xiàn)構(gòu)建社會的"溝通",強調(diào)戲劇文本的符號性。此外,格茨還在德國文學家中率先開始文學博客創(chuàng)作,對流行文化展開多角度的觀察與反思,并對德國的媒體產(chǎn)業(yè)進行了揭露。
[Abstract]:Reinard Gertz, winner of the 2015 Bichner Prize for Literature, is a representative of postmodern German literature. His early works were autobiographical, and then influenced by sociologist Luman, he turned to dramas, novels, and literary blogs that recorded and revealed contemporary social culture. The real description of society is combined with the analysis of social system theory. In particular, Gertz experienced the modern electronic music culture deeply, showing the German pop culture since the 1990s in his works such as "rave", and was praised by critics as "chronicler" and "stenographer" of contemporary society and culture. In the drama creation, Gertz's postmodern drama deconstructs and surpasses the traditional drama form. He proposes that the playwright should show the "communication" of constructing the society and emphasize the symbolism of the drama text. In addition, Gertz took the lead in the creation of literary blogs among German writers, observed and reflected on popular culture from various angles, and exposed the German media industry.
【作者單位】： 華中科技大學外國語學院;
【基金】：中央高�；究蒲袠I(yè)務(wù)費資助的階段性成果
【分類號】：I516.06
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本文編號：2296925