【摘要】：本文通過評述早期現(xiàn)代英格蘭歷史研究領(lǐng)域自1970年代以來經(jīng)歷的修正主義與后修正主義浪潮及相關(guān)的研究范式變化,關(guān)注范式變化如何促使某些歷史研究者將以莎士比亞歷史劇為代表的早期現(xiàn)代英格蘭戲劇視為以政治交流及操控為目的的公共媒介,并將其納入以撰寫歷史研究著述為目的而進行的跨學(xué)科研究中,討論戲劇與后宗教改革英格蘭社會中復(fù)雜的宗教-政治因素之間的互動。本文認為,通過學(xué)習(xí)與借鑒這種屬于歷史研究范疇的早期現(xiàn)代英格蘭戲劇研究,文學(xué)研究者可以反思如何在承認文學(xué)作品"文學(xué)性"的歷史性的同時,打破文學(xué)研究與歷史研究之間的界限,同歷史研究者一起進一步豐富早期現(xiàn)代英格蘭社會文化圖景的復(fù)雜性。
[Abstract]:This paper reviews the wave of revisionism and post-revisionism experienced in the field of historical studies in early modern England since the 1970s and the related paradigm changes. Attention to how the paradigm change has prompted some historical researchers to regard the early modern English drama represented by Shakespeare's historical plays as a public medium for the purpose of political communication and manipulation. It is also included in the interdisciplinary study for the purpose of writing historical studies to discuss the interaction between drama and the complex religious and political factors in the post-religious reform of England society. This paper holds that by studying and drawing lessons from the early modern English drama studies, which belong to the category of historical studies, literary researchers can reflect on how to recognize the "literariness" of literary works at the same time. To break the boundary between literary and historical studies and to further enrich the complexity of the social and cultural picture of early modern England together with historical researchers.
【作者單位】： 中國社會科學(xué)院外國文學(xué)研究所;
【分類號】：I561.073

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