【摘要】：文學(xué)文本在歷史的演替中,可能會產(chǎn)生一系列不是作者設(shè)想,甚至也不是文本自身所包含的意義,它不是文本所固有的東西,因此稱之為多余意義。本文分為三個方面:其一,指明多余意義的含義及其在文學(xué)史中可能體現(xiàn)的問題;其二,區(qū)分多余意義和文本本身所包含的剩余意義;其三,多余意義作為文學(xué)史論說的材料,即文學(xué)史不只是要論說文學(xué)的過去,也要論說文學(xué)的發(fā)展乃至在當(dāng)今視野下的景觀,這種關(guān)于多余意義的研討可能成為文學(xué)史新的發(fā)見的契機。最后,多余意義作為文學(xué)史過程中生成的產(chǎn)物,需要我們積極地去發(fā)現(xiàn)而不是被動地等待。
[Abstract]:In the historical succession of literary texts, there may be a series of meanings which are not conceived by the author, or even contained by the text itself. They are not inherent in the text, so they are called redundant meanings. Thirdly, redundant meaning is regarded as the material of literary history, that is, literary history is not only about the past of literature, but also about the development of literature and even the landscape in today's vision. This discussion on redundant meaning may become a new opportunity for literary history. As a product of the process of literary history, redundant meaning needs us to discover actively rather than wait passively.
【作者單位】： 武漢大學(xué)文學(xué)院;
【分類號】：I109
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本文編號：2236679