【摘要】：作為一種年輕的文類(lèi),現(xiàn)代短篇小說(shuō)正越來(lái)越受到學(xué)界矚目。自上世紀(jì)七十年代,西方短篇小說(shuō)理論也在查爾斯·梅伊那里正式成為了專(zhuān)門(mén)的學(xué)術(shù)領(lǐng)域。此領(lǐng)域的理論家們旨在闡發(fā)短篇小說(shuō)藝術(shù)的內(nèi)在獨(dú)特性,而整個(gè)探討卻面臨重重困難。其理論建設(shè)同時(shí)受到長(zhǎng)篇小說(shuō)理論和社會(huì)、文化、政治理論的影響,往往不能立于自身,無(wú)法深刻揭示短篇小說(shuō)文類(lèi)的藝術(shù)內(nèi)涵。這一問(wèn)題長(zhǎng)期困擾著西方短篇小說(shuō)理論家。本文即試圖對(duì)現(xiàn)代短篇小說(shuō)的藝術(shù)特性作出新的探討。第一章主要指出,將再現(xiàn)美學(xué)作為理論建設(shè)的主導(dǎo),是產(chǎn)生這些困境的要因。再現(xiàn)美學(xué)主導(dǎo)下,理論家常常將文本視為現(xiàn)實(shí)的反應(yīng),強(qiáng)調(diào)了短篇小說(shuō)認(rèn)識(shí)現(xiàn)實(shí)的功能,自然忽視了對(duì)其藝術(shù)特性的闡發(fā);盡管包括漢森在內(nèi)的理論家嘗試通過(guò)跨藝術(shù)、跨媒介的視角加以論述,但這些回應(yīng)只是只言片語(yǔ),且存在諸多問(wèn)題。第二章則進(jìn)一步指出,表現(xiàn)美學(xué)視角對(duì)于探討短篇小說(shuō)藝術(shù)特性的價(jià)值所在,并將這一文類(lèi)置于中西表現(xiàn)美學(xué)之下加以考察。本章從裴特“出位之思”的思想入手,結(jié)合克羅齊、蘇珊·朗格、錢(qián)鐘書(shū)、葉維廉等人的思想,提出了短篇小說(shuō)的“出位”優(yōu)勢(shì)。第三章首先借助門(mén)羅的《激情》、《匆匆》、《愛(ài)的進(jìn)程》等文本,分析出作品中的雕塑意味,揭示了短篇小說(shuō)與抒情詩(shī)、雕塑藝術(shù)特性的暗合,印證了第二章提出的“出位”論點(diǎn)。并在此基礎(chǔ)上,本章進(jìn)一步對(duì)短篇小說(shuō)中表現(xiàn)美學(xué)的藝術(shù)特色做出了歸納。通過(guò)分析,本文指出短篇小說(shuō)具有出位之思的獨(dú)特文類(lèi)優(yōu)勢(shì):短篇小說(shuō)可以憑借篇幅之便,將讀者引渡到多樣的藝術(shù)境界之中,如詩(shī)歌之含蓄、雕塑之立體等,從而成為一種極具魅力的獨(dú)特文類(lèi)。西方理論家眼中的短篇小說(shuō)所獨(dú)具的“迷惑力”特性,不僅僅是神秘現(xiàn)實(shí)的再現(xiàn),更是一種伴隨著“出位”而產(chǎn)生的包孕式的藝術(shù)表現(xiàn)力。
[Abstract]:As a kind of young literature, modern short stories are attracting more and more attention. Since the 1970s, Western short-story theory has become a special academic field in Charles Mayi's. Theorists in this field aim to elucidate the inherent uniqueness of the art of short stories, but the whole discussion faces many difficulties. Its theoretical construction is influenced by the theory of novel and the theory of society, culture and politics at the same time, and it is often unable to stand on itself and reveal the artistic connotation of the genre of short story deeply. This problem has long troubled western short story theorists. This paper attempts to make a new discussion on the artistic characteristics of modern short stories. In the first chapter, it is pointed out that reappearance aesthetics is the main cause of these dilemmas. Under the guidance of reproduction aesthetics, theorists often regard text as a reaction of reality, emphasizing the function of recognizing reality in short stories, and naturally neglecting the interpretation of its artistic characteristics, although theorists, including Hansen, try to cross art. But these responses are only words, and there are many problems. The second chapter further points out that the value of the artistic characteristics of short stories lies in the perspective of performance aesthetics, and puts this article under the Chinese and Western performance aesthetics to investigate. This chapter starts with Peter's thought of coming out, combines the thoughts of Croce, Susan Lange, Qian Zhongshu, Ye Weilian, and puts forward the advantage of "coming out" in short story. In the third chapter, with the help of Monroe's "passion", "hurry", "the process of love" and other texts, the author analyzes the sculpture meaning in his works, reveals the confluence of the artistic characteristics of short stories and lyric poems, and confirms the argument of "coming out" put forward in the second chapter. On this basis, this chapter further summarizes the artistic characteristics of performance aesthetics in short stories. Based on the analysis, this paper points out that short stories have the unique advantages of literary genre: short stories can, by virtue of space, extradite readers to various artistic realms, such as the implication of poetry, the three-dimensional nature of sculpture, and so on. Thus becomes a kind of extremely attractive unique literary category. In the eyes of western theorists, the characteristic of "bewilderment" in short stories is not only a reappearance of mysterious reality, but also a kind of artistic expressive force which is accompanied by "coming out".
【學(xué)位授予單位】：上海外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I106.4

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本文編號(hào)：2210979