【摘要】：扎迪·史密斯是英國(guó)當(dāng)代小說(shuō)家、散文家和短篇小說(shuō)家。2000年,年僅二十四歲的她,憑借處女作《白牙》一舉成名。2002年她的第二部小說(shuō)《簽名收藏家》發(fā)表問(wèn)世,取得商業(yè)成功,并獲得2003年《猶太季刊》溫蓋特小說(shuō)獎(jiǎng)。她的其他作品有《論美》(2005年)、《西北》(2012年)等。扎迪來(lái)自移民家庭,父親是英國(guó)白人,母親是牙買(mǎi)加黑人。扎迪的移民背景對(duì)她的文學(xué)創(chuàng)作影響很大。扎迪的小說(shuō)通常和移民、種族和民族沖突、宗教狂熱和多元文化相關(guān)�！逗灻詹丶摇分v述的是亞力克斯·李坦德姆買(mǎi)賣(mài)簽名的故事,以及他瘋狂地迷戀偶像凱蒂·亞歷山大。亞力克斯來(lái)自移民家庭,居住在倫敦北部郊區(qū)。父親是中國(guó)人,母親是猶太人。父親在帶他去觀(guān)看摔跤比賽后,突然去世,致使亞力克斯一直無(wú)法接受。他為了證明凱蒂·亞歷山大簽名的真?zhèn)?前往紐約。最后說(shuō)服凱蒂和他一起回英國(guó),借用她假死的消息,贏(yíng)得了金錢(qián)和名氣,卻陷入了前所未有的孤獨(dú)感中。最后小說(shuō)以他在好友的見(jiàn)證下,給中國(guó)父親誦讀猶太教中的卡迪什結(jié)尾。本文主要分為引言、正文四章以及結(jié)論。主要內(nèi)容如下:在引言中,探討了扎迪·史密斯的移民背景對(duì)她創(chuàng)作的影響;《簽名收藏家》的主題和結(jié)構(gòu);以及本論文研究的意義。從而引出正文的分析。第一章對(duì)該小說(shuō)的國(guó)內(nèi)外研究現(xiàn)狀進(jìn)行了梳理。此外,對(duì)后殖民理論家霍米·巴巴的雜糅和第三空間進(jìn)行了整理和理解�；裘住ぐ桶驼J(rèn)為兩種文化接觸的地方,存在一個(gè)第三空間。在第三空間,殖民者和被殖民者的文化相互影響,文化霸權(quán)逐漸消解。他認(rèn)為第三空間里不在存在純正,雜糅是存在的形式。本文試圖結(jié)合霍米·巴巴的理論對(duì)《簽名收藏家》主人公亞力克斯的身份探索進(jìn)行研究。第二章探討了亞力克斯身份的迷失。分別從他出生就要面對(duì)的混雜的種族;多種文化碰撞造成的影響;以及飽受精神紊亂的折磨來(lái)探討他身份的迷失。作為移民二代,他的種族混合了中國(guó)和猶太血統(tǒng),同時(shí)生活在倫敦的社會(huì)環(huán)境,讓他對(duì)自己的身份感到迷茫。在強(qiáng)勢(shì)的父愛(ài)之下,亞力克斯深受中國(guó)文化的影響,而母親代表的猶太文化也是他人生的一部分,同時(shí)英國(guó)西方文化是他存在的社會(huì)的主流文化,在多種文化的碰撞夾擊下,亞力克斯的身份出現(xiàn)危機(jī)。第三章探討了亞力克斯對(duì)身份的探尋。一方面,他追逐西方社會(huì)崇尚的社會(huì)地位、金錢(qián)和名氣,享受大眾文化。另一方面,他學(xué)習(xí)猶太教,開(kāi)啟自己的卡巴拉生命之樹(shù),嘗試走進(jìn)猶太民族歷史;研究中國(guó)禪宗和其他中國(guó)文化元素。然而他的探尋卻失敗了。他迷戀美國(guó)女演員凱蒂亞歷山大以追逐名利和社會(huì)地位,然而當(dāng)他高價(jià)拍賣(mài)掉亞歷山大的簽名時(shí),卻感到孤獨(dú)。他沒(méi)有像好友亞當(dāng)一樣虔誠(chéng)的猶太教信仰。對(duì)于猶太民族歷史的尋根也因猶太大屠殺而感到心累和疲倦。他的禪宗修行不徹底,連參禪動(dòng)作也做不標(biāo)準(zhǔn)。所以,亞力克斯不單純、也不完全隸屬于任何一種單一文化中。正如霍米巴巴所言,文化不是單一存在的,也不是“自我”與“他者”的對(duì)立,文化的各種形式以雜糅的方式存在。通過(guò)本章的分析發(fā)現(xiàn),亞力克斯在成為“他者”或“自我”的探尋之路上以失敗告終。第四章是對(duì)亞力克斯身份歸屬問(wèn)題的探討�；裘住ぐ桶偷牡谌臻g為亞力克斯身份問(wèn)題提供了解決的途徑。在此章節(jié)中,分析了亞力克斯的一些具體行為。最后亞力克斯為父親誦讀卡迪什。他將父親的一英鎊放在卡巴拉生命之樹(shù)的頂端。《猶太性與異族性》一書(shū)中現(xiàn)代性充斥其中,猶太性和異族性的界限變得模糊。對(duì)簽名收藏家職業(yè)的認(rèn)識(shí)在禪宗的影響下,他不再追逐名利,而將拍賣(mài)所得給了即將死去的杜尚和凱蒂亞歷山大。通過(guò)對(duì)亞力克斯身份的分析,發(fā)現(xiàn)他游走在三種文化之間,但卻并不完全屬于其中的一種文化,他的身份以雜糅的形式存在,他的身份只能在“第三空間”建構(gòu)起來(lái)。最后為結(jié)論部分�？偨Y(jié)小說(shuō)主人公亞力克斯·李坦德姆的身份危機(jī);亞力克斯追尋一個(gè)確切文化身份的過(guò)程和破滅的結(jié)果;以及亞力克斯身份的最終歸屬,即進(jìn)入第三空間。在第三空間內(nèi),文化不再尖銳的對(duì)立,而是文化間的交融。亞力克斯是當(dāng)代英國(guó)多元文化下邊緣人生存現(xiàn)狀的代表。作為第二代移民,他們面臨的是比父輩更艱難的身份歸屬困境,一方面,他們沒(méi)有完全體會(huì)到根文化的滋養(yǎng),另一方面,也沒(méi)有完全融入到生存社會(huì)中的西方文化中。他們的身份只能歸屬于非此非彼的第三空間。在全球化不斷加深的今天,各種文化相互碰撞與交流,當(dāng)今社會(huì)邊緣群體的身份歸屬問(wèn)題理應(yīng)受到關(guān)注,通過(guò)本文的分析,希望能對(duì)飽受身份危機(jī)困擾的人們有所啟發(fā)。
[Abstract]:Zadi Smith is a contemporary British novelist, essayist and short story writer. She became famous in 2000 at the age of 24 for her debut novel White Tooth. Her second novel, Signature Collector, was published in 2002 and was commercially successful. She won the Wingate Prize for Novels in 2003. Her other works include On Beauty (2005). Zadi's novels are often related to immigration, racial and ethnic conflict, religious fanaticism and multiculturalism. The story of selling autographs and his crazy love for the idol Katie Alexander Alexander came from an immigrant family and lived in the northern suburbs of London. His father was Chinese and his mother was Jewish. Finally, Katie is persuaded to go back to England with him, borrowing the news of her false death, gaining money and fame, but falling into an unprecedented sense of loneliness. The main contents are as follows: In the introduction, the author explores the influence of Zadi Smith's immigration background on her writing; the theme and structure of The Signature Collector; and the significance of the study of this thesis. The first chapter introduces the research status of the novel at home and abroad. Homi Baba holds that there is a third space where the two cultures come into contact. In the third space, the culture of the colonists and the colonized influences each other and the cultural hegemony gradually disappears. Ba's theory explores the identity of Alex, the protagonist of The Signature Collector. Chapter Two explores the loss of Alex's identity, the mixed races he was born to face, the impact of cultural collisions, and the suffering of mental disorders. He was confused about his identity because of his mixed Chinese and Jewish ancestry and the social environment in London. Under his strong father's love, Alex was deeply influenced by Chinese culture, and the Jewish culture represented by his mother was a part of his life. At the same time, the western culture of Britain was the mainstream culture of his society. The third chapter explores Alex's search for identity. On the one hand, he pursues the social status, money and fame advocated by Western society, and enjoys popular culture. On the other hand, he learns Judaism, opens his own Kabara tree of life, and tries to enter the history of the Jewish nation. He was fascinated by the American actress Katie Alexander's pursuit of fame and social status, but when he sold Alexander's signature at a high price, he felt lonely. He had no Jewish faith like his friend Adam. His Zen practice was not thorough, and his chanting was not standard. So Alex was not simply, nor was he entirely, a member of any single culture. As Homibaba said, culture was not a single existence, nor was it the antagonism between "self" and "the other". Through the analysis of this chapter, it is found that Alex failed in his quest to become "the other" or "the ego". Chapter 4 discusses Alex's identity ascription. Homi Barba's third space provides a solution to Alex's identity problem. Finally, Alex recites Kadish to his father. He puts his father's pound on the top of the tree of life in Kabala. is full of modernity, and the boundaries between Jewish and Heterogeneity become blurred. The influence of Zen on the professional understanding of signature collectors He no longer pursues fame and wealth, but gives the proceeds of the auction to the dying Duchamp and Katie Alexander. Through the analysis of Alex's identity, it is found that he wanders between the three cultures, but does not belong to one of them completely. His identity exists in a mixed form, and his identity can only be constructed in the "third space". In the third space, culture is no longer sharp antagonism, but intercultural blending. As the second generation of immigrants, they are faced with a more difficult identity predicament than their parents. On the one hand, they do not fully understand the nourishment of the root culture, on the other hand, they do not fully integrate into the Western culture in the survival society. Nowadays, with the deepening of globalization, various cultures collide and communicate with each other. The problem of identity belonging of marginalized groups should be paid attention to. Through the analysis of this paper, I hope it can be enlightened to those who suffer from identity crisis.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I561.074

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本文編號(hào)：2201952

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