【摘要】：在英國文藝復興文學研究領域,結合史實進行文本解讀已是基本模式,但近年來此研究范式被認為抹殺了文本的文學特征,因而不斷受到質疑。然而,需要明確的是,"歷史解讀"原則本身無可指摘,文學的"文學屬性"與"歷史屬性"并非二元對立,而是相輔相成,應該糾正的是在錯誤的"歷史解讀"認識指導下進行的具體文學研究實踐。本文以莎劇《辛伯林》的解讀為例指出,在平衡文學的兩種屬性的基礎上進行的文本解讀,可以表明劇本對創(chuàng)作時期歷史事件的映射幫助構建了對莎士比亞戲劇主題的體驗,體現了文學創(chuàng)作中歷史關照和文學考量的有機統(tǒng)一。
[Abstract]:In the field of English Renaissance literature, it has been a basic model to interpret the text with historical facts, but in recent years, this research paradigm has been regarded as erasing the literary characteristics of the text, so it has been constantly questioned. However, it needs to be made clear that the principle of "historical interpretation" itself is irreproachable, and that the "literary attributes" and "historical attributes" of literature are not dualistic, but complement each other. What should be corrected is the concrete literary research practice under the guidance of wrong historical interpretation. Taking the interpretation of Shakespeare's "Sinberlin" as an example, this paper points out that the text interpretation on the basis of balancing the two attributes of literature can show that the mapping of historical events in the writing period helps to construct the experience of Shakespeare's drama theme. It embodies the organic unity of historical concern and literary consideration in literary creation.
【作者單位】： 南京大學外國語學院英語系;
【基金】：江蘇省2016年度社科基金青年項目“莎士比亞傳奇劇中的歷史書寫”(16WWC001)的階段性成果
【分類號】：I561.073

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