本文選題：日常性 + 非人性　； 參考：《吉林大學(xué)》2016年碩士論文

【摘要】：梅崎春生是日本戰(zhàn)后派作家,其代表作是于1946年發(fā)表的小說《櫻島》。這是一篇以作者作為海軍士兵的軍旅生活為根據(jù)創(chuàng)作的小說。作者采用日常的筆觸將日本投降前兩個(gè)月左右的海軍士兵的生活狀態(tài)進(jìn)行了簡(jiǎn)要描述,表達(dá)了作者對(duì)戰(zhàn)爭(zhēng)的悲慘和軍隊(duì)非人性的統(tǒng)治的批判。但是這一作品也有著一定的局限性,作者在分析日本戰(zhàn)敗的原因時(shí)只看到了軍國(guó)主義統(tǒng)治的腐敗與殘忍,并沒有認(rèn)識(shí)到戰(zhàn)爭(zhēng)失敗的真正原因在于被侵略國(guó)家的英勇反抗和日本發(fā)動(dòng)非正義的侵略戰(zhàn)爭(zhēng)的性質(zhì)。這部小說因其獨(dú)特的寫作手法也有著一定的現(xiàn)實(shí)意義。本文從《櫻島》的日常性著手,通過和其他描寫相同時(shí)期的戰(zhàn)爭(zhēng)小說相對(duì)比,論述了這部作品的寫作手法,并捕捉到這部作品在今天的現(xiàn)實(shí)價(jià)值。由于作品中所提及的生死問題并不是戰(zhàn)時(shí)特定的問題,而是貫通整個(gè)人類社會(huì)都需要關(guān)注的,時(shí)時(shí)刻刻都有討論意義的深刻問題,因此,這部作品至今仍沒有被束之高閣,仍被讀者們所喜愛。本文第一章揭示了海軍統(tǒng)治的殘忍和非人性,軍國(guó)主義價(jià)值體系下制造出的傀儡是階級(jí)統(tǒng)治的基礎(chǔ)和工具,作者認(rèn)識(shí)到身為一名士兵已經(jīng)被深深地蒙蔽,并由此引發(fā)了他對(duì)戰(zhàn)爭(zhēng)和人生的種種思考。第二章主要分析了作者對(duì)戰(zhàn)爭(zhēng)的憤恨之情以及作者對(duì)自身價(jià)值的思考,得出了不做軍國(guó)主義統(tǒng)治犧牲品的結(jié)論。第三章主要闡述了戰(zhàn)敗對(duì)小說中各個(gè)登場(chǎng)人物的影響,日本戰(zhàn)敗代表著軍國(guó)主義舊的價(jià)值體系的瓦解和崩潰。本文的結(jié)尾討論了《櫻島》這篇小說的局限性,作者僅從戰(zhàn)爭(zhēng)受害者的角度,而忽視了日本才是侵略戰(zhàn)爭(zhēng)的挑起者,在分析日本戰(zhàn)敗原因的時(shí)候,作者梅崎春生僅看到了日本軍隊(duì)內(nèi)部的腐敗,完全沒有意識(shí)到侵略戰(zhàn)爭(zhēng)性質(zhì)的非正義,客觀上逃避了戰(zhàn)爭(zhēng)的責(zé)任。
[Abstract]:Mizaki Chunsheng is a postwar Japanese writer whose masterpiece is the novel Sakura Island published in 1946. This is a novel based on the military life of the author as a naval soldier. The author describes briefly the living conditions of the naval soldiers about two months before Japan's surrender, and expresses his criticism of the tragic war and the inhuman rule of the army. However, this work also has some limitations. In analyzing the causes of Japan's defeat, the author only sees the corruption and cruelty of militarist rule. It does not realize that the real reason for the failure of the war lies in the heroic resistance of the invading countries and the nature of the unjust aggressive war waged by Japan. This novel also has certain practical significance because of its unique writing technique. This paper begins with the daily life of Sakura Island and compares it with other war novels of the same period, discusses the writing techniques of this work, and captures its practical value today. Because the question of life and death mentioned in the work is not a specific issue of wartime, but a profound problem that needs to be paid attention to throughout human society and is always discussed, the work has not yet been shelved. It is still popular with readers. The first chapter reveals the cruelty and inhumanity of naval rule, the puppet created under the value system of militarism is the foundation and tool of class rule, and the author realizes that being a soldier has been deeply deceived. This led to his thoughts on war and life. The second chapter mainly analyzes the author's resentment towards war and the author's thinking about his own value, and draws the conclusion that he is not a victim of militarism. The third chapter mainly expounds the influence of defeat on the characters in the novel. The defeat of Japan represents the disintegration and collapse of the old value system of militarism. At the end of this paper, the author discusses the limitations of the novel "Sakura". The author only from the point of view of war victims, ignoring that Japan is the invader of the war of aggression, in the analysis of the reasons for Japan's defeat. The author sees only the corruption within the Japanese army and does not realize the injustice of the invading war objectively evades the responsibility of the war.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I313.074

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