本文選題：黎紫書 + 哥特式��； 參考：《浙江師范大學》2016年碩士論文

【摘要】：黎紫書被公認為是當前最具影響力的馬來西亞華人作家之一,也是最具代表性的新生代馬華本土作家。其作品幾乎斬獲了海內(nèi)外所有華文文學重要獎項,深受普通讀者與學術研究者的欣賞和認可。黎紫書小說以編織綿密窒息的文字氛圍、深度挖掘人物內(nèi)心的陰暗隅角著稱,情節(jié)經(jīng)常和亂倫、謀殺、暴力、死亡等黑暗元素相聯(lián)系,總體呈現(xiàn)出壓抑、恐怖的書寫風格,而世界與心靈相互映照所展露的黑暗與恐怖一直是古老哥特文學傳統(tǒng)的經(jīng)典特征。當前國內(nèi)外學者的研究分析皆有所涉及黎紫書創(chuàng)作中的色欲、暴烈、魔幻、瘋癲等特質(zhì),事實上,這些非理性元素已被學界視為黎氏創(chuàng)作最典型的標志。然而遺憾的是,至今尚未出現(xiàn)一篇研究論述將這些創(chuàng)作特征和與之密切相關連的哥特文學傳統(tǒng)相結(jié)合進行探討,甚至尚未有論者正式指出黎紫書小說的哥特式風格。因而本論文將在現(xiàn)有研究基礎上,從黎紫書作品所呈現(xiàn)的哥特式特征入手,運用空間理論、文藝形態(tài)學、意象分析、精神分析、女性主義批評、文化批評等方法,探索黎紫書筆下現(xiàn)代焦慮的哥特式形態(tài),展現(xiàn)黎紫書創(chuàng)作承繼哥特文學具象化、表象化的美學傳統(tǒng),以表面化的黑暗形態(tài)映照現(xiàn)代人類心理。相信這將彌補黎紫書創(chuàng)作整體性研究領域的部分空白,增加黎紫書小說的研究深度。論文主要分為五部分。緒論主要介紹本論文的研究背景、研究意義和研究框架。其中在第三小節(jié)的哥特文學概述中,論文主要分析哥特體裁的產(chǎn)生和發(fā)展,進而歸納總結(jié)哥特式小說在百年演變過程中某些不變的核心元素與模式手法,如特定時空設置、典型人物形象、以恐怖為核心的美學情感、虛實互涉手法,情節(jié)的暴力性和恐怖性等等,以此對應黎紫書創(chuàng)作的主要內(nèi)容和形式手法。第一章主要論述黎紫書小說中空間意象和人物形象的哥特式形態(tài),從封閉式物理空間的可表象性和壓抑性心理空間的不可表象性,對應眾多小說人物身上的可見疾病和不可見疾病,進而闡釋黎紫書筆下眾多迥然不同于啟蒙理性所定義的“人類”范疇的哥特式人物形象。第二章聚焦于黎紫書在空間想象中是如何建構(gòu)各種象征性邊界,論證人物生存空間和人物的內(nèi)心空間處于相互制約的關系。邊界存在是促使人物內(nèi)心由封閉壓抑到焦慮恐懼的主要原因,而人物心理空間的瀕臨崩潰也將導致生存空間秩序的異動乃至瓦解。第三章將分析文本中象征人物企圖謀求解脫或最終突破“定義性”邊界的暴力形式和死亡書寫。結(jié)語部分總結(jié)論文,思考黎紫書所創(chuàng)造的哥特式黑暗文學幻想對于當代現(xiàn)實世界的正面性意義,以及黎紫書小說創(chuàng)作對于傳統(tǒng)哥特模式多樣化和現(xiàn)代化的貢獻性價值。
[Abstract]:Li Zishu is recognized as one of the most influential Chinese writers in Malaysia. His works have won almost all the important awards in Chinese literature at home and abroad, and are appreciated and recognized by ordinary readers and academic researchers. Li Zishu's novels are famous for weaving a suffocating writing atmosphere, digging deep into the dark corners of the characters' hearts, and the plot is often associated with dark elements such as incest, murder, violence, death, etc., and generally presents a repressive and terrifying writing style. The darkness and terror revealed by the mutual reflection of the world and the mind have always been the classic features of the ancient Gothic literary tradition. At present, the research and analysis of scholars at home and abroad are related to the characteristics of lust, violence, magic, madness and so on. In fact, these irrational elements have been regarded as the most typical sign of Li's creation. Unfortunately, however, there has not been a study on the combination of these creative features with the closely related Gothic literary tradition, and no one has even formally pointed out the Gothic style of Li Zi-shu 's novels. Therefore, based on the existing research, this paper will start with the Gothic characteristics of Li Zi's works, and apply the methods of space theory, literary morphology, image analysis, psychoanalysis, feminist criticism, cultural criticism, etc. This paper explores the Gothic form of modern anxiety in Li Zi's writings, reveals the aesthetic tradition of the embodiment and representation of the Gothic literature in Li Zi's creation, and reflects modern human psychology with the dark appearance of the surface. It is believed that this will make up some gaps in the field of the overall study of Li Zishu's creation and increase the research depth of Li Zishu's novels. The paper is divided into five parts. Introduction mainly introduces the research background, research significance and research framework of this paper. In the third section of Gothic literature overview, the paper mainly analyzes the emergence and development of Gothic genre, and then summarizes some core elements and patterns of Gothic novels in the century-old evolution process, such as specific space-time settings. The typical character image, aesthetic emotion with terror as the core, the skill of virtual reality interfacing each other, the violence and horror of plot and so on, correspond to the main content and form technique of the creation of Li Zi book. The first chapter mainly discusses the Gothic form of space image and character image in the novels of Li Zi-shu, from the expressible nature of the closed physical space and the unimaginable nature of the repressive psychological space. Corresponding to the visible and invisible diseases in many novel characters, this paper further explains the Gothic characters in Li Zi's writings which are very different from the category of "human" defined by enlightenment reason. The second chapter focuses on how to construct various symbolic boundaries in the space imagination of Li Zi Book, and prove that the living space of characters and the inner space of characters are mutually restricted. The existence of the boundary is the main reason for the characters to change from closed depression to anxiety and fear, and the imminent collapse of the characters' psychological space will lead to the transformation and even disintegration of the order of living space. The third chapter will analyze the violent forms and death writing of symbolic characters seeking to extricate or finally break through the boundary of "definitional" in the text. The conclusion part summarizes the thesis, and thinks about the positive significance of the Gothic dark literary fantasy created by Li Zishu to the contemporary real world, and the contribution value of Li Zishu's novel creation to the diversification and modernization of the traditional Gothic model.
【學位授予單位】：浙江師范大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：I338.074

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