本文選題：龐德 + 《第詩章》��； 參考：《外國文學評論》2017年01期

【摘要】：龐德《第49詩章》源自日本藝術家《瀟湘八景》冊頁的詩、畫和湖湘教育家兼詩人曾寶蓀的讀解。在這部現(xiàn)代主義佳作中,龐德通過文字、圖像和文化學之所謂"相關文化圈內人"三種媒介所認知的"瀟湘八景"傳統(tǒng),用英文再現(xiàn)"瀟湘八景"蘊涵的寂然世界,影射西方政治、經濟、文化弊病。上世紀對該詩章的研究偏重于互文性,本世紀初的評論又集中于圖像的影響。本文試圖從以希利斯·米勒為代表人物的文化學理念切入,把作品置于圖、文和"相關文化圈內人"的大氛圍內,重新梳理龐德構思此作的過程。
[Abstract]:Pound < forty-ninth poems > poetry from the Japanese artist Xiaoxiang eight scenery page, painting and Huxiang educator and poet Ceng Baosun. In this modernist masterpiece, Pound reproduces the "Xiaoxiang eight sceneries" through the three media, "Xiaoxiang eight scenes", known as the "related cultural circles" in the language, image and culture, and reproduces the "Xiaoxiang eight scenes" in English. The silence of the world, alluding to western political, economic, and cultural maladies. The study of the poem in the last century has been focused on intertextuality, and the comments at the beginning of this century are focused on the influence of images. This article attempts to cut into the cultural philosophy of the representative of Hillis Miller and put the works in the atmosphere of drawings, texts and "related cultural circles". Ripond conceived the process of the work.
【作者單位】： 美國新奧爾良大學;
【分類號】：I712.072
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本文編號：1975153