萊蒙托夫小說創(chuàng)作中的詩化藝術探索
發(fā)布時間:2018-06-02 08:58
本文選題:萊蒙托夫 + 詩化的小說。 參考:《南京師范大學》2017年碩士論文
【摘要】:詩歌與小說是文學創(chuàng)作的兩大體裁,包括普希金在內的不少俄羅斯詩人都曾經探索從詩歌向小說創(chuàng)作的轉型,努力把詩歌藝術與小說藝術融為一體。作為普希金的繼承者,俄羅斯作家米哈伊爾·尤里耶維奇·萊蒙托夫(?)(?) (1814—1841)就完成了這一創(chuàng)作轉型,并在1839至1840年完成了標志著19世紀30年代俄國小說創(chuàng)作最高成就的《當代英雄》。本文力圖探索萊蒙托夫從詩歌過渡到小說創(chuàng)作的藝術特征,并努力揭示他詩人和小說家這一雙重身份背景下對普希金的繼承,從而為批評界進一步了解萊蒙托夫的創(chuàng)作藝術,提供有價值的參考。論文主要由緒論、正文的三個章節(jié)、結論等部分組成。緒論部分為文獻綜述,主要梳理了國內外萊蒙托夫的研究現狀,并闡述了本論文的選題理由、研究路徑和創(chuàng)新之處。本論文并不去主要探討萊蒙托夫的創(chuàng)作是在由浪漫主義向現實主義的轉變,更不以為現實主義的創(chuàng)作方法優(yōu)于浪漫主義。而以為萊蒙托夫實際上是在用詩歌的創(chuàng)作藝術豐富著小說的創(chuàng)作。第一章是探索萊蒙托夫詩歌創(chuàng)作對小說影響的淵源,在細讀文本的基礎上,分析了萊蒙托夫早期構思創(chuàng)作的小說《瓦吉姆》當中的詩化因素,以期揭示萊蒙托夫小說創(chuàng)作詩化的源頭。第二章從小說結構、內心描寫、景物描寫三方面分析了萊蒙托夫巔峰之作《當代英雄》中的詩化藝術,闡明詩化對該小說創(chuàng)作藝術的豐富。第三章是探索萊蒙托夫對普希金的繼承和發(fā)展,并重點比較分析了兩位作家的經典代表作《當代英雄》和《葉甫蓋尼·奧涅金》,從而指出前者由詩歌創(chuàng)作轉向小說創(chuàng)作過程中,是如何完成小說詩化的轉型。結論部分主要是對本論文的研究進行了總結性的歸納。
[Abstract]:Poetry and fiction are two major genres of literary creation. Many Russian poets, including Pushkin, have explored the transition from poetry to novel creation and have made great efforts to integrate poetry and novel art. As the successor of Pushkin, Russian writer Mikhail Yuriyevich Lemontov (1814-1841) completed the transformation of his creation. From 1839 to 1840, he completed the Contemporary Heroes, which marked the highest achievement of Russian novel creation in 1830 s. This paper tries to explore the artistic characteristics of Lemontov's transition from poetry to novel creation, and tries to reveal his inheritance to Pushkin under the background of his dual identity as poet and novelist, so as to further understand Lemontov's creative art for the critics. Provide valuable reference. The paper is mainly composed of introduction, three chapters of the text, conclusion and so on. The introduction part is a literature review, mainly combing the domestic and foreign Lemontov research status, and expounds the reasons for the topic of this paper, research path and innovation. This thesis does not mainly discuss that the creation of Lemontov is changing from romanticism to realism, and does not think that the method of realism is superior to that of romanticism. Lemontov was actually enriching the novel with the art of poetry. The first chapter is to explore the origin of the influence of Lemontov's poetry creation on the novel. On the basis of careful reading of the text, this chapter analyzes the poetic factors in Lemontov's early conception of the novel "Vagem". In order to reveal the source of Lemontov's poetic novel creation. The second chapter analyzes the poetic art in Lemontov's masterpiece "Contemporary Heroes" from three aspects: novel structure, inner description and scene description. The third chapter explores Lemontov's inheritance and development of Pushkin, and focuses on the comparison and analysis of the classic masterpieces of the two writers, "Contemporary Heroes" and "Evgeny Onegin", thus pointing out that the former has changed from poetry to novel creation. How to complete the poetic transformation of the novel. The conclusion part mainly summarizes the research of this paper.
【學位授予單位】:南京師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:I512.074
【參考文獻】
相關期刊論文 前10條
1 高榮國;;《別爾金小說集》的敘述者形象研究[J];俄羅斯文藝;2015年03期
2 顧蘊璞;;萊蒙托夫天才成長三部曲[J];邵陽學院學報(社會科學版);2014年05期
3 楊明明;;從文學史到文化符號學——洛特曼的萊蒙托夫文本詮釋[J];俄羅斯文藝;2014年03期
4 黃曉敏;;萊蒙托夫創(chuàng)作中的圣經主題研究[J];俄羅斯文藝;2014年03期
5 于曉利;;試析萊蒙托夫小說《當代英雄》的“作者形象”[J];俄羅斯文藝;2014年03期
6 夏忠憲;;現代的普羅米修斯——西方思想史語境下的萊蒙托夫及其創(chuàng)作[J];俄羅斯文藝;2014年03期
7 管月娥;;情感性、對話性、多維性——畢巧林形象“當代性”的符號學透視[J];俄羅斯文藝;2014年03期
8 金亞娜;;奇崛藝術世界的宏遠歷史投影——紀念萊蒙托夫誕辰200周年[J];俄羅斯文藝;2014年03期
9 曾思藝;;萊蒙托夫敘事詩的藝術特色[J];俄羅斯文藝;2014年03期
10 姜訓祿;;中國的萊蒙托夫譯介與研究[J];俄羅斯文藝;2014年03期
,本文編號:1968187
本文鏈接:http://sikaile.net/xiandaiwenxuelunwen/1968187.html