本文選題：“壬辰倭亂” + 小說(shuō)戲曲　； 參考：《文學(xué)遺產(chǎn)》2017年02期

【摘要】："壬辰倭亂"之后,中朝日三國(guó)相繼出現(xiàn)了大量以之為題材的小說(shuō)戲曲。由于三國(guó)在這場(chǎng)戰(zhàn)爭(zhēng)中的角色不同及其文化差異,造成這些文學(xué)作品對(duì)"壬辰倭亂"采取了不同的記憶與重構(gòu)方式。作為援助國(guó)的中國(guó),嘉靖年間發(fā)生在東南沿海的倭亂記憶,使這些作品表達(dá)出對(duì)鄰國(guó)的深切同情,同時(shí)士人借平倭建功以抒發(fā)平天下的政治理想;朝鮮作為受害國(guó),相關(guān)小說(shuō)全面、真實(shí)反映了倭亂過(guò)程,內(nèi)容豐富,既揭露侵略者的暴行,歌頌忠烈的愛(ài)國(guó)精神,也弘揚(yáng)民族意識(shí);日本作為侵略國(guó),相關(guān)戲曲小說(shuō)則極力將侵略行為正當(dāng)化,美化侵略者,宣揚(yáng)武士道精神,體現(xiàn)出強(qiáng)烈的對(duì)外擴(kuò)張意識(shí)。
[Abstract]:After the chaos, a large number of novels and operas on the subject appeared in China, North Korea and Japan. Due to the different roles and cultural differences of the three Kingdoms in this war, these literary works have adopted different methods of memory and reconstruction. As a donor country, China's memory of Japan's chaos occurred in the southeast coastal areas during the years of Jiajing, which made these works express their deep sympathy for their neighbors, and at the same time, the scholars took advantage of the pacification of Japan to express the political ideal of leveling the world; North Korea, as an injured country, The relevant novels are comprehensive and truly reflect the process of Japanese chaos and are rich in content. They not only expose the atrocities of the aggressors, eulogize the patriotic spirit of the loyal and martyrs, but also carry forward the national consciousness. As an aggressor country, the relevant drama novels do their utmost to legitimize the aggressive acts. Beautifying the invaders, propagating the spirit of Bushido, reflecting a strong sense of external expansion.
【作者單位】： 浙江工業(yè)大學(xué)人文學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目“東亞漢文小說(shuō)文獻(xiàn)整理與研究”(項(xiàng)目編號(hào)13&ZD113)階段性成果
【分類號(hào)】：I106

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1 王亞楠;壬辰倭亂時(shí)期俘虜體驗(yàn)文學(xué)研究[D];南京師范大學(xué);2014年

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本文編號(hào)：1918354