本文選題：莎士比亞 + 卡列班　； 參考：《社會(huì)科學(xué)研究》2016年06期

【摘要】：卡列班是莎士比亞晚期劇作《暴風(fēng)雨》中的一個(gè)人物,在不同歷史時(shí)期重塑文學(xué)經(jīng)典和文學(xué)闡釋的過程中,他的形象被賦予了多種文化內(nèi)涵,影響至今。在后殖民文學(xué)批評(píng)興盛之后,卡列班很快成為所有邊緣群體和弱勢(shì)力量的代表,與同劇中的殖民者普洛士丕羅構(gòu)成地緣政治中相互對(duì)立和角力的雙方,也因此走上文學(xué)批評(píng)的前臺(tái),以種族他者的身份確立了自己的地位。本文將結(jié)合卡列班演變?yōu)楹笾趁衽u(píng)原型的歷程,討論文學(xué)書寫與地緣政治的關(guān)系,涉及到殖民心理、權(quán)力關(guān)系、話語(yǔ)政治、族裔身份等相關(guān)議題。
[Abstract]:Caliban is a character in Shakespeare's late play the Storm. In the process of remolding literary classics and literary interpretation in different historical periods, his image has been endowed with a variety of cultural connotations and has influenced the present. After the rise of post-colonial literary criticism, Caliban quickly became the representative of all the marginalized groups and the weak forces, and with the colonist Prospero in the play constitute the geopolitical antagonism and struggle between the two sides. Therefore, he stepped into the front stage of literary criticism and established his position as a racial other. This paper will discuss the relationship between literary writing and geopolitics, including colonial psychology, power relations, discourse politics, ethnic identity and so on, in the light of the evolution of Kaleban into the prototype of post-colonial criticism.
【作者單位】： 廣東外語(yǔ)外貿(mào)大學(xué)英語(yǔ)語(yǔ)言文化學(xué)院;
【分類號(hào)】：I561.073

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1 丁文莉;;《暴風(fēng)雨》的后殖民閱讀[J];連云港師范高等專科學(xué)校學(xué)報(bào);2005年03期

2 ;[J];;年期

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本文編號(hào)：1905735