本文選題：申堪 + 《肯塔基組曲》　； 參考：《當(dāng)代外國文學(xué)》2016年03期

【摘要】：羅伯特·申堪的代表作《肯塔基組曲》1992年獲得普利策戲劇獎,這組系列劇由9個短劇組成,講述了肯塔基州東部坎伯蘭高原上兩大家族間兩百多年的爭斗與糾葛,構(gòu)成了一部氣勢恢宏的家族史詩劇。本文以"暴力敘事"為切入點,通過分析這部長劇中羅文家族的恩怨和情感糾葛,揭橥隱匿于美國神話背后的種族、家庭、性別和生態(tài)等方面時隱時現(xiàn)的暴力問題,從而顛覆以"美國夢"、清教信仰和生態(tài)文明為代表的神圣的"美國神話"。
[Abstract]:Robert Schencan's masterpiece, Kentucky Suite, won the Pulitzer Prize for Drama in 1992. The series consists of nine short plays about more than two hundred years of fighting and entanglement between two families on the Cumberland plateau in eastern Kentucky. Constitute a magnificent family history of poetry play. Based on "violent narration", this paper analyzes the Luo Wen family's grudges and emotional entanglements in the minister's play, and reveals the hidden problems of violence in the aspects of race, family, gender and ecology, which are hidden behind American mythology. It subverts the sacred American myth represented by the American Dream, Puritan belief and ecological civilization.
【作者單位】： 南通大學(xué)外國語學(xué)院;
【基金】：江蘇省哲學(xué)社會科學(xué)規(guī)劃項目“多元文化語境下當(dāng)代美國戲劇研究”(08WWB001)的階段性成果
【分類號】：I712.073
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本文編號：1858105