本文選題：符號(hào)學(xué) + 《古舟子詠》　； 參考：《江蘇科技大學(xué)》2017年碩士論文

【摘要】：本文從現(xiàn)代符號(hào)學(xué)理論視角對(duì)英國浪漫主義時(shí)期詩人柯勒律治的《古舟子詠》進(jìn)行符號(hào)學(xué)解析。具體而言,通過定性的研究方法,研究了三個(gè)重點(diǎn)問題:(一)象征、隱喻和互文分別在《古舟子詠》中是如何體現(xiàn)的?(二)怎樣解釋《古舟子詠》中的象征、隱喻和互文?(三)融合象征、隱喻和互文性的現(xiàn)代符號(hào)學(xué)理論在詩歌賞析中是如何發(fā)揮作用的?本文選取柯勒律治《古舟子詠》作為研究對(duì)象。首先,在象征方面,通過信天翁,冰山和水蛇三個(gè)典型意象的選擇,分析《古舟子詠》中的象征意義。其次,在隱喻意義方面,通過對(duì)《古舟子詠》中的語音層面與語義層面的隱喻分析,論述不同層面的隱喻含義。再次,在互文方面,通過經(jīng)典著作中的主題、意象以及原型的互文性分析,分別就主體的對(duì)話、文化的對(duì)話以及文本的對(duì)話三個(gè)層面對(duì)《古舟子詠》進(jìn)行互文性理論分析。最后,在符號(hào)學(xué)理論的指導(dǎo)下,通過對(duì)象征、隱喻和互文性分析結(jié)果的綜合解析,結(jié)合詩人的前知識(shí)經(jīng)驗(yàn),論述符號(hào)學(xué)理論對(duì)于詩歌的意義表達(dá)與意義解釋方面的作用。通過研究,本文得出以下結(jié)論:第一,《古舟子詠》中的象征是通過意象的象征意義體現(xiàn)的,主要涉及三個(gè)典型意象,即信天翁、冰山和水蛇;隱喻是通過語音層面與語義層面隱喻含義體現(xiàn)的;互文則是通過不同著作中的主題、意象以及原型體現(xiàn)的。第二,就象征而言,詩歌中信天翁、冰山和水蛇意象的象征意義體現(xiàn)在詩歌語言的方方面面,包括主題和基督教內(nèi)涵甚至格律和韻腳,此外,詩中意象的象征意義的構(gòu)建是不同意象之間共同作用的結(jié)果,包括教堂,小山,燈塔,老水手等,還包括一些視覺意象;就隱喻而言,本詩中語音層面的隱喻更多地涉及感嘆隱喻,韻律隱喻,尤其是押頭韻的使用,而語義層面的隱喻則涉及詞匯隱喻和句子隱喻,隱喻的存在為詩歌的深層含義的理解提供了一個(gè)很好的支撐;就互文而言,通過主題、意象和原型三個(gè)方面的互文性分析,使《古舟子詠》在不同時(shí)期、不同地域和不同民族的大文化背景下?lián)碛邢嗨频闹黝}和人物形象,并產(chǎn)生相似的文化影響。第三,符號(hào)學(xué)理論為詩歌的解析提供了一個(gè)很好的視角,象征表現(xiàn)了詩歌獨(dú)特的美學(xué),通過暗示和陌生化手法構(gòu)建的象征意象投射出詩歌的象征寓意;語音隱喻使詩歌語言變得更為生動(dòng)和準(zhǔn)確,增添了詩歌的音樂性,語義層面的隱喻則使詩歌語言更富有文學(xué)性;互文則加深了對(duì)詩人本身所要傳達(dá)的精神的理解。由此可見,符號(hào)學(xué)理論對(duì)于詩歌鑒賞起到一個(gè)基本而又重要的作用,無論是詩歌表層含義的理解亦或是深層意義的表達(dá),符號(hào)學(xué)都為其提供了科學(xué)而有效的方法,更提高了詩歌賞析的系統(tǒng)性、科學(xué)性與開放性。
[Abstract]:From the perspective of modern semiotics, this paper makes a semiotics analysis of the poet Coleridge of the British Romantic period. Specifically, through qualitative research methods, this paper studies three key questions: symbolism, metaphor and intertextuality, which are embodied in Ancient Boat Zi Chong respectively. (2) how to explain the symbolism, metaphor and intertextuality in Ancient Boat Ching? (3) how does the modern semiotic theory of symbolism, metaphor and intertextuality play a role in poetry appreciation? In this paper, Coleridge's Ancient Boat Poon is chosen as the research object. First of all, in the aspect of symbolism, through the choice of three typical images of albatrosses, icebergs and water snakes, this paper analyzes the symbolic significance of the ancient boat. Secondly, in terms of metaphorical meaning, this paper discusses the metaphorical meanings at different levels through the metaphorical analysis of phonological and semantic aspects in Ancient Boat Ching. Thirdly, in the aspect of intertextuality, through the intertextuality analysis of themes, images and archetypes in classical works, the intertextuality theory is analyzed on three levels: the dialogue of the subject, the dialogue of the culture and the dialogue of the text. Finally, under the guidance of semiotics theory, through the comprehensive analysis of the results of symbolic, metaphorical and intertextuality analysis, combined with the poet's previous knowledge and experience, this paper discusses the role of semiotics theory in the meaning expression and meaning interpretation of poetry. The main conclusions are as follows: first, the symbolism in Ancient Boat Ching is embodied by the symbolic meaning of the image, which involves three typical images, namely albatrosses, icebergs and water snakes; Metaphor is embodied by metaphorical meaning at the phonological and semantic levels, while intertextuality is embodied by themes, images and archetypes in different works. Second, as far as symbolism is concerned, the symbolic meaning of the albatross, iceberg and water snake images in poetry is embodied in all aspects of the poetic language, including themes and Christian connotations, even rhythm and rhyme, in addition, The construction of the symbolic meaning of the imagery in the poem is the result of disagreeing with the interaction of the elephants, including churches, hills, lighthouses, old sailors, and some visual images; in the case of metaphors, The phonetics metaphor in this poem is more concerned with the use of sigh metaphor, prosodic metaphor, especially rhyme, while the semantic metaphor involves lexical metaphor and sentence metaphor. The existence of metaphor provides a good support for the understanding of the deep meaning of poetry. As far as intertextuality is concerned, through the intertextuality analysis of three aspects, theme, image and archetype, "Ancient Booziyong" is made in different periods. Different regions and different ethnic groups have similar themes and characters, and have similar cultural influences. Third, semiotics theory provides a good perspective for the analysis of poetry. Symbolism represents the unique aesthetics of poetry, and the symbolic image constructed by implication and defamiliarization projects the symbolic meaning of poetry. The phonetic metaphor makes the poetic language more vivid and accurate, and adds the musicality of the poem, while the semantic metaphor makes the poetic language more literary, while the intertextuality deepens the understanding of the poet's own spirit. Thus, semiotics theory plays a basic and important role in poetry appreciation. Whether it is the understanding of the surface meaning of poetry or the expression of deep meaning, semiotics provides a scientific and effective method for poetry appreciation. It also improves the system, science and openness of poetry appreciation.
【學(xué)位授予單位】：江蘇科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I561.072

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