本文選題：柔石 + 小林多喜二�。� 參考：《遼寧大學(xué)》2017年碩士論文

【摘要】：柔石(1902-1931)和小林多喜二(1903-1933)作為20世紀(jì)二三十年代中國(guó)和日本杰出的左翼文學(xué)家、革命家,無論是對(duì)無產(chǎn)階級(jí)革命事業(yè)還是現(xiàn)實(shí)主義文學(xué)都做出了卓越的貢獻(xiàn)。柔石和小林多喜二都生活在動(dòng)蕩的年代,對(duì)底層窮苦人民遭受到的苦難有著切身的體會(huì)和深刻的同情,他們?cè)谧髌分泻敛涣羟榈亟衣秳诳啻蟊婌`魂深處的苦難、麻木和扭曲,其藝術(shù)性和思想性是值得我們一再研究和品讀的瑰寶。本文重在對(duì)兩位作家的生平遭際和寫作過程等方面進(jìn)行分析,考察他們文中的人物形象在性格、思想上的異同,分析他們的獨(dú)特性,繼而探究形成這些異同的原因。本文主要將這些人物形象分為三個(gè)類型來討論,即受侮辱的女性形象、覺醒中的青年形象和被壓迫的農(nóng)民形象。在受侮辱的女性形象中,主要討論兩位作家筆下女性低下的社會(huì)地位和艱難的生存困境,以及相似的母親形象的塑造,并比較女性斗爭(zhēng)意識(shí)的不同,即一方是軟弱怯懦的殉葬者,另一方是具有自我意識(shí)的反抗者。覺醒中的青年形象主要討論兩位作家筆下青年的不同精神狀態(tài),他們都是有理想、有正義感的知識(shí)分子,但柔石側(cè)重表現(xiàn)知識(shí)青年苦悶彷徨的精神狀態(tài),即平民式“多余人”形象,而小林多喜二則更擅于塑造光明的革命斗士,表現(xiàn)他們?cè)诜磩?dòng)統(tǒng)治的鎮(zhèn)壓下忠于信仰為黨奮斗的一生。被壓迫的農(nóng)民形象從農(nóng)民角度探究?jī)晌蛔骷夜P下農(nóng)民的兩面性,即一面是作為奴才的“受虐者”,另一面又是有著專制意識(shí)的“施虐者”。作為施虐者,柔石筆下的農(nóng)民又表現(xiàn)出兇狠暴戾的特點(diǎn),而小林多喜二塑造的農(nóng)民身上又體現(xiàn)出根深蒂固的“奴隸根性”。
[Abstract]:Rou Shi (1902-1931) and Kobayashi Kobayashi (1903-1933) as Chinese and Japanese outstanding left-wing writers and revolutionaries, both proletarian revolutionary cause and realistic literature have made outstanding contributions.Rou Shi and Kobayashi both live in turbulent times and have a personal understanding and deep sympathy for the suffering suffered by the poor people at the bottom. In their works, they unreservedly expose the suffering, numbness, and distortion deep in the soul of the laborious masses.Its artistic and ideological content is a treasure worthy of our repeated study and reading.This paper focuses on the analysis of the life experience and writing process of the two writers, examines the similarities and differences of their characters in character and thought, analyzes their uniqueness, and then probes into the reasons for these similarities and differences.This paper mainly divides these characters into three types: the insulted female image, the awakened youth image and the oppressed peasant image.In the insulted image of women, this paper mainly discusses the low social status and difficult living predicament of women described by the two writers, as well as the portrayal of similar images of mothers, and compares the different consciousness of women's struggle.One is a weak and cowardly martyr, the other is a self-conscious rebel.The youth images in the awakening mainly discuss the different mental states of the two writers' young people. They are intellectuals with ideals and sense of justice, but Rou Shi focuses on the spiritual state of expressing the distress and loss of the intellectual youth.That is, the image of "superfluous people" in the form of civilians, while Kobayashi was even better at shaping bright revolutionary fighters, showing their loyalty to the faith and struggle for the Party under the reactionary repression.The image of the oppressed peasants explores the two sides of the peasants' works from the perspective of the peasants, that is, one side is the "masochist" as a slave, the other is the "abuser" with autocratic consciousness.As an abuser, the peasants written by Rou Shi showed the characteristics of ferocity and violence, while the peasants shaped by Xiaolin Duoxiji showed deep-rooted "slave roots".
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I106-03

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