本文選題：英培安 + 身體��； 參考：《華文文學(xué)》2017年01期

【摘要】：有關(guān)新加坡作家英培安的研究,大多集中在他的敘事技藝、現(xiàn)代主義實(shí)驗(yàn)與雜文寫作的魯迅風(fēng)。本文把他的包括小說(shuō)、詩(shī)歌、劇本、雜文和評(píng)論在內(nèi)的全部作品,視為一個(gè)完整開(kāi)放的結(jié)構(gòu)和系統(tǒng),展開(kāi)"跨文類"閱讀,以"身體書(shū)寫"作為切入點(diǎn),采用性別研究、道德哲學(xué)、政治哲學(xué)與后殖民研究的理論框架,研討文學(xué)文本與社會(huì)-文化語(yǔ)境之間的張力對(duì)話,考察身體論述如何變成英氏寫作時(shí)的支配性框架,他如何講述身體與自我、與情欲、與疾病、與權(quán)力相互糾葛的故事,并且評(píng)價(jià)其洞見(jiàn)和盲點(diǎn)的所在。
[Abstract]:Most of the research on Singaporean writer Imperian focuses on his narrative skills, modernism experiments and essays written by Lu Xun.In this paper, all his works, including novels, poems, plays, essays and comments, are regarded as a complete and open structure and system, with "cross-text" reading, "body writing" as the starting point, and gender studies as the starting point.The theoretical framework of moral philosophy, political philosophy and postcolonial study, discusses the tension dialogue between literary texts and sociocultural context, examines how body discourse becomes the dominant framework in English writing, and how he talks about body and self.Stories intertwined with lust, with disease, with power, and with their insights and blind spots.
【作者單位】： 新加坡南洋理工大學(xué)中文系;
【基金】：新加坡國(guó)家藝術(shù)理事會(huì)的研發(fā)基金(NAC R & D Grant)資助項(xiàng)目“The National Narratives of Chinese Literature in Postcolonial Singapore”
【分類號(hào)】：I339.06

【相似文獻(xiàn)】

相關(guān)期刊論文 前3條

1 金進(jìn);;新加坡作家英培安創(chuàng)作中的外來(lái)影響[J];外國(guó)文學(xué)研究;2012年04期

2 朱崇科;;面具敘事與主體游移:高行健、英培安小說(shuō)敘事人稱比較論[J];西南民族大學(xué)學(xué)報(bào)(人文社科版);2009年03期

3 ;[J];;年期

，

本文編號(hào)：1740854