文學(xué)經(jīng)典的大數(shù)據(jù)分析與文化增殖
發(fā)布時(shí)間:2018-03-29 11:34
本文選題:大數(shù)據(jù)分析 切入點(diǎn):文學(xué)經(jīng)典 出處:《浙江社會科學(xué)》2017年10期
【摘要】:在新媒體時(shí)代和深受后現(xiàn)代思潮影響的多元化時(shí)代,文學(xué)經(jīng)典"存在與否"、"屬于誰"以及"是何種層次上的"等反思性問題日益突出,"經(jīng)典"的"地動山搖"為文學(xué)經(jīng)典的重構(gòu)以及文學(xué)史的重寫開啟了新空間,否定經(jīng)典、拓寬經(jīng)典或更替經(jīng)典紛紛登場;即便是依舊按照權(quán)威認(rèn)定、繼續(xù)認(rèn)同傳統(tǒng),文學(xué)經(jīng)典的輻射范圍也與以往不同,它們不僅要在本民族內(nèi)部傳承,還要進(jìn)入更廣闊的跨文化場域。同時(shí),以互聯(lián)網(wǎng)為代表的新媒體不僅從根本上改變了信息的生產(chǎn)與傳播方式,還日益深刻地改變?nèi)藗兊纳a(chǎn)與生活方式,提高人們的思維與變革的能力,作為"數(shù)字人文"的文學(xué)經(jīng)典的研究和傳播愈發(fā)離不開"大數(shù)據(jù)"。重視大數(shù)據(jù)分析并不意味著放棄對意義的追索,文學(xué)經(jīng)典傳播必須搭建起人文與科技溝通的橋梁,詮釋經(jīng)典與"活用"經(jīng)典并舉。對于文學(xué)經(jīng)典的視覺化生存與數(shù)字化發(fā)展決不能忽視,也不能拔高,應(yīng)該將時(shí)新的媒介高科技運(yùn)用與傳統(tǒng)的人文意義追索結(jié)合,構(gòu)建立體型、縱深性的人文譜系,以適應(yīng)時(shí)代變化、接續(xù)人文根系。
[Abstract]:In the era of new media and in the era of pluralism deeply influenced by post-modern trends of thought, The reflective problems such as "existence or not", "who belongs to" and "on what level" are increasingly prominent. The "shaking of the earth" of "classic" opens up a new space for the reconstruction of literary classics and the rewriting of literary history, and negates the classics. Even if we continue to recognize tradition in accordance with our authority, the radiation scope of literary classics is different from that of the past, and not only do they have to be passed down within their own nation, At the same time, the new media, represented by the Internet, have not only fundamentally changed the way information is produced and disseminated, but also increasingly profoundly changed the way people produce and live. To improve people's ability to think and change, the study and dissemination of literary classics as "digital humanities" are increasingly inseparable from "big data." paying attention to the analysis of big data does not mean giving up the pursuit of meaning. The dissemination of literary classics must build a bridge between humanities and science and technology, and interpret the classics and "live" classics simultaneously. The visual survival and digital development of literary classics must not be ignored, nor can they be elevated. It is necessary to combine the high-tech application of modern and new media with the traditional humanistic meaning to construct a three-dimensional and deep humanism pedigree in order to adapt to the changes of the times and to continue the humanistic root system.
【作者單位】: 溫州大學(xué)人文學(xué)院;
【基金】:浙江省高校重大人文社科項(xiàng)目攻關(guān)計(jì)劃項(xiàng)目資助(2016GH015)成果
【分類號】:G206;I106
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本文編號:1680957
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