本文選題：菲利普·羅斯　切入點(diǎn)：狂熱者伊萊　出處：《解放軍外國(guó)語學(xué)院學(xué)報(bào)》2016年05期

【摘要】：菲利普·羅斯早期創(chuàng)作的短篇故事《狂熱者伊萊》通過塑造一個(gè)非典型瘋子形象,表達(dá)了一種焦慮情緒。主人公伊萊在受害者和施害者的角色之間徘徊,最終在受害和施害兩種恐懼情緒的對(duì)立中因不堪焦慮而走向瘋癲。首先,伊萊的瘋癲是猶太社區(qū)內(nèi)部沖突和族內(nèi)傷害的結(jié)果,它真實(shí)地展現(xiàn)了20世紀(jì)50年代美國(guó)猶太社區(qū)的矛盾利害關(guān)系,反映了羅斯對(duì)美國(guó)同化猶太人的莫大諷刺和尖銳批評(píng)。其次,伊萊的瘋癲具有文化抗?fàn)幍南笳饕饬x,它隱含地表達(dá)了猶太民族關(guān)于隔都、種族迫害等創(chuàng)傷與恐懼的記憶。最后,它具有演示性,是一場(chǎng)具象化受害恐懼的表演秀。伊萊的換裝走秀和社區(qū)街道游行揭示了受害者和施害者的根本矛盾源于對(duì)社區(qū)空間是否容許異質(zhì)文化這一問題的對(duì)立觀點(diǎn)。
[Abstract]:Philip Ross's early short story, "Eli of the Fever," expresses anxiety by creating an image of an atypical madman. Eli, the protagonist, lingers between the roles of the victim and the perpetrator. Finally, in the antagonism of the two kinds of fear of victimization and victimization, they go mad with anxiety. First, Eli's madness is the result of internal conflict and intra-clan injury in the Jewish community. It truly shows the contradictions and interests of the Jewish community in the 1950s, and reflects Ross's great satire and sharp criticism of the assimilation of Jews in the United States. Secondly, Eli's madness has the symbolic significance of cultural struggle. It implicitly expresses the Jewish people's memories of trauma and fear, such as septum, racial persecution, etc. Finally, it is illustrative. Eli's dressing show and community street parade reveal that the fundamental contradiction between the victim and the perpetrator stems from opposing views on whether heterogeneous culture is allowed in community space.
【作者單位】： 上海外國(guó)語大學(xué)研究生部;
【基金】：上海外國(guó)語大學(xué)優(yōu)秀博士學(xué)位論文資助項(xiàng)目
【分類號(hào)】：I712.074
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本文編號(hào)：1676334