本文關(guān)鍵詞： 志賀直哉 母親形象 家庭 初期作品　出處：《吉林大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：志賀直哉是從明治末期起,經(jīng)歷大正,昭和年代,長(zhǎng)期活躍在日本近代文壇的白樺派代表性作家。在志賀的作品中,以自身生活為題材寫的私小說(shuō)和隨筆非常多。總體來(lái)看,現(xiàn)實(shí)生活中與父親的不和是志賀文學(xué)創(chuàng)作的一大原動(dòng)力。然而在志賀的初期作品中,關(guān)于母親或祖母的描寫甚至較父親更多一些。本篇論文主要通過(guò)文本分析的方法,總結(jié)歸納志賀直哉初期作品中的母親形象特征。再結(jié)合現(xiàn)存的作家草稿,筆記,書信等文獻(xiàn)資料,對(duì)作家創(chuàng)作時(shí)的心態(tài)和時(shí)代背景進(jìn)行探討。最后對(duì)從中體現(xiàn)出來(lái)的作者觀念也進(jìn)行簡(jiǎn)要的分析。關(guān)于志賀直哉文學(xué)創(chuàng)作的初期階段,在參照先行研究的基礎(chǔ)上,將初期定為從處女作《某個(gè)清晨》與《到網(wǎng)走》寫就的1908年,到開始了2年多空白期的1914年之間。通過(guò)對(duì)這個(gè)階段作品的分析,總結(jié)出在志賀直哉的初期作品中,母親形象在性格方面可以歸納為母性,軟弱的兩大特征;在命運(yùn)方面,可以總結(jié)為不幸這一個(gè)特征。值得注意的一點(diǎn)是,母親形象中的軟弱特征往往體現(xiàn)在作品中的母親對(duì)家庭中的男性成員事事順從,一遇事不敢自己拿主意,產(chǎn)生不安或不滿情緒時(shí),唯有獨(dú)自落淚這一點(diǎn)上。這個(gè)軟弱其實(shí)并非某個(gè)個(gè)體特有的軟弱性格,而是母親們家庭地位低,精神不夠獨(dú)立,一切從屬于男性的體現(xiàn)。而志賀直哉對(duì)作品中母親不幸命運(yùn)的描寫,則側(cè)重強(qiáng)調(diào)了家庭中丈夫的薄情寡義,兒子的刁蠻任性,是使得母親付出的愛(ài)情與辛勞得不到回報(bào),陷入不幸的罪魁禍?zhǔn)�。這主要來(lái)自志賀所看到的父親對(duì)生母和繼母的對(duì)待方式。生母去世時(shí)父親滴淚未流的薄情表現(xiàn),自己心中對(duì)母親不幸的同情,都被志賀直哉融入進(jìn)了作品當(dāng)中。此外,當(dāng)時(shí)社會(huì)盛行的良母賢妻女子教育思想,也影響到了志賀直哉對(duì)母親的看法。在他的筆下,母親這一身份,和丈夫,孩子的關(guān)系往往被強(qiáng)調(diào),而對(duì)于母親本人,則沒(méi)有深入的心理描寫。這和當(dāng)時(shí)注重女性的家庭角色,忽視女性的獨(dú)立人格發(fā)展的社會(huì)氛圍是一致的。志賀直哉在初期作品中描寫的母親的母性和軟弱的性格特質(zhì),顯得極其的平面化和臉譜化。由于生活中對(duì)女性,對(duì)母親的了解不夠深入,使得志賀只能站在自己的視角上,去描寫對(duì)自己而言的,自己理想中的母親。志賀只是沿著自己被社會(huì),家庭傳統(tǒng)影響的固有觀念,將母親形象作為了表現(xiàn)自己對(duì)母愛(ài)渴求,對(duì)父親不滿的符號(hào)與工具。
[Abstract]:Zhihe Zhiya is a representative writer of Bai Hua school who has been active in Japan's modern literary world for a long time since the end of Meiji and experienced the era of Taisho and Showa in the works of Shiga. There are a lot of personal novels and essays written on the subject of one's own life. In general, discord with father in real life is a major motive force of Shiga literary creation. However, in the early works of Shiga. The description of mother or grandmother is even more than father. This paper mainly through the text analysis method, summarizes and summarizes the mother image characteristics in the early works, and then combines with the existing draft of the writer. Notes, letters and other documents, the writer's writing mentality and the background of the times are discussed. Finally, the author's concept from the brief analysis. About the early stage of Zhihe Zhiya literary creation. On the basis of the first research, the initial period was set as 1908, which was written from the first work "some early morning" and "to the net". To the beginning of more than 2 years of blank period between 1914. Through the analysis of this stage of the works, summed up in the early works, the image of mother in character can be summed up as motherhood. Two characteristics of weakness; In the aspect of fate, it can be summed up as a feature of misfortune. It is worth noting that the weakness of the image of mother is often reflected in the mother's obedience to the male members of the family. When you don't dare to make up your mind, you can only cry alone when you feel uneasy or discontented. This weakness is not the weakness of an individual, but the low status of the mothers at home. The spirit is not independent, everything is subordinate to the embodiment of the male. The description of the unfortunate fate of the mother in Zhihe's works emphasizes the lack of love and justice of the husband in the family, and the obstinate and wayward nature of the son. It is the love and toil that make the mother pay no return. The chief culprit for misfortune. This comes mainly from the way Shiga saw the father treat his biological mother and stepmother. The father's unshed tears at the mother's death showed his sympathy for his mother's misfortune. In addition, the educational thought of good mother and good wife in the society at that time also influenced Zhihe's view of mother. In his writing, the identity of mother, and husband. The relationship between children is often emphasized, but for the mother himself, there is no in-depth psychological description. This is the focus on the role of women in the family at that time. The social atmosphere of neglecting the development of independent personality of women is consistent. The mother's motherhood and weak character characteristics described in his early works are extremely flat and factionalized. The understanding of the mother is not deep enough, so Shiga can only stand on their own perspective, to describe their ideal mother. Shiga is just along their own social, family tradition. The image of mother is used as a symbol and tool to express one's desire for maternal love and dissatisfaction with father.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I313.074

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相關(guān)期刊論文 前1條

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本文編號(hào)：1446681