本文關(guān)鍵詞：現(xiàn)代抒情詩人阿波利奈爾　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 紀(jì)堯姆·阿波利奈爾(Guillaume Apollinaire) 法國詩歌 抒情詩 現(xiàn)代性 抒情性

【摘要】：紀(jì)堯姆·阿波利奈爾(Guillaume Apollinaire)是法國著名詩人,活躍于19世紀(jì)末、20世紀(jì)初的法國文壇。他的創(chuàng)作思想與實踐影響了法國諸多文學(xué)與藝術(shù)運動,如未來主義、立體主義、達(dá)達(dá)主義。其也因提出“超現(xiàn)實主義”一詞而被視為該流派的先驅(qū)。研究阿波利奈爾的法國文學(xué)專家們經(jīng)常將其稱為“現(xiàn)代的抒情詩人”,然而這一概念較為抽象,且沒有絕對的定義,對中國讀者而言更是難以理解。除此之外,西方詩歌研究中的重要概念——“抒情性”(lyrisme,也譯作“抒情詩”或“抒情”)被放入中文語境中時也易引起歧義。何謂抒情詩人?阿波利奈爾為何是位抒情詩人?比起抒情性,阿波利奈爾作品的現(xiàn)代性似乎更加容易被理解與接受,但其作品中抒情性與現(xiàn)代性的結(jié)合才是最值得被關(guān)注的特點。本文試圖從此角度切入,通過對阿波利奈爾的詩歌作品進(jìn)行分析,以證明阿波利奈爾是位“現(xiàn)代抒情詩人”。第一部分,首先通過梳理法國歷史上不同時期抒情詩的特點,為抒情詩與抒情性下定義,接著找出現(xiàn)代性的定義。盡管“抒情性”一詞較難定義,其在文學(xué)領(lǐng)域的存在卻是隨處可見的,尤其是在某些特定的文學(xué)種類與詩歌體裁中。文本的音樂性、作者個人情感的表達(dá)、對理想境界的追求往往被視為作品抒情性較為明顯的特征。同時,有一些較為常見的抒情主題,如愛情、痛苦、死亡、宗教等。第二部分將主要通過展現(xiàn)不同文學(xué)與藝術(shù)流派對阿波利奈爾創(chuàng)作的影響,說明在阿波利奈爾的不同創(chuàng)作時期,其詩歌作品中抒情性和現(xiàn)代性是如何并存的。無論其創(chuàng)作風(fēng)格曾靠近何種文學(xué)流派,其中有的流派甚至是反抒情的(至少從表面上看),如象征主義、未來主義、超現(xiàn)實主義等,在阿波利奈爾自己的創(chuàng)作中,抒情卻是一直存在的。第三部分,將對阿波利奈爾詩歌進(jìn)行文本分析,具體說明抒情性和現(xiàn)代性如何通過詩歌的音韻、圖像和主題存在于其創(chuàng)作之中。
[Abstract]:Guillaume Apollinairere, a famous French poet, was active in late 19th century. In 20th century, his creative thought and practice influenced many French literary and artistic movements, such as futurism and cubism. Dadaism, which was also regarded as a pioneer of the school for putting forward the word "surrealism", is often referred to by French literary experts who study Apolinaire as "the modern lyric poet". However, this concept is abstract and has no absolute definition, which is even more difficult for Chinese readers to understand. In addition, the important concept in the study of western poetry is "lyrisme". "lyric poetry" or "lyric") is also liable to cause ambiguity when it is put into Chinese context. What is a lyric poet? Why is Apolinel a lyric poet? Compared with lyricism, the modernity of Apolinaire's works seems to be easier to understand and accept, but the combination of lyricism and modernity is the most worthy of attention. Through the analysis of Apolinaire's poetry works, it is proved that Apolinaire is a "modern lyric poet". The first part, through combing the characteristics of lyric poems in different periods in French history. This paper defines lyric poetry and lyricism, and then finds out the definition of modernity. Although the term "lyric" is difficult to define, its existence in literature is ubiquitous. Especially in some specific literary types and poetic genres. The musicality of the text, the expression of the author's personal feelings, the pursuit of the ideal realm are often regarded as the more obvious characteristics of the lyricism of the works. At the same time. There are some more common lyric themes, such as love, pain, death, religion and so on. The second part will show the influence of different literary and artistic schools on Apolinaire's creation. It shows how lyricism and modernity coexist in Apolinaire's different periods of creation, no matter what literary school his writing style is close to. Some of them are even anti-lyric (at least on the surface, such as symbolism, futurism, surrealism, etc., in his own creation, lyric is always there. Third part. The text analysis of Apolinaire's poetry will explain how lyricism and modernity exist in his creation through the rhyme, image and theme of poetry.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I565.072

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本文編號：1440629