本文關(guān)鍵詞：莎士比亞與血肉之軀的轉(zhuǎn)變　出處：《外國文學(xué)研究》2016年04期 　論文類型：期刊論文

  更多相關(guān)文章： 莎士比亞 夏洛克 血肉相通 血肉分離 身體觀

【摘要】：莎劇《威尼斯商人》中,夏洛克的敗訴反映了當(dāng)時(shí)人們對"不含血的肉"的觀念的普遍認(rèn)同,或者說集體無意識的默許,其中隱含了文藝復(fù)興時(shí)期西方身體觀的重大轉(zhuǎn)變。在西方文化中,隨著現(xiàn)代人體解剖術(shù)的出現(xiàn)和發(fā)展,傳統(tǒng)的血肉相通的身體觀逐漸讓位于為血肉分離的身體觀。這種轉(zhuǎn)變在包羅萬象的莎士比亞作品中留下了大量的文本蹤跡,其中既有"四體液說"和放血療法的明確話語,也有維薩里《人體的構(gòu)造》的影響和哈維血液循環(huán)說的先聲,而鮑西亞扭轉(zhuǎn)劇情的判決則成為兩種身體觀的象征性分界。
[Abstract]:In Shakespeare's Merchant of Venice, Shylock's defeat reflected the general acceptance, or collective unconscious acquiescence, of the idea of "flesh without blood" at that time. In the western culture, with the emergence and development of modern human anatomy. The traditional concept of flesh and blood body gradually gave way to the body view of separation of flesh and blood. This transformation left a large number of text traces in all kinds of Shakespeare works. There are not only the "four body fluids theory" and the explicit words of bloodletting therapy, but also the influence of Visari's "the structure of Human body" and the forerunner of Harvey's theory of blood circulation. And Baussia's decision to reverse the plot became the symbolic boundary between the two views of body.
【作者單位】： 合肥工業(yè)大學(xué)外國語學(xué)院;
【分類號】：I561.06
【正文快照】： 莎劇《威尼斯商人》大約寫于1596—1598年間,敘述了一個(gè)家喻戶曉的故事,那個(gè)讓猶太商人夏洛克身敗名裂的判決,至今看來仍然大快人心;但是,當(dāng)代猶太裔文論大家哈羅德·布魯姆指出,雖然他本人年復(fù)一年地講授這部戲,夏洛克的遭遇還是讓他無法釋懷。布魯姆在《西方正典》中將莎士，

本文編號：1425960