隨著全球化進(jìn)程的不斷加速,世界上各個(gè)國(guó)家間政治,經(jīng)濟(jì),文化等多方面的交流日趨頻繁。其中,文化交流的深入在當(dāng)代越發(fā)突顯出重要性。作為一門有形有聲、形聲結(jié)合的藝術(shù)綜合體以及現(xiàn)代文化傳媒的重要載體,影視作品在傳遞和加深國(guó)與國(guó)之間的文化交流上發(fā)揮了不可忽略的作用。由于語(yǔ)言障礙的存在,影視字幕翻譯在傳遞異國(guó)文化民族風(fēng)情方面起到了舉足輕重的橋梁作用。近幾十年來(lái),影視翻譯也日趨成為翻譯界新興的翻譯活動(dòng),引起越來(lái)越多專家和學(xué)者的重視。作為文學(xué)翻譯領(lǐng)域的一種特殊翻譯活動(dòng),影視翻譯實(shí)踐迄今尚未形成一套完整的指導(dǎo)理論。字幕翻譯不同于一般的文學(xué)翻譯,具有瞬時(shí)性、時(shí)空限制性、簡(jiǎn)潔性和不可逆轉(zhuǎn)性等特點(diǎn)。它受到時(shí)間、空間、畫面、觀眾期待與反應(yīng)以及譯者本身翻譯水平等諸多主觀客觀因素的制約。字幕翻譯在傳遞信息為主要原則的指導(dǎo)下,還要有機(jī)地配合影視作品特有的畫面切換和各種音響效果,使觀眾能夠跨越語(yǔ)言或者文化障礙,從而順利地理解和欣賞外國(guó)影視作品。用準(zhǔn)確生動(dòng)的語(yǔ)言再現(xiàn)原片的思想性和藝術(shù)性,輔助異語(yǔ)觀眾以最小的努力獲得最完美的欣賞效果,是影視翻譯人員面臨的挑戰(zhàn)和影視翻譯的最終目的。德國(guó)功能翻譯理論自20世紀(jì)70年代誕生以來(lái),... 

【文章來(lái)源】：中國(guó)海洋大學(xué)山東省 211工程院校 985工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：75 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
Chapter One Introduction
    1.1 Importance of Research on Film Subtitle Translation
    1.2 Significance of Present Research
    1.3 General Layout of the Thesis
Chapter Two Literature Review
    2.1 Definition of Film Subtitle Translation
        2.1.1 The Distinction between Film Subtitle Translation and Dubbing
        2.1.2 Film Subtitle Translation Outweighs Dubbing
        2.1.3 Functions of Film Subtitle Translation
        2.1.4 The Features of Film Subtitle Language
        2.1.5 The Constraints of Film Subtitle Translation
    2.2 Development of Film Subtitle Translation in the West
        2.2.1 Early Study and Research in the West
        2.2.2 The Golden Age of Film Subtitle Translation
        2.2.3 Current Research and Leading Scholars
    2.3 The Overview of the Film Subtitle Translation in China
        2.3.1 Research and Development of Film Subtitle Translation
        2.3.2 Research Disparity between China and Western Countries
        2.3.3 The Importance of Strengthening the Research of Film Subtitle Translation in China
Chapter Three Introduction of German Functional Theories
    3.1 The General Development of German Functional Theories
        3.1.1 Reiss’s Text Typology and Function Theory
        3.1.2 Vermeer’s Skopostheorie
        3.1.3 Holz-Manttari’s Translational Action Theory
        3.1.4 Nord’s Function plus Loyalty Theory
    3.2 The Feasibility of applying German Functional Theories to Film Subtitle Translation
Chapter Four Film Subtitle Translation from Perspective of German Functional Theories
    4.1 Text Typology and Function Approach
        4.1.1 Three Text Types and Their Corresponding Functions
        4.1.2 Text Types and Functions of Film Subtitle Translation Text
    4.2 Translational Action Theory
        4.2.1 Translation as an Interpersonal Action
        4.2.2 Translation as a Purposeful Activity
        4.2.3 Translation as Intercultural Activity
    4.3 Skopostheorie
        4.3.1 The Translator’s Skopos
        4.3.2 The Skopos of Target Text
        4.3.3 The Skopos of Translation Methods and Strategies
    4.4 Loyalty plus Function Principle
        4.4.1 Brief Introduction of Loyalty and Function
        4.4.2 Loyalty and Function of Film Subtitle Translation
Chapter Five Case Studies through Three Principle Rules of Skopostheorie
    5.1 The Skopos Rule
    5.2 The Coherence Rule
    5.3 The Fidelity Rule
Chapter Six Conclusion
References
Acknowledgements
個(gè)人簡(jiǎn)歷
研究生期間發(fā)表論文情況


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