隱喻是一種普遍語言現(xiàn)象,它的研究源遠(yuǎn)流長(zhǎng),從Aristotle至今2000多年來一直是國(guó)外學(xué)術(shù)研究的常青樹。萊可夫（1980）認(rèn)為隱喻是我們賴以生存的基礎(chǔ),“隱喻在日常生活中無所不在,它不僅存在語言當(dāng)中,還存在于思想和行動(dòng)當(dāng)中”,從此把隱喻研究推進(jìn)了“隱喻狂熱”時(shí)代。情感是人類最普遍最重要的人生體驗(yàn)。對(duì)情感的研究是探索人類認(rèn)知的基本任務(wù)之一。情感抽象、模糊且難于表達(dá)。為了生動(dòng)形象地表達(dá)情感,人們經(jīng)常將它們隱喻化,這就形成了情感隱喻。隱喻研究的核心是隱喻機(jī)制的研究,而對(duì)于隱喻的重點(diǎn)課題——情感隱喻,國(guó)外的研究一般著重于對(duì)情感概念的分析,國(guó)內(nèi)的研究則致力于對(duì)情感隱喻的英漢認(rèn)知對(duì)比,很少涉及情感隱喻運(yùn)作機(jī)制的研究。因此,本論文對(duì)情感隱喻的運(yùn)作機(jī)制進(jìn)行全面系統(tǒng)地研究是迫切而必要的。本文收集了大量日常生活中和文學(xué)作品中談?wù)撉楦械碾[喻語言,選擇典型的語料,從認(rèn)知互動(dòng)觀入手,結(jié)合相關(guān)理論,對(duì)情感隱喻的運(yùn)作機(jī)制進(jìn)行了定性研究。首先從縱向的角度探討了情感隱喻的運(yùn)作機(jī)制,論證了情感隱喻的運(yùn)作機(jī)制是涉及兩個(gè)對(duì)象之間的、基于情感體驗(yàn)的集“語義沖突-映射-概念合成”為一體的認(rèn)知互動(dòng)；其次,進(jìn)一步挖掘了情感隱喻運(yùn)... 

【文章來源】：湖南農(nóng)業(yè)大學(xué)湖南省

【文章頁數(shù)】：81 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
Abstract
Chapter 1 Introduction
    1.1 Objective and Significance of the Study
    1.2 Context of Research
    1.3 General Framework
Chapter 2 Theoretical Framework
    2.1 Definition of Cognitive Interaction
    2.2 Theoretical Foundations about Cognitive Interaction
        2.2.1 Richards' Interaction Theory
        2.2.2 Lakoff's Conceptual Metaphor Theory
        2.2.3 Fauconnier's Conceptual Blending Theory
    2.3 Methodology
        2.3.1 The Cognitive Interaction Mode of Metaphor
        2.3.2 The Ground for Cognitive Interaction Mode-Embodiment
Chapter 3 Working of Cognitive Interaction on Emotional Metaphor
    3.1 Semantic Conflict in Emotional Metaphor
        3.1.1 Semantic Conflict between Tenor and Vehicle on Logic in Sentence
        3.1.2 Semantic Conflict between Literal Meaning of Sentence and Context
    3.2 Mapping in Emotional Metaphor
        3.2.1 Systematicness of Mapping
        3.2.2 Directivity of Mapping
    3.3 Conceptual Blending in Emotional Metaphor
        3.3.1 Transformed Blending
        3.3.2 Analog Blending
        3.3.3 Salience Blending
Chapter 4 Emotional Embodiment-The Ground for Cognitive Interactionof Emotional Metaphor
    4.1 Hypothesis of Emotional Embodiment
    4.2 Universality and Reason of Emotional Embodiment in Cognitive Interaction ofEmotional Metaphor
        4.2.1 Happiness Metaphor
        4.2.2 Sadness Metaphor
        4.2.3 Anger Metaphor
        4.2.4 Fear Metaphor
    4.3 Particularity and Reason of Emotional Embodiment in Cognitive Interaction of Emotional Metaphor
        4.3.1 In Natural and Geographical Culture
        4.3.2 In Aesthetic Psychology
        4.3.3 In Traditional History Culture
        4.3.4 In National Culture
Chapter 5 Conclusion
    5.1 Research Findings
    5.2 Limitations
Bibliography
Appendix Ⅰ
Acknowledgements
作者簡(jiǎn)介
攻讀碩士學(xué)位期間取得的學(xué)術(shù)成果目錄


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期刊論文
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