本文選題：諧音 + 成因　； 參考：《安徽大學(xué)》2013年碩士論文

【摘要】：諧音是漢民族在日常語言生活中借助音同或音近的詞語進行表情達(dá)意,增強表達(dá)效果的一種喜聞樂見的修辭手法。從我國第一部詩歌總集《詩經(jīng)》到傳世巨作《紅樓夢》,文人墨客、平民百姓一直都運用諧音修辭手法來間接地傳情達(dá)意,因此,諧音研究也就成了修辭研究的一個長盛不衰的課題。本論文旨在研究諧音修辭的概念、分類、特點、成因及其功能,并從認(rèn)知視角剖析漢語諧音修辭的內(nèi)部機制,深入多維地展現(xiàn)漢語諧音修辭的特征。 除引言和結(jié)語外,全文主干部分有四章。 第一章以靜態(tài)描寫方法對漢語諧音修辭的性質(zhì)、分類、特點進行分析。從諧音與其他的辭格的交叉糅合關(guān)系來看,漢語諧音修辭可以分為諧音雙關(guān)、諧音析字、諧音粘連、諧音飛白、博諧等種類；從諧音的本體和諧體在言語交際中的隱現(xiàn)情況來看,漢語諧音修辭可以分為顯性諧音與隱性諧音；從諧音傳播時的不同載體來看,漢語諧音修辭可以分為動態(tài)口語中的諧音、靜態(tài)書面語中的諧音、民風(fēng)民俗中的諧音以及繪畫中的諧音等種類。在語音上,漢語諧音修辭表現(xiàn)為本體和諧體的音同相似性；在語義上,它是以顯性語義為基礎(chǔ)的隱性語義表達(dá)；在語法上,漢語諧音修辭在運用時諧音詞語的特性、功能特點以及結(jié)構(gòu)性質(zhì)具有相對穩(wěn)定性；在語境上,漢語諧音修辭與其所處的時代、地域、社會人文環(huán)境等宏觀語境要素密切聯(lián)系,與其所處的特定時間、場合、上下文語境等微觀語境要素緊密相關(guān)。 第二章重點分析了漢語諧音修辭形成的原因。漢語中富有大量的同音現(xiàn)象是漢語諧音修辭生成的物質(zhì)基礎(chǔ)；聯(lián)想、記憶等心理活動是漢語諧音修辭形成的心理基礎(chǔ)；漢民族趨吉避兇、求新求雅以及崇尚美辭美文的審美情趣是漢語諧音修辭生成的社會文化基礎(chǔ)。 第三章從認(rèn)知視角對漢語諧音修辭進行闡釋。借助認(rèn)知語音隱喻理論,說明諧音修辭的生成是從諧體向本體的動態(tài)跨域隱射的過程；結(jié)合圖形背景理論,說明諧音修辭的結(jié)構(gòu)是原型本體結(jié)構(gòu)與諧體字詞創(chuàng)新組合而形成的“圖形—背景”結(jié)構(gòu)；根據(jù)人們感知事物時憑借的“完形趨向律”分析漢語諧音修辭現(xiàn)象生成的認(rèn)知心理動因；運用概念合成理論闡述在諧音建構(gòu)過程中不同概念空間之間的推理遷移產(chǎn)生新的意義和新的概念。借助“自主—依存分析框架”和“顯性表述與隱性表述”等理論剖析漢語諧音修辭的生成機制。 第四章對漢語諧音修辭的作用進行研究。在語用方面,漢語諧音修辭是文學(xué)作品藝術(shù)表現(xiàn)的重要手段,能夠婉轉(zhuǎn)含蓄的表情達(dá)意,禮貌有效地傳達(dá)信息：在美學(xué)方面,漢語諧音修辭具有含蓄美、音樂美以及變化美的美學(xué)價值：在社會功能上,漢語諧音修辭能夠助力商品銷售,提升新聞表達(dá)效果,彰顯民族趨吉避兇的民俗文化以及社會新風(fēng)尚等功用。反之,若語言主體濫用諧音修辭,也會造成諧音污染。 最后是結(jié)語,是對整項研究的一個總結(jié)。
[Abstract]:Homonym is a kind of rhetorical device for the Han nationality in daily language life with the help of the words and words of the same or sound. It is a kind of rhetorical device to enhance the expression effect. From the first poetry collection of our country, the Book of Songs > to the great works of the Red Mansion, the literati, the civilian people have always used homophonic rhetorical devices to convey the meaning indirectly. Therefore, the study of homophonic studies has become a flourishing topic in rhetorical research. This thesis aims to study the concept, classification, characteristics, causes and functions of homophonic rhetoric, and to analyze the internal mechanism of homophonic rhetoric from a cognitive perspective, and to reveal the characteristics of Chinese homophonic rhetoric in a multi-dimensional way.
In addition to the introduction and conclusion, there are four chapters in the main part of the full text.
The first chapter analyzes the nature, classification and characteristics of homophonic rhetoric by static description. From the intersecting relationship of homophonic and other figures of speech, Chinese homophonic rhetoric can be divided into homophonic pun, homophonic analysis, homophonic conglutination, homophonic white, and Bo harmonic; from homophonic noumenon harmony in speech communication According to the situation, Chinese homophonic rhetoric can be divided into explicit homonym and implicit homonym. From the different carrier of homophonic communication, Chinese homophonic rhetoric can be divided into homonym in dynamic spoken language, homophonic in static written language, homophonic in folk custom and homonym in painting. In pronunciation, the Chinese homophonic rhetoric is the noumenon. The sound and similarity of the harmonious body; in semantics, it is the implicit semantic expression based on the dominant meaning; in grammar, the homophonic characters of the Chinese homophonic words are relatively stable when they are used, and in the context, the Chinese homophonic rhetoric is related to its times, region, and social and human environment. The macro context elements are closely related and closely related to their specific time, context, context and other micro context elements.
The second chapter focuses on the analysis of the reasons for the formation of Chinese homophonic rhetoric. A large number of homophones in Chinese are the material basis for the formation of Chinese homophonic rhetoric; Association, memory and other psychological activities are the psychological basis for the formation of Chinese homophonic rhetoric. The social and cultural basis of the formation of phonetic rhetoric.
The third chapter explains the Chinese homophonic rhetoric from the cognitive perspective. With the help of cognitive phonological metaphor theory, it shows that the formation of homophonic rhetoric is a dynamic cross domain process from the harmonic to the noumenon, and combines the theory of graphic background to show that the structure of homophonic rhetoric is a "graphic back" formed by the combination of the prototype noumenon structure and the innovative combination of the harmonic words. This paper analyzes the cognitive psychological motivation of the Chinese homophonic rhetorical phenomenon based on the "Gestalt law" when people perceive things, and uses the theory of concept synthesis to explain the new meaning and new concept of the reasoning transfer between different conceptual spaces in the process of homophonic construction. And the theory of "explicit expression and implicit expression" to analyze the generative mechanism of homophonic rhetoric in Chinese.
In the fourth chapter, the role of Chinese homophonic rhetoric is studied. In pragmatics, Chinese homophonic rhetoric is an important means of artistic expression of literary works. It can tactfully convey meaning and convey information politely and effectively. In aesthetics, Chinese homophonic rhetoric has aesthetic value of implicit beauty, musical beauty and changing beauty: social work On the other hand, the Chinese homophonic rhetoric can help the sale of goods, enhance the effect of the news expression, and highlight the folk culture and the social new wind of the nation. On the other hand, if the language subject abuses the homophonic rhetoric, it will cause homophonic pollution.
Finally, the conclusion is a summary of the whole study.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H15

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