本文選題：概念整合理論 + 詩歌語篇　； 參考：《長沙理工大學》2013年碩士論文

【摘要】：古典詩歌作為傳統(tǒng)文化的奇葩，是中華民族文化遺產(chǎn)中極為珍貴的一部分，因此，一直備受中外學者的關(guān)注。詩歌意象作為詩歌語篇的基本構(gòu)成要素，乃是詩歌的靈魂和生命。詩歌創(chuàng)作的過程，就是為詩者通過描寫客觀物象來隱晦地烘托主觀意象，從而表達個人真實情感的過程。詩人營造的意象，是千百年來民族文化的積淀，是烙刻在人們心中的情感符號，它們傳遞著某種特殊的情感。楊柳意象作為典型的自然意象，在中國傳統(tǒng)文化中占據(jù)著重要位置，一直備受詩人的青睞，它是中國古典詩歌中使用頻率最高的意象之一。長期以來，對于中國古典詩歌中楊柳意象的研究，主要是從傳統(tǒng)的美學、修辭、文化等方面入手，而從認知語言學的角度展開研究并不多見。 文章運用認知語言學中的概念整合理論，對中國古典詩歌中楊柳意象進行認知分析。針對楊柳意象的情感內(nèi)涵，通過一系列心理運作機制，探尋了古詩中楊柳意象的動態(tài)意義的構(gòu)建過程，此外，通過概念整合網(wǎng)絡(luò)對楊柳意象進行了個案分析，揭示了概念整合理論是普遍存在的認知機制，它對不同的楊柳意象都具有強大的解釋力。 文章發(fā)現(xiàn)，楊柳意象的頻繁使用并非偶然，而是詩人能動的選擇，以釋放出其內(nèi)心深處的某種特定情感。楊柳意象并不是孤立地存在，在詩人筆下，它通常與其他各種意象并置，，讀者只有將楊柳意象與語篇中的其他意象映射連接，并通過背景知識的滲透，方能使楊柳意象的意義明確化、定向化，從而真正追蹤詩人的心理軌跡，獲解詩人營造楊柳意象的真實意圖。 文章認為，對楊柳意象進行概念整合分析的認知方式，能積極地擴展讀者的認知視野，為探尋中國古典詩歌中的楊柳意象提供了新的視角，同時也有利于讀者更為深入地理解概念整合理論，為古典詩詞的賞析與傳播開辟新的門徑。
[Abstract]:As a wonderful work of traditional culture, classical poetry is an extremely precious part of the cultural heritage of the Chinese nation. Therefore, it has always attracted the attention of Chinese and foreign scholars. As a basic component of poetic discourse, poetic image is the soul and life of poetry. The process of poetry creation is the process of expressing one's real feelings by describing objective objects to obscure subjective images. The images created by poets are the accumulation of national culture for thousands of years and the emotional symbols engraved in people's hearts. As a typical natural image, willow image occupies an important position in Chinese traditional culture and has always been favored by poets. It is one of the most frequently used images in Chinese classical poetry. For a long time, the study of willow image in Chinese classical poetry has been mainly from the aspects of traditional aesthetics, rhetoric, culture and so on, but few studies have been carried out from the perspective of cognitive linguistics. Based on the theory of conceptual integration in cognitive linguistics, this paper makes a cognitive analysis of willow images in Chinese classical poetry. In view of the emotional connotation of willow image, this paper explores the process of constructing the dynamic meaning of willow image in ancient poetry through a series of psychological operating mechanisms. In addition, it makes a case study of willow image through conceptual integration network. It is revealed that conceptual integration theory is a universal cognitive mechanism, and it has a strong explanatory power to different willow images. It is found that the frequent use of willow imagery is not accidental, but a poet's active choice to release a certain emotion in his heart. The willow image does not exist in isolation. In the poet's works, it is usually juxtaposed with other images. The reader only maps the willow image with other images in the text and penetrates the background knowledge. In order to make the meaning of willow image clear and orientated, we can really trace the poet's psychological track and get the true intention of the poet to create the willow image. The paper holds that the cognitive mode of conceptual integration analysis of willow images can actively expand the readers' cognitive horizons and provide a new perspective for exploring the willow images in Chinese classical poetry. At the same time, it is helpful for readers to understand the theory of conceptual integration more deeply and open a new way for the appreciation and dissemination of classical poetry.
【學位授予單位】：長沙理工大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I207.2;H15

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本文編號：1925238