本文選題：《集韻》 + 《廣韻》　； 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：《集韻》,北宋仁宗時(shí)期丁度、李淑等奉敕編撰,是《切韻》系韻書(shū)的最后一次修訂。本文通過(guò)文獻(xiàn)研究法,搜集、整理《集韻》的相關(guān)研究成果,對(duì)學(xué)界動(dòng)態(tài)進(jìn)行概述和補(bǔ)充,并對(duì)研究分期的劃分、撰者以及成書(shū)時(shí)間等存在爭(zhēng)議的問(wèn)題進(jìn)行考辨。同時(shí),我們運(yùn)用統(tǒng)計(jì)法,得出《集韻》共有小韻4474個(gè),較《廣韻》增加602個(gè),其增加小韻的來(lái)源大致有三：一是實(shí)際語(yǔ)音的反映；二是方音俗語(yǔ)的影響；三是古籍切語(yǔ)的存留,充分體現(xiàn)了“今所撰集,務(wù)從賅廣”的修訂原則。除此之外,我們還利用內(nèi)部分析法和文獻(xiàn)對(duì)照法,不但分析《集韻》本身的切韻材料,而且將其與《廣韻》的音系進(jìn)行比較,同時(shí)綜合各家之說(shuō),可知《集韻》聲韻系統(tǒng)一方面承襲切韻音系,只在韻目用字、韻目次序以及同用獨(dú)用例上略有不同,體現(xiàn)其保守性；另一方面,它根據(jù)時(shí)音更訂反切,改《廣韻》類隔反切為音和,在切語(yǔ)的選擇上兼顧聲調(diào)與洪細(xì),并有意識(shí)地按聲類編排韻字,呈現(xiàn)一定的革新精神。 在勾勒出《集韻》大致語(yǔ)音面貌的基礎(chǔ)上,我們通過(guò)評(píng)述現(xiàn)知的兩種《集韻》韻圖——《集韻表》和《集韻聲類表》的優(yōu)劣得失,同時(shí)參考宋元韻圖,設(shè)計(jì)出《集韻韻圖》四十八幅。
[Abstract]:Ji Yun, Ding du in Northern Song Dynasty, Li Shu, et al., is the last revision of rhyme book. Through the method of literature research, this paper collects and collates the relevant research results of Ji Yun, summarizes and complements the dynamics of academic circles, and studies and distinguishes the controversial issues such as the division of research stages, the author and the time of the completion of the book. At the same time, by using statistical method, we conclude that there are 4474 small rhymes in "Ji Yun", which is 602 more than "Guang Yun", and there are three sources of increasing small rhyme: one is the reflection of actual pronunciation; the other is the influence of local dialect; and the third is the existence of the cut language in ancient books. It fully embodies the revised principle of "compilation of works today, which is comprehensive and comprehensive." In addition, we also use the internal analysis method and literature comparison method, not only to analyze the rhyme material of "Ji Yun", but also to compare it with the phonetics of "Guangyun", and at the same time to synthesize the various theories. On the one hand, we can see that the phonological system of "set rhyme" inherits the phonetic system of cut rhyme, and it is only slightly different in terms of the characters used in rhyme items, the order of rhyme items and the single use case of the same use. On the other hand, it shows its conservatism; on the other hand, it is more conservative according to the time and sound. The class of "Guangyun" is changed from reverse tangent to sound harmony, and the choice of cut language takes into account the tone and Hong fine, and consciously arranges the rhyme characters according to the sound category, and presents a certain spirit of innovation. On the basis of outlining the general phonetic features of "Ji Yun", we review the merits and demerits of the two known "collection rhymes"-"rhyme table" and "collection rhyme category table". At the same time, we refer to the rhyme charts of Song and Yuan dynasties. The 48 pieces of "Ji Yun Chart" were designed.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H113.4

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本文編號(hào)：1876287