發(fā)布時(shí)間：2018-04-09 20:32

  本文選題：曹禺戲劇語言　切入點(diǎn)：“著”字句　出處：《中南民族大學(xué)》2015年碩士論文

【摘要】：曹禺戲劇作品在我國現(xiàn)當(dāng)代戲劇史上具有重要的地位。曹禺戲劇作品語言規(guī)范、典雅,技巧純熟,是語言藝術(shù)的瑰寶。他的戲劇舞臺指示語言特色鮮明,值得研究和借鑒。學(xué)術(shù)界對曹禺戲劇舞臺指示語言的研究雖然有一些成果問世,然而到目前為止,還不夠集中,不夠深入、系統(tǒng),可以說還處于粗淺的分散狀態(tài),這與曹禺的文學(xué)地位,與曹禺高超的語言表達(dá)藝術(shù),與曹禺舞臺指示語言的巨大藝術(shù)價(jià)值很不相稱。本文以曹禺戲劇作品為考察對象,運(yùn)用“小三角”的理論和方法,研究曹禺戲劇舞臺指示語言中的“著”字句,探討其語表形式、語里意義和語用價(jià)值,挖掘曹禺戲劇舞臺指示語言的藝術(shù)精髓。第一章:緒論,介紹本選題的意義,包括曹禺戲劇語言的研究價(jià)值和曹禺戲劇語言及戲劇舞臺指示語言的研究現(xiàn)狀、主要內(nèi)容、研究方法及語料來源。第二章:曹禺戲劇舞臺指示語言中“著”字句的語表分析。分析曹禺戲劇舞臺指示語言中“著”字句的語表形式及其特征;對其進(jìn)行分類統(tǒng)計(jì),逐一分析各個(gè)類型的語表特征。第三章:曹禺戲劇舞臺指示語言中“著”字句的語里分析。闡述“著”字句的前、中、后三段的語里意義和前、中、后三段之間的語義關(guān)系。第四章:曹禺戲劇舞臺指示語言中“著”字句的語值分析。分別從展示舞臺時(shí)空、構(gòu)擬現(xiàn)實(shí)語境、刻畫人物形象、凸現(xiàn)戲劇沖突、強(qiáng)化語言功能和體現(xiàn)風(fēng)格特點(diǎn)等方面說明曹禺戲劇舞臺指示語言中“著”字句的語用價(jià)值。結(jié)語:論述本研究的創(chuàng)新點(diǎn)和不足以及今后進(jìn)一步研究的問題。
[Abstract]:Cao Yu's dramatic works play an important role in the history of modern and contemporary drama in China.Cao Yu drama works language standard, elegant, skillful, is the treasure of language art.His theatrical stage instruction language has distinctive characteristics, which is worth studying and drawing lessons from.Although there have been some achievements in the research of Cao Yu's theatrical indicative language in the academic circles, so far, it is not concentrated enough, deep enough, systematic, it can be said that it is still in a superficial state of dispersion, which is related to the literary status of Cao Yu.The art of expressing with Cao Yu's superb language is out of proportion to the great artistic value of Cao Yu's stage instruction language.Taking Cao Yu's dramatic works as the object of investigation, using the theory and method of "Little Triangle", this paper studies the "Zhe" sentence in Cao Yu's theatrical stage deixis, and probes into its form, meaning and pragmatic value.Explore the artistic essence of Cao Yu's theatrical stage instruction language.Chapter one: introduction, introduces the significance of this topic, including the research value of Cao Yu's drama language, the research status, the main contents, the research methods and the source of the corpus of Cao Yu drama language and theatrical stage deixis language.Chapter two: the analysis of the sentence of "Zhe" in Cao Yu's theatrical deixis.This paper analyzes the forms and features of the "Zai" sentences in Cao Yu's theatrical stage deixis, classifies them, and analyzes the features of each type of words one by one.The third chapter: Cao Yu drama stage deixis the language analysis of the word "Xue" in the language.This paper expounds the semantic relationship between the former, the middle and the latter three paragraphs.Chapter four: the value analysis of the "Zhe" sentence in Cao Yu's theatrical stage deixis.From the aspects of displaying stage space-time, constructing realistic context, portraying characters, highlighting dramatic conflicts, strengthening language functions and embodying style characteristics, this paper explains the pragmatic value of the "Zhe" words in Cao Yu's theatrical stage deixis.Conclusion: this paper discusses the innovation and deficiency of this study and the problems of further research in the future.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：H146
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本文編號：1728037