本文選題：河北方言一平調(diào)　切入點(diǎn)：平聲演變　出處：《河北師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：本論文將河北一平調(diào)方言作為研究對(duì)象，探究一平調(diào)方言聲調(diào)的有關(guān)問題。筆者對(duì)103個(gè)方言點(diǎn)進(jìn)行田野調(diào)查，并研究河北各地的碩博學(xué)位論文，確定一平調(diào)方言點(diǎn)23個(gè)。 本論文分設(shè)四個(gè)章節(jié)，第一章對(duì)河北一平調(diào)方言的分布及聲調(diào)作系統(tǒng)描寫，第二章描寫一平調(diào)方言的平聲演變情況，第三章研究描寫一平調(diào)方言的調(diào)型及連讀變調(diào)，第四章歸納一平調(diào)方言入聲的舒化規(guī)律。 通過四個(gè)章節(jié)的研究，我們得出以下結(jié)論： 一平調(diào)方言點(diǎn)主要分布于北部的張家口地區(qū)和中南部的石家莊、滄州和唐山、保定等地。這些方言點(diǎn)又可以分為兩種類型，一是平聲不分陰陽(yáng)類，二是部分平聲字他派類。 一平調(diào)方言平聲字演變情況有三種：第一種是古平聲字不論聲母清濁今仍讀為平聲，代表點(diǎn)主要是張家口和石家莊一平調(diào)的大部分地區(qū)。第二種是多數(shù)方言點(diǎn)以古聲母的清濁為條件，清聲母平聲字仍讀為平聲，濁聲母平聲字則派入到上聲，代表點(diǎn)是滄州東部各點(diǎn)和定州市。第三種以鹿泉話為代表，古平聲字在該方言點(diǎn)大部分歸派到去聲，并且如何歸派跟古聲母的清濁沒有關(guān)系。 一平調(diào)方言點(diǎn)的聲調(diào)調(diào)型可以概括為“平升曲降促”。在連讀變調(diào)中，平調(diào)型多變?yōu)榻嫡{(diào)或升調(diào)，升調(diào)型多變?yōu)榻嫡{(diào)或平調(diào)，曲折調(diào)或者降低曲折幅度或者變?yōu)榻嫡{(diào)，，降調(diào)變調(diào)時(shí)一般變?yōu)槠秸{(diào)，促調(diào)變調(diào)情況相對(duì)復(fù)雜。古音來源對(duì)連讀變調(diào)的影響在一平調(diào)方言點(diǎn)仍有體現(xiàn)，在有的方言點(diǎn)可以根據(jù)變調(diào)的不同分辨出其古音來源。 一平調(diào)方言點(diǎn)清聲母入聲字的舒化規(guī)律大體上是派入到平上去三聲，規(guī)律性不強(qiáng)。全濁聲母入聲字在滄州、保定片以歸派到上聲為主，石家莊、唐山片以歸派到平聲為主，靈壽話主要派入去聲，次濁聲母入聲字以派入到去聲為主。
[Abstract]:In this paper, Hebei Pingtong dialect is taken as the object of study, and some problems related to the tone of this dialect are explored. The author makes a field investigation of 103 dialect points, studies the Shuo Bo degree thesis in various parts of Hebei Province, and determines 23 dialects of one level dialect. This thesis is divided into four chapters. The first chapter systematically describes the distribution and tone of Hebei Pingtou dialect, the second chapter describes the evolution of flat tone, the third chapter studies the tone type and successive tone variation of one flat tone dialect. Chapter 4th sums up the relaxation law of a Pingdiao dialect. Through the study of four chapters, we draw the following conclusions:. The first dialect is mainly distributed in Zhangjiakou region in the north and Shijiazhuang, Cangzhou, Tangshan and Baoding in the central and southern part of China. These dialects can be divided into two types, one is that Pingsheng is not divided into yin and yang, and the other is part of Pingsheng. There are three kinds of evolutional patterns in a flat tone dialect. The first is that ancient Pingsheng characters are still pronounced as flat sound regardless of whether the original consonant is pure or not. The representative points are mainly in most areas of Zhangjiakou and Shijiazhuang leveling. The second is that most dialect spots are conditioned by the clear turbidity of the ancient consonants. The third is represented by Luquan dialect, in which most of the ancient Pingsheng characters are assigned to the dissonant, and how to do so has nothing to do with the purge of the ancient consonants. The tone type of a flat dialect can be summed up as "flat rise or fall". In continuous tone changes, the horizontal tone becomes more of a descending or ascending tone, the ascending type more of a descending tone or a flat tone, and a tortuous tone or a zigzag modulation or a descending tone. The influence of the ancient tone source on the continuous tone change is still reflected in the point of a flat tone dialect, and the origin of the ancient tone can be distinguished according to the different tone changes in some dialect points. On the whole, in the first dialect, the rules of relaxation of the initial consonants in the first dialect were, on the whole, three tones in Pingshang, but no strong regularity. In Cangzhou, all turbid consonants were entered, Baoding films were mainly assigned to Shangsheng, and Shijiazhuang and Tangshan films were mainly assigned to flat sounds. Lingshou dialect mainly sent into the sound, the second-turbid consonant into the word to send into the main sound.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H172

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