郭沫若是一位優(yōu)秀的詩人,著名的作家和偉大的翻譯家,在我國現(xiàn)代和當代文學史上有著舉足輕重的地位。他對我國翻譯事業(yè)和中國文學都作出了突出貢獻。據(jù)記載,他正式出版的譯著達30種,涉及十個國家的60多位作家的作品。郭沫若在翻譯實踐中也形成了自己的翻譯理論,特別是詩歌翻譯方面,他堅持“詩人譯詩”,并提出了“風韻譯”。他也贊同嚴復(fù)的翻譯標準:信、達、雅,但他更傾向于“雅”。同時,在翻譯的影響下,他寫了創(chuàng)作了很多作品,涉及的領(lǐng)域廣泛,并且部分作品還廣為流傳。為追根溯源,從譯者內(nèi)心世界出發(fā),來探究翻譯對譯者造成的影響,本文運用了移情理論,并簡要介紹一下移情理論的產(chǎn)生及其發(fā)展演變。在審美論中移情通常被理解為觀察者把自我投射到了所觀察的物體中,再把物體反射回自我,形成物我合一的境界。移情應(yīng)用于翻譯,則解釋譯者把源語轉(zhuǎn)化成意象再從意象轉(zhuǎn)化為目的語一個轉(zhuǎn)化的過程。譯者把自己投射到源語文本和作者中,再經(jīng)歷了凝神沉思、反饋,形成比較準確的意象,用目的語再現(xiàn)原文風貌。在翻譯中,譯者不可避免得會產(chǎn)生移情,其心理和思想都會受移情影響。為使移情在翻譯過程中順利進行,譯者必須熟悉和挑選作者及作品,也最好能體驗原作。在解釋說... 

【文章來源】：蘇州大學江蘇省 211工程院校

【文章頁數(shù)】：46 頁

【學位級別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
Chapter One Introduction
    1.1 The Reason for Choosing this Topic and the Goal of this Paper
    1.2 Theoretical Foundation
    1.3 The Layout of this Thesis
Chapter Two Literature Review
    2.1 Genesis of Empathy
    2.2 Empathy in Literary Translation
        2.2.1 The Process of Empathy
        2.2.2 The Necessity of Empathy in Literary Translation
        2.2.3 How to Translate Better by Empathy
Chapter Three The Impact of Guo’s Translation on his Writing
    3.1 Guo’s Early Creation
    3.2 The Impact of Guo’s Translation on his Writing
    3.3 The Influence of Translation of Faust on Guo’s Plays
        3.3.1 From the View of Form or Content
            3.3.1.1 Originating from Past Event,Reflecting the Present Society
            3.3.1.2 The Nature of Philosophy in Content
            3.3.1.3 Tragic but Heroic Plots
        3.3.2 From the View of Characters
            3.3.2.1 The Relationship between the Characters and Authors
            3.3.2.2 The Relationship between the Characters and their Environments
        3.3.3 From the View of the Writing Techniques
            3.3.3.1 Imagination
            3.3.3.2 Symbolism
            3.3.3.3 The Lyric Language
Chapter Four Conclusion
Bibliography



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