【摘要】：鏡意象作為文本中灌注作者情感的意象,不計其數(shù),每個都蘊涵了某位“我”的意蘊與精神。它由古至今承載著人類的智慧以及人生哲學(xué),歷來為學(xué)者闡發(fā)和引申。本文在廣泛解讀中西文本中涉及鏡意象實例的基礎(chǔ)上,有角度、遞進式地展示了文學(xué)鏡意象中的“我”。從文學(xué)鏡意象中微觀的“我”入手,逐一聚焦整個人類面對的根本問題：自我意識問題、情感困境問題、存在意義問題等。在此過程中,挖掘中西文學(xué)鏡意象中的“我”的獨特性,逐漸建立起感性的基本認(rèn)識,并以此為基礎(chǔ)厘清不同的“我”的相通之處,探討求解人類根本問題的可能。 從發(fā)現(xiàn)并運用鏡意象開始,人類對自身的存在有了初步認(rèn)識；在鏡意象的逼真復(fù)制里,人們進行好奇的探索,滋生出種種情緒：對時空留戀、將往昔追憶。鏡意象具有神秘的不可知性,從中人類對于超自然產(chǎn)生了無限向往；反觀自身,拉康提出了“鏡像理論”,康德、黑格爾、叔本華也深刻地對自我進行反思。進而人類敢于在鏡意象里直面自我、正視自我,理性地清醒于自身共通的虛榮：自欺、自戀,并以“自省”的方式全面地認(rèn)識“我”。作為被學(xué)者們深入解讀的關(guān)于“風(fēng)月寶鑒”之色空哲學(xué)的故事,《紅樓夢》中還有大量的鏡意象,自我的蘊藉從中可見一斑�！拔摇敝楦幸嗯c鏡意象緊密相關(guān)：從薩特的存在主義哲學(xué)出發(fā),洞察其與愛情、謊言、死亡的關(guān)系,進而逼近人類情感的困惑,追問生存困境的解決之道。因此,人類苦苦尋求自身身份,提出了“善”的道德標(biāo)準(zhǔn),莊子的處世之道不失為現(xiàn)成的理論基礎(chǔ)；德性的體現(xiàn)更在乎心靈的涵容,心如鏡般圓明、虛靜,必將使人類個體“小我”與群體“大我”的存在更詩意自由�？傊�,文學(xué)鏡意象中的“我”不僅是感性力量的凝聚,而且是充滿理性認(rèn)識與超然追求的崇高靈魂。
[Abstract]:Mirror image, as the image of the author's emotion in the text, is innumerable, each of which contains the meaning and spirit of a certain "I". From ancient times to the present, it carries human wisdom and philosophy of life, and has always been expounded and extended by scholars. On the basis of extensive interpretation of the examples of mirror images in Chinese and Western texts, this paper shows the "I" in literary mirror images from an angle and step by step. Starting with the microscopic "I" in the image of literary mirror, this paper focuses on the fundamental problems faced by the whole human being one by one: the problem of self-consciousness, the problem of emotional predicament, the problem of existence meaning and so on. In this process, excavating the uniqueness of "I" in the image of Chinese and Western literary mirror, gradually establishing the basic understanding of sensibility, and on this basis, clarify the similarities between different "I", and explore the possibility of solving the fundamental problems of human beings. From the discovery and use of mirror image, human beings have a preliminary understanding of their own existence; in the realistic reproduction of mirror image, people carry on curious exploration and breed all kinds of emotions: nostalgia for time and space will recall the past. Mirror image has mysterious ignorance, from which human beings have infinite yearning for supernature. On the other hand, Lacan put forward the "mirror image theory", Kant, Hegel and Schopenhauer also deeply reflect on themselves. Then human beings dare to face themselves in the mirror image, face themselves squarely, and rationally wake up to their common vanity: self-deception, narcissism, and comprehensive understanding of "I" in the way of introspect. As the story of the philosophy of "Feng Yue Bao Jian", which has been deeply interpreted by scholars, there are still a large number of mirror images in A Dream of Red Mansions, from which the self can be seen. The emotion of "I" is also closely related to the mirror meaning: starting from Sartre's existentialist philosophy, understanding its relationship with love, lies and death, and then approaching the confusion of human emotion and asking about the solution to the dilemma of survival. Therefore, human beings struggle to find their own identity, put forward the moral standard of "good", Zhuangzi's way of dealing with the world is the ready-made theoretical basis; the embodiment of virtue is more concerned about the spiritual tolerance, the heart is as clear as the mirror, the virtual quiet, will make the existence of human individual "ego" and group "big self" more poetic and free. In a word, the "I" in the image of literary mirror is not only the cohesion of perceptual power, but also the lofty soul full of rational understanding and transcendental pursuit.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I04

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