論當(dāng)代藝術(shù)中的怪誕
發(fā)布時(shí)間：2019-03-21 10:46
【摘要】：在當(dāng)今科技飛速發(fā)展的時(shí)代里，人們各方各面的生活都被歷史性地改變著，在藝術(shù)領(lǐng)域，亦然如此。隨著人類大的生存環(huán)境地改變，人們的審美心理、審美觀念以及審美趣味地轉(zhuǎn)變，使得怪誕藝術(shù)大放異彩。國內(nèi)外對(duì)怪誕的研究專著和學(xué)術(shù)論文頗多，但是對(duì)于當(dāng)代藝術(shù)中怪誕的研究依然具有可深入發(fā)掘的空間。本文力圖在前人研究成果的基礎(chǔ)上，重點(diǎn)討論當(dāng)代藝術(shù)中的怪誕。 包括緒論在內(nèi)，本文共分五個(gè)部分： 緒論部分介紹了本文選題的目的和意義、研究現(xiàn)狀、研究方法以及創(chuàng)新與不足。 第一章首先舉證相關(guān)的當(dāng)代藝術(shù)，由此引出本文所論述的主題。然后，介紹中西方對(duì)怪誕的認(rèn)識(shí)，在這一部分中，由于西方的怪誕理論研究較為成熟，所以論述以西方為主。最后界定怪誕的內(nèi)涵，闡述怪誕的基本內(nèi)容和基本表現(xiàn)手法，并且對(duì)怪誕、滑稽和荒誕三個(gè)相似的概念進(jìn)行區(qū)分。 第二章闡述當(dāng)代藝術(shù)中怪誕的表現(xiàn)特征。當(dāng)代藝術(shù)中的怪誕具有極端反�；O端超現(xiàn)實(shí)化、極端陌生化、極端驚悚化以及強(qiáng)烈的視覺沖擊等表現(xiàn)特征，這些表現(xiàn)特征使得怪誕在當(dāng)代藝術(shù)中具有獨(dú)特的藝術(shù)魅力，光彩奪目。 第三章論述當(dāng)代藝術(shù)中怪誕背后的思想內(nèi)涵，，并且討論了當(dāng)代藝術(shù)中怪誕繁榮的原因。由于當(dāng)代藝術(shù)中的怪誕反映了深刻的個(gè)體問題和社會(huì)問題，因此，怪誕并不是胡亂的涂鴉和荒誕的表達(dá)，而是有著深厚底蘊(yùn)的藝術(shù)。 第四章著重探討當(dāng)代藝術(shù)中怪誕的獨(dú)特價(jià)值和研究意義。當(dāng)代藝術(shù)中的怪誕不僅具有認(rèn)知價(jià)值、審美價(jià)值和快感價(jià)值，而且豐富了當(dāng)代藝術(shù)的表現(xiàn)領(lǐng)域，也使我們以更加清醒和理性的態(tài)度去看待怪誕，重估審美標(biāo)準(zhǔn)。
[Abstract]:In the era of the rapid development of science and technology, the lives of all sides of the people have been changed historically, and in the art of art, this is the case. With the change of the living environment of human being, people's aesthetic psychology, aesthetic conception and the change of the aesthetic taste make the grotesque art look different. There are many monographs and academic papers on grotesque at home and abroad, but the grotesque research in contemporary art still has an in-depth exploration of space. This paper tries to focus on the grotesque in contemporary art on the basis of the previous research results. Including the introduction, this article is divided into five parts In the introduction, the purpose and significance of the topic, the research status, the research method and the innovation are introduced in the introduction. In the first chapter, the first chapter presents the relevant contemporary art, which leads to this article. The subject of the discussion. Then, in the introduction, the west's understanding of the grotesque, in this part, because the western grotesque theory research is more mature, the discussion The core of the West is to define the meaning of the grotesque, to describe the basic content of the grotesque and the basic methods of expression, and to compare the three similarities of the grotesque, the funny and the absurd. The second chapter describes the contemporary art. The characteristic of the grotesque performance. The grotesque in contemporary art is characterized by extreme, extreme, extreme, extreme, extreme, and strong visual impact, which makes the grotesque art unique in contemporary art. The third chapter discusses the connotation of the idea behind the grotesque in contemporary art, and discusses the contemporary art. The reason for the grotesque prosperity of the operation is that the grotesque of contemporary art reflects profound individual and social problems, so the grotesque is not a random doodle or an absurd expression, but The fourth chapter focuses on the art of contemporary art. The grotesque of contemporary art not only has the cognitive value, the aesthetic value and the pleasure value, but also enriches the performance of the contemporary art, and also makes us more sober and rational.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J120.9
本文編號(hào)：2444864
[Abstract]:In the era of the rapid development of science and technology, the lives of all sides of the people have been changed historically, and in the art of art, this is the case. With the change of the living environment of human being, people's aesthetic psychology, aesthetic conception and the change of the aesthetic taste make the grotesque art look different. There are many monographs and academic papers on grotesque at home and abroad, but the grotesque research in contemporary art still has an in-depth exploration of space. This paper tries to focus on the grotesque in contemporary art on the basis of the previous research results. Including the introduction, this article is divided into five parts In the introduction, the purpose and significance of the topic, the research status, the research method and the innovation are introduced in the introduction. In the first chapter, the first chapter presents the relevant contemporary art, which leads to this article. The subject of the discussion. Then, in the introduction, the west's understanding of the grotesque, in this part, because the western grotesque theory research is more mature, the discussion The core of the West is to define the meaning of the grotesque, to describe the basic content of the grotesque and the basic methods of expression, and to compare the three similarities of the grotesque, the funny and the absurd. The second chapter describes the contemporary art. The characteristic of the grotesque performance. The grotesque in contemporary art is characterized by extreme, extreme, extreme, extreme, extreme, and strong visual impact, which makes the grotesque art unique in contemporary art. The third chapter discusses the connotation of the idea behind the grotesque in contemporary art, and discusses the contemporary art. The reason for the grotesque prosperity of the operation is that the grotesque of contemporary art reflects profound individual and social problems, so the grotesque is not a random doodle or an absurd expression, but The fourth chapter focuses on the art of contemporary art. The grotesque of contemporary art not only has the cognitive value, the aesthetic value and the pleasure value, but also enriches the performance of the contemporary art, and also makes us more sober and rational.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J120.9
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