顛覆與重建——女權(quán)主義文學(xué)批評(píng)研究
發(fā)布時(shí)間：2019-03-20 13:48
【摘要】：女權(quán)主義文學(xué)批評(píng)是20世紀(jì)60年代興起的以婦女為中心，具 有開放性和顛覆性的一種文學(xué)批評(píng)理論，它是西方女權(quán)主義運(yùn)動(dòng) 深入到文學(xué)、文化領(lǐng)域的成果。本文通過對(duì)西方女權(quán)主義文學(xué)批 評(píng)溯源及其基本概念的梳理來進(jìn)一步論述這種批評(píng)理論如何從性 別意識(shí)出發(fā)，清理男權(quán)制的性政治以及如何在建立女性美學(xué)和標(biāo) 舉差異中，，不斷建樹自己的理論，并進(jìn)行影響研究，論述了中國(guó) 女權(quán)主義文學(xué)批評(píng)的產(chǎn)生與發(fā)展。 西方的女權(quán)主義文學(xué)批評(píng)胎生于女權(quán)主義運(yùn)動(dòng)，因而具有強(qiáng) 烈的政治色彩。它的理論來源是復(fù)雜的，受到了新馬克思主義、 解構(gòu)主義以及闡釋學(xué)和接受美學(xué)的影響，并且主要繼承了兩位女 權(quán)主義先驅(qū)者弗吉尼亞●伍爾夫和西蒙●波娃的理論創(chuàng)造，呈現(xiàn) 出多元的面貌。 西方女權(quán)主義文學(xué)批評(píng)理論以法、英、美三個(gè)流派為代表。 法國(guó)女權(quán)主義文學(xué)批評(píng)主要是針對(duì)婦女與語言的關(guān)系問題，創(chuàng)立 了“女性寫作”理論，以激進(jìn)的態(tài)度來顛覆男權(quán)語言觀對(duì)女性的 壓抑。為此法國(guó)三位著名的女權(quán)主義文學(xué)批評(píng)家朱麗婭●克莉斯 蒂娃、海倫娜●西蘇和露西●伊瑞加雷分別創(chuàng)立了“女性寫 作”、“女性譜系和女人腔”和“符號(hào)學(xué)”在語言中建構(gòu)主體。 但她們共同的弱點(diǎn)是過分強(qiáng)調(diào)女性生理和語言，這實(shí)際上既是對(duì) 政治實(shí)踐的逃避，又帶有明顯的空想色彩。 由于英國(guó)女權(quán)主義文學(xué)批評(píng)結(jié)合了法國(guó)女權(quán)主義文學(xué)批評(píng)和 馬克思主義文學(xué)批評(píng)的理論，又趨向于美國(guó)式的文本分析，因而 本文第三部分著重論述美國(guó)女權(quán)主義文學(xué)批評(píng)對(duì)文本和帶有男權(quán) 意識(shí)的傳統(tǒng)進(jìn)行顛覆以及在文本中重塑婦女形象、表現(xiàn)女性意識(shí) 和重建女性文學(xué)傳統(tǒng)。 西方的女權(quán)主義文學(xué)批評(píng)也影響至中國(guó)，中國(guó)和西方不同的 國(guó)情決定了中國(guó)當(dāng)代的女權(quán)主義文學(xué)批評(píng)不能完全照搬西方的理 論模式，女權(quán)運(yùn)動(dòng)背景的缺失井不能否定中國(guó)不可能有“女權(quán)主 義”。隨著中國(guó)改革開放的深入，中國(guó)婦女女性意識(shí)的覺醒、眼 界的開闊以及思想觀念的解放使中國(guó)的女權(quán)主義文學(xué)批評(píng)有了較 商的起點(diǎn)。從產(chǎn)生到發(fā)展，中國(guó)的女權(quán)主義文學(xué)批評(píng)墓本呈頁(yè)種 態(tài)勢(shì)：一是在80年代注重將女權(quán)思想和現(xiàn)實(shí)主義批評(píng)原則結(jié)合， 形成一股現(xiàn)實(shí)主義—一女權(quán)主義文學(xué)批評(píng)主嘲。另一種夜勢(shì)是90 年代以來女權(quán)主義文學(xué)批評(píng)的全面展開，女權(quán)主義文學(xué)批評(píng)家們 借鑒西方多元化的文學(xué)理論，用女性的角度對(duì)文本、語言、文學(xué) 傳統(tǒng)進(jìn)行全新的闡釋，用西方的女權(quán)主義文學(xué)批評(píng)理論來觀照中 國(guó)的文學(xué)創(chuàng)作。使中國(guó)的女權(quán)主義文學(xué)批評(píng)蓬勃發(fā)展起來。近些 年來，隨善中國(guó)女性文學(xué)的興起，為中國(guó)女權(quán)主義文學(xué)批評(píng)提供 了廣闊的發(fā)展空間。 女權(quán)主義文學(xué)批評(píng)的目的是要通過閱讀和寫作的革命，喚起 茁個(gè)社會(huì)對(duì)女性向題的重視，使這個(gè)世界變得更加美好，這也是 其定義和價(jià)值所在。
[Abstract]:Feminist literary criticism is the beginning of the 1960s with women as the center. An open and subversive theory of literary criticism, It is the western feminist movement in-depth study of literature and culture The results of the field. This article is based on the western feminism literature. The review of the source of criticism and its basic concept to further discuss how the theory of criticism Don't be aware of Let's go, clean the sex politics of the man's right system. and how to build a female aesthetics and bid In the difference, build the own theory of the tree and make a shadow In response to the study, it is discussed The Feminist Literary Criticism in China The Generation and Development of Feminist Literary Criticism in the West Born in a feminist movement, thus having a strong political power. The color. Its theory The source is complex and is subject to new Marxism, The influence of the hermeneutics and the acceptance of the aesthetics, and the main inheritance of the two. The creation and presentation of the theory of Virginia Woolf and Simone Polarova, the first-mover of the women's rights out-of-order The Face of the Yuan and the Western Feminist Literary Criticism The theory is represented by the three schools of Ephraim, Britain and the United States. The French feminist literary criticism is mainly about the relationship between the women and the language, and the "trunk>" female w The theory of "" to subvert the patriarchal language in a radical manner. The expression of a woman's repression. To this end, the three well-known feminist literary critics of France, Julia Celius, Teva, Helena, Sassou and Lucy and Iriega. respectively The "Women's Write", " female genealogy and women's cavity The Construction of Semiotics in the Language The main body. But their common weakness is over-emphasis. The woman's physiology and language, in fact, is both political and real. The escape of a man, with a clear, utopian color. British women The right-to-right literary criticism combined with the French feminist literary criticism and The Theory of Marxist Literary Criticism and the Trend of American Style This analysis, for and the third part of this article focuses on the United States The Study of Feminist Literary Criticism on the Text and the Consciousness of the Men's Rights; The traditional subversion and the remodelling of women's image and performance in the text female consciousness and weight The Traditional of Women's Literature and the Western Feminist Literature The evaluation also affects China, China and the different national conditions in the West It's time for China to make a decision The feminist literary criticism can't completely copy the western theory On the pattern, the missing well in the background of the feminist movement can't deny China There's no "women's rights" ". With the deepening of China's reform and opening-up, China The Awakening of the Women's Consciousness, the Open of the Eye and the Thinking to think of the liberation of the concept of China
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2000
【分類號(hào)】：I06
本文編號(hào)：2444273
[Abstract]:Feminist literary criticism is the beginning of the 1960s with women as the center. An open and subversive theory of literary criticism, It is the western feminist movement in-depth study of literature and culture The results of the field. This article is based on the western feminism literature. The review of the source of criticism and its basic concept to further discuss how the theory of criticism Don't be aware of Let's go, clean the sex politics of the man's right system. and how to build a female aesthetics and bid In the difference, build the own theory of the tree and make a shadow In response to the study, it is discussed The Feminist Literary Criticism in China The Generation and Development of Feminist Literary Criticism in the West Born in a feminist movement, thus having a strong political power. The color. Its theory The source is complex and is subject to new Marxism, The influence of the hermeneutics and the acceptance of the aesthetics, and the main inheritance of the two. The creation and presentation of the theory of Virginia Woolf and Simone Polarova, the first-mover of the women's rights out-of-order The Face of the Yuan and the Western Feminist Literary Criticism The theory is represented by the three schools of Ephraim, Britain and the United States. The French feminist literary criticism is mainly about the relationship between the women and the language, and the "trunk>" female w The theory of "" to subvert the patriarchal language in a radical manner. The expression of a woman's repression. To this end, the three well-known feminist literary critics of France, Julia Celius, Teva, Helena, Sassou and Lucy and Iriega. respectively The "Women's Write", " female genealogy and women's cavity The Construction of Semiotics in the Language The main body. But their common weakness is over-emphasis. The woman's physiology and language, in fact, is both political and real. The escape of a man, with a clear, utopian color. British women The right-to-right literary criticism combined with the French feminist literary criticism and The Theory of Marxist Literary Criticism and the Trend of American Style This analysis, for and the third part of this article focuses on the United States The Study of Feminist Literary Criticism on the Text and the Consciousness of the Men's Rights; The traditional subversion and the remodelling of women's image and performance in the text female consciousness and weight The Traditional of Women's Literature and the Western Feminist Literature The evaluation also affects China, China and the different national conditions in the West It's time for China to make a decision The feminist literary criticism can't completely copy the western theory On the pattern, the missing well in the background of the feminist movement can't deny China There's no "women's rights" ". With the deepening of China's reform and opening-up, China The Awakening of the Women's Consciousness, the Open of the Eye and the Thinking to think of the liberation of the concept of China
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2000
【分類號(hào)】：I06
【引證文獻(xiàn)】
相關(guān)期刊論文 前2條
1 孟娜;;中西方女性意識(shí)之異同[J];神州;2011年17期
2 田璐;;伊斯蘭女權(quán)主義研究的文獻(xiàn)綜述[J];現(xiàn)代婦女(下旬);2013年01期
相關(guān)碩士學(xué)位論文 前3條
1 劉yN;從《狐火》看喬伊斯·卡羅爾·歐茨對(duì)傳統(tǒng)“性政治”的反叛與超越[D];華中師范大學(xué);2011年
2 屠獻(xiàn)芳;從女性主義視角解讀《革命之路》[D];浙江大學(xué);2011年
3 張純靜;中國(guó)大陸流行歌曲中的女性形象研究（1996-2006）[D];西南大學(xué);2008年
本文編號(hào)：2444273
本文鏈接：http://sikaile.net/wenyilunwen/yishull/2444273.html
最近更新
教材專著
