【摘要】：網(wǎng)絡(luò)游戲的交互式群體共生的創(chuàng)作方式,將文藝的靜態(tài)審美過渡為動態(tài)同步伴隨,極大地沖擊了傳統(tǒng)文藝著重個人理解的單向度傳播方式,它以不斷升級的娛樂體驗和情感宣泄方式,滿足了大眾娛樂的新訴求,摒棄傳統(tǒng)文藝"高于生活"的精英性和教化,追求"低于生活"的大眾宣泄,在娛樂至上的消費時代取得巨大的成功。但是,網(wǎng)絡(luò)游戲與文藝之間并不是勢同水火的關(guān)系,而是互利共生的合作,文藝是網(wǎng)游內(nèi)容的重要來源和審美認同的前期培養(yǎng),網(wǎng)游則是文藝不斷擴大的表現(xiàn)形式和新思維的重要路徑。
[Abstract]:The interactive group symbiotic creative way of online games, the static aesthetic transition of literature and art is accompanied by dynamic synchronization, which greatly impacts the one-way communication mode of traditional literature and art, which emphasizes individual understanding. It satisfies the new demands of mass entertainment with its continuously upgraded entertainment experience and emotional catharsis, abandons the meritocracy and enlightenment of "higher than life" in traditional literature and art, and pursues the mass catharsis that "is lower than life". Great success has been achieved in the age of entertainment consumption. However, the relationship between online games and literature and art is not the relationship between potential and water and fire, but the cooperation of mutual benefit and symbiosis. Literature and art is an important source of the content of online games and the early cultivation of aesthetic identity. The net swims is the art unceasingly expands the expression form and the important path of the new thought.
【作者單位】： 蘭州大學(xué)文學(xué)院;
【分類號】：G899;I01
，

本文編號：2370606