艾柯的文本詮釋理論研究
發(fā)布時間：2018-11-10 12:18
【摘要】：安貝托·艾柯,意大利人,在符號學、美學、文化批評、小說創(chuàng)作等多個研究領(lǐng)域都有突出貢獻。國外對艾柯的研究起步早,學術(shù)隊伍龐大,取得了許多重要的研究成果,而國內(nèi)對艾柯的研究起步較晚,缺乏多角度、全面、深刻的研究。本文著重對艾柯的文本詮釋理論進行研究和探討,與以往學術(shù)界對艾柯詮釋學理論研究不同的是,本文提供了一種新的研究思路和研究方法,即在深入、細致地研讀艾柯著作的基礎(chǔ)上,對其詮釋學理論的思想來源、發(fā)展脈絡和實踐走向進行全面地考察,多維度地闡釋艾柯詮釋學與其美學、符號學的聯(lián)系,并結(jié)合具體的文學創(chuàng)作實踐評析其詮釋學理論,從而形成對艾柯詮釋學思想的總體把握。 本文共分為八個部分：導論部分介紹艾柯的學術(shù)成就,分析艾柯詮釋學理論研究的意義和研究現(xiàn)狀,闡述論文的結(jié)構(gòu)框架、研究目的、方法和創(chuàng)新點；第一章梳理阿奎那美學、克羅齊美學、喬伊斯美學和帕萊松的美學思想,主要從形式理論和解釋理論兩個方面分析艾柯美學思想,揭示艾柯文本詮釋學形成的美學淵源,進而把握艾柯美學與其詮釋學的關(guān)系；第二章闡述索緒爾、葉姆斯列夫、皮爾士等人的符號學思想,把握艾柯三元符號學理論的來源和內(nèi)涵,通過對無限符號論和神秘主義符指論的比較,明確開放性詮釋理論和過度詮釋理論的不同依據(jù),分析艾柯的文本符號學,揭示艾柯符號學與其詮釋學的聯(lián)系；第三章正式步入艾柯的詮釋學理論研究,通過對詮釋學發(fā)展歷程的梳理,提出艾柯的詮釋態(tài)度：提倡詮釋,反對過度詮釋,提出詮釋應有界限；第四章重點分析過度詮釋,通過艾柯與羅蒂、卡勒的論爭,引出艾柯對過度詮釋的批判,艾柯提出用文本意圖來限制文本詮釋的盲目無限性；第五章明確艾柯提出的詮釋的界限,側(cè)重對文本意圖的研究和評析,注重把握文本意圖、模范讀者和模范作者在文本詮釋中發(fā)揮的作用和局限性；第六章將艾柯的詮釋理論與其小說創(chuàng)作實踐相結(jié)合,通過小說作品檢驗詮釋理論的應用性和可操作性；結(jié)語總結(jié)并評價艾柯的詮釋學理論,包括其理論的優(yōu)勢和創(chuàng)新點、理論的不足之處、理論的意義和借鑒價值等。 總之,本文力圖在全面搜集、整理、閱讀、運用原版英文資料的基礎(chǔ)上減少對艾柯詮釋理論的誤讀,能夠準確理解和分析其詮釋學理論。一方面,本文不局限于對其詮釋理論的分析,而是從美學、符號學、文藝批評和小說創(chuàng)作等多種角度展開,試圖構(gòu)建把握艾柯詮釋學與其美學、符號學等方面思想之間的聯(lián)系,形成詮釋理論體系；另一方面,通過對艾柯具體文學作品的分析揭示艾柯詮釋學的理論優(yōu)勢和局限性,為當代中國的詮釋學理論和實踐提供反思和借鑒。
[Abstract]:Anberto Eco, an Italian, has made outstanding contributions in many fields of semiotics, aesthetics, cultural criticism, fiction creation and so on. The research on Eco in foreign countries started early, the academic team is huge, and many important research results have been obtained. However, the domestic research on Eco started late, lacking of multi-angle, comprehensive and profound research. This paper focuses on the research and discussion of Eco's text interpretation theory. Different from the previous academic research on Eco's hermeneutics theory, this paper provides a new way of thinking and research, that is, in depth. On the basis of careful reading of Eco's works, the author makes a comprehensive investigation on the ideological source, development context and practice trend of his hermeneutics theory, and explains the connection between Eco's hermeneutics and his aesthetics and semiotics in many dimensions. Combined with the practice of literary creation, the hermeneutics theory is evaluated, thus forming the overall grasp of Eco's hermeneutics thought. This paper is divided into eight parts: the introduction introduces the academic achievements of Eco, analyzes the significance and research status of Eco's hermeneutics theory, and expounds the structure, purpose, method and innovation of the thesis; The first chapter combs Aquinas aesthetics, Croce aesthetics, Joyce aesthetics and Paleson's aesthetic thought, mainly analyzes Eco's aesthetic thought from two aspects of form theory and interpretation theory, and reveals the aesthetic origin of Eco's text hermeneutics. Then grasp the relationship between Eco aesthetics and its hermeneutics; The second chapter expounds Saussure, Yemslev, Peirce and others' semiotics thoughts, grasps the origin and connotation of Eco's ternary semiotics theory, and compares infinite symbolism with mysticism. The paper clarifies the different bases of open interpretation theory and excessive interpretation theory, analyzes Eco's textual semiotics, and reveals the relationship between Eco semiotics and its hermeneutics. The third chapter formally steps into Eco's hermeneutics theory research, through combing the development course of hermeneutics, puts forward Eco's hermeneutic attitude: advocating interpretation, opposing excessive interpretation, proposing the limits of interpretation; The fourth chapter focuses on the analysis of over-interpretation, through the argument between Eco, Rorty and Caleb, leads to Eco's criticism of over-interpretation. Eco proposes to limit the blind infinity of text interpretation by text intention. The fifth chapter clarifies the limits of Eco's interpretation, focuses on the study and analysis of text intention, and focuses on grasping the text intention, the role and limitation of the model reader and model author in the interpretation of the text. The sixth chapter combines Eco's annotation theory with his novel creation practice, and tests the applicability and maneuverability of the interpretation theory through the novel works. The conclusion summarizes and evaluates Eco's hermeneutics theory, including its theoretical advantages and innovations, theoretical shortcomings, theoretical significance and reference value. In a word, this paper tries to reduce the misreading of Eco's hermeneutics theory on the basis of collecting, sorting, reading and using the original English materials, and can accurately understand and analyze his hermeneutics theory. On the one hand, this paper is not limited to the analysis of his hermeneutics theory, but from the aesthetic, semiotics, literary criticism and novel creation and other angles, trying to build a grasp of the Eco hermeneutics and its aesthetics, semiotics, and other aspects of the relationship. Forming the system of interpretation theory; On the other hand, it reveals the theoretical advantages and limitations of Eco's hermeneutics through the analysis of his specific literary works, and provides reflection and reference for the theory and practice of hermeneutics in contemporary China.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I0
本文編號：2322454
[Abstract]:Anberto Eco, an Italian, has made outstanding contributions in many fields of semiotics, aesthetics, cultural criticism, fiction creation and so on. The research on Eco in foreign countries started early, the academic team is huge, and many important research results have been obtained. However, the domestic research on Eco started late, lacking of multi-angle, comprehensive and profound research. This paper focuses on the research and discussion of Eco's text interpretation theory. Different from the previous academic research on Eco's hermeneutics theory, this paper provides a new way of thinking and research, that is, in depth. On the basis of careful reading of Eco's works, the author makes a comprehensive investigation on the ideological source, development context and practice trend of his hermeneutics theory, and explains the connection between Eco's hermeneutics and his aesthetics and semiotics in many dimensions. Combined with the practice of literary creation, the hermeneutics theory is evaluated, thus forming the overall grasp of Eco's hermeneutics thought. This paper is divided into eight parts: the introduction introduces the academic achievements of Eco, analyzes the significance and research status of Eco's hermeneutics theory, and expounds the structure, purpose, method and innovation of the thesis; The first chapter combs Aquinas aesthetics, Croce aesthetics, Joyce aesthetics and Paleson's aesthetic thought, mainly analyzes Eco's aesthetic thought from two aspects of form theory and interpretation theory, and reveals the aesthetic origin of Eco's text hermeneutics. Then grasp the relationship between Eco aesthetics and its hermeneutics; The second chapter expounds Saussure, Yemslev, Peirce and others' semiotics thoughts, grasps the origin and connotation of Eco's ternary semiotics theory, and compares infinite symbolism with mysticism. The paper clarifies the different bases of open interpretation theory and excessive interpretation theory, analyzes Eco's textual semiotics, and reveals the relationship between Eco semiotics and its hermeneutics. The third chapter formally steps into Eco's hermeneutics theory research, through combing the development course of hermeneutics, puts forward Eco's hermeneutic attitude: advocating interpretation, opposing excessive interpretation, proposing the limits of interpretation; The fourth chapter focuses on the analysis of over-interpretation, through the argument between Eco, Rorty and Caleb, leads to Eco's criticism of over-interpretation. Eco proposes to limit the blind infinity of text interpretation by text intention. The fifth chapter clarifies the limits of Eco's interpretation, focuses on the study and analysis of text intention, and focuses on grasping the text intention, the role and limitation of the model reader and model author in the interpretation of the text. The sixth chapter combines Eco's annotation theory with his novel creation practice, and tests the applicability and maneuverability of the interpretation theory through the novel works. The conclusion summarizes and evaluates Eco's hermeneutics theory, including its theoretical advantages and innovations, theoretical shortcomings, theoretical significance and reference value. In a word, this paper tries to reduce the misreading of Eco's hermeneutics theory on the basis of collecting, sorting, reading and using the original English materials, and can accurately understand and analyze his hermeneutics theory. On the one hand, this paper is not limited to the analysis of his hermeneutics theory, but from the aesthetic, semiotics, literary criticism and novel creation and other angles, trying to build a grasp of the Eco hermeneutics and its aesthetics, semiotics, and other aspects of the relationship. Forming the system of interpretation theory; On the other hand, it reveals the theoretical advantages and limitations of Eco's hermeneutics through the analysis of his specific literary works, and provides reflection and reference for the theory and practice of hermeneutics in contemporary China.
【學位授予單位】：山東大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I0
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