文學(xué)與圖像的碰撞
發(fā)布時間：2018-08-28 06:17
【摘要】：“圖像”對于我們不會陌生,“圖像”是人類最早認(rèn)識、記錄世界的符號,伴隨人類從古到今,并將繼續(xù)走向未來。遠(yuǎn)古時代,人們用圖像描繪世界,圖像是唯一記錄世界的符號。圖像越來越簡化,最終形成簡化文字,文字成為圖像的“左右臂”,從這個意義上說圖像還是文字的“始祖”。人類為了自身的需要不斷地創(chuàng)造、改進(jìn)文字,又發(fā)明了印刷術(shù),文字匯集成文本成為文學(xué),文學(xué)憑借印刷術(shù)的力量改變了地位,超越圖像成為世界的主導(dǎo),圖像則淪落為文學(xué)的仆從,從主體地位退居到幕后,成為文學(xué)的補(bǔ)充。文學(xué)作為新事物壓倒了舊事物——圖像,但是圖像依舊存在并不斷完善發(fā)展自己,文學(xué)沒有取代圖像成為“唯一”,它與圖像共同管理人類的文化世界�？v觀圖像與文學(xué)的歷史,它們相處還算是和諧的。 歷史的車輪不停運(yùn)轉(zhuǎn),1895年12月28日攝影術(shù)的發(fā)明在改變了攝影命運(yùn)的同時,也開啟了圖像歷史的新篇章。圖像帶著新的意義,依仗強(qiáng)大的技術(shù)力量逐漸成為世界主角,橫行于人們生活的各個領(lǐng)域,可以說是“觸眼可及”。十世紀(jì)末文學(xué)與圖像碰撞了,擦出了“火花”,引發(fā)了一場沒有硝煙的“戰(zhàn)爭”,在這場“戰(zhàn)爭”中圖像憑借各種力量始終處于優(yōu)勢地位,一路狂飆,重奪“王位”,開始了“圖像新政”,面對圖像的強(qiáng)勢,文學(xué)一再向圖像屈尊諂媚,失去了文學(xué)原本的“味道”,變了質(zhì)。面對文學(xué)的“墮落”,學(xué)術(shù)界慌張了,米勒更是提出了讓世人“震驚”的“文學(xué)終結(jié)論”,由于對“終結(jié)”的曲解,文學(xué)也就被“消亡”,可事實(shí)證明,文學(xué)依舊存在著并且有其存在下去的理由,它是與人類同生死的。 雖然文學(xué)不會“消亡”,但我們不得不重視“文學(xué)終結(jié)論”為我們拉響的警鐘,圖像時代文學(xué)呈現(xiàn)出衰落的趨勢,文學(xué)邊緣化了這是不爭的事實(shí),文學(xué)在當(dāng)代的衰落不能把責(zé)任完全推脫給圖像,文學(xué)更應(yīng)該反省自身,從自身尋找衰落的原因。發(fā)現(xiàn)問題,解決問題,隨著科學(xué)技術(shù)越來越發(fā)達(dá),圖像將繼續(xù)作為“寵兒”長期存在,因此在圖像時代,文學(xué)不應(yīng)再去與圖像爭寵,文學(xué)“復(fù)古”去尋求自己的生存之根,用牢固之根對抗圖像的無根之虛；人是感性與理性合一的動物,人也是多變的感情豐富的動物,因此人永遠(yuǎn)不會只滿足于圖像的快感,不會總沉浸于“震驚”之中,更多時候我們還是喜歡文學(xué)帶給我們的“距離”美,還是喜歡文學(xué)帶給我們的“韻味無窮”。從文學(xué)與圖像的關(guān)系發(fā)展史我們知道：圖像與文學(xué)不是敵對的,它們是可以繼續(xù)共處下去的,以影視為代表的圖像因吸收文學(xué)的精髓而一路走紅,文學(xué)又何不借圖像之“風(fēng)”為自己的發(fā)展增添能量呢? 本文試圖從圖像與文學(xué)曾經(jīng)的和諧共處歷史入手,反觀當(dāng)今文學(xué)與圖像的“戰(zhàn)爭”,指出文學(xué)的不足同時針對“文學(xué)終結(jié)論”對文學(xué)不消亡進(jìn)行自己的論證,旨在證明文學(xué)的依舊存在并將長期存在,努力探索一條文學(xué)再次輝煌的當(dāng)代之路。
[Abstract]:"Image" is not unfamiliar to us, "image" is the earliest human understanding, recording the world symbols, accompanied by mankind from ancient to modern, and will continue to move to the future. In this sense, the image is still the "ancestor" of the text.Mankind creates and improves the writing constantly for his own needs, and invents the printing art, and the text becomes literature. Literature changes its position by means of the power of printing, transcends the image and becomes the world's dominant, while the image becomes the servant of literature and the subject. Literature, as a new thing, overwhelms the old thing-image, but the image still exists and develops itself constantly. Literature has not replaced the image as the "only" and it co-manages the cultural world of mankind with the image. Throughout the history of image and literature, they are still in harmony.
The wheel of history keeps running. The invention of photography on December 28, 1895 not only changed the fate of photography, but also opened a new chapter in the history of photography. Collision with the image, erased the "spark", triggered a "war" without smoke of gunpowder, in this "war" image by virtue of various forces has always been in a dominant position, all the way raging, to recapture the "throne", began the "image of the New Deal". Faced with the image of the strong, literature has repeatedly condescended to the image flattery, lost the original literature. In the face of the "degeneration" of literature, the academic circles were panicked. Miller put forward the "conclusion of literary end" which shocked the world. Literature was also "extinct" because of the misunderstanding of "end". However, facts have proved that literature still exists and has its reasons for its existence. It is the same life and death as mankind.
Although literature will not "die out", we have to pay attention to the alarm that "the end of literature" sounds for us. Literature in the image age shows a declining trend. Literature marginalization is an indisputable fact. Reasons. Find problems and solve problems. With the development of science and technology, images will continue to exist as "darlings" for a long time. Therefore, in the image age, literature should no longer strive for favor with images. Literature "retro" to seek its own roots of survival, with a solid root against the rootless emptiness of images; man is an animal that integrates sensibility and reason. People are also changeable and emotionally rich animals, so people will never be satisfied with the pleasure of images, not always immersed in the "shock", more often we still like the literature to bring us the "distance" beauty, or like the literature to bring us the "endless charm". Images and literature are not hostile, they can continue to coexist, with the film as the representative of the image because of the absorption of the essence of literature and all the way to become popular, literature why not take the image of the "wind" for their own development to add energy?
This paper attempts to start with the history of the harmonious coexistence of images and literature, to reflect on the "war" between literature and images, to point out the shortcomings of literature and to prove the existence of literature in the light of the "conclusion of the end of literature" in order to prove that literature still exists and will exist for a long time, and to explore a new glorious contemporary literature. The way.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I01
本文編號：2208513
[Abstract]:"Image" is not unfamiliar to us, "image" is the earliest human understanding, recording the world symbols, accompanied by mankind from ancient to modern, and will continue to move to the future. In this sense, the image is still the "ancestor" of the text.Mankind creates and improves the writing constantly for his own needs, and invents the printing art, and the text becomes literature. Literature changes its position by means of the power of printing, transcends the image and becomes the world's dominant, while the image becomes the servant of literature and the subject. Literature, as a new thing, overwhelms the old thing-image, but the image still exists and develops itself constantly. Literature has not replaced the image as the "only" and it co-manages the cultural world of mankind with the image. Throughout the history of image and literature, they are still in harmony.
The wheel of history keeps running. The invention of photography on December 28, 1895 not only changed the fate of photography, but also opened a new chapter in the history of photography. Collision with the image, erased the "spark", triggered a "war" without smoke of gunpowder, in this "war" image by virtue of various forces has always been in a dominant position, all the way raging, to recapture the "throne", began the "image of the New Deal". Faced with the image of the strong, literature has repeatedly condescended to the image flattery, lost the original literature. In the face of the "degeneration" of literature, the academic circles were panicked. Miller put forward the "conclusion of literary end" which shocked the world. Literature was also "extinct" because of the misunderstanding of "end". However, facts have proved that literature still exists and has its reasons for its existence. It is the same life and death as mankind.
Although literature will not "die out", we have to pay attention to the alarm that "the end of literature" sounds for us. Literature in the image age shows a declining trend. Literature marginalization is an indisputable fact. Reasons. Find problems and solve problems. With the development of science and technology, images will continue to exist as "darlings" for a long time. Therefore, in the image age, literature should no longer strive for favor with images. Literature "retro" to seek its own roots of survival, with a solid root against the rootless emptiness of images; man is an animal that integrates sensibility and reason. People are also changeable and emotionally rich animals, so people will never be satisfied with the pleasure of images, not always immersed in the "shock", more often we still like the literature to bring us the "distance" beauty, or like the literature to bring us the "endless charm". Images and literature are not hostile, they can continue to coexist, with the film as the representative of the image because of the absorption of the essence of literature and all the way to become popular, literature why not take the image of the "wind" for their own development to add energy?
This paper attempts to start with the history of the harmonious coexistence of images and literature, to reflect on the "war" between literature and images, to point out the shortcomings of literature and to prove the existence of literature in the light of the "conclusion of the end of literature" in order to prove that literature still exists and will exist for a long time, and to explore a new glorious contemporary literature. The way.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I01
【共引文獻(xiàn)】
相關(guān)博士學(xué)位論文 前10條
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3 任士春;巢湖市城鎮(zhèn)化進(jìn)程中農(nóng)村中小學(xué)體育現(xiàn)狀與發(fā)展對策[D];安徽工程大學(xué);2010年
4 楊婧;從西方繪畫中的“豐滿”女性形象看藝術(shù)夸張[D];哈爾濱師范大學(xué);2010年
5 關(guān)學(xué)銳;《莊子》生存美學(xué)思想研究[D];哈爾濱師范大學(xué);2010年
6 岳佳寧;端木蕻良長篇小說論[D];廣西師范學(xué)院;2010年
7 楊梅;無望的找尋與虛妄的夢[D];上海外國語大學(xué);2010年
8 石潔;福克納在中國的譯介及中國當(dāng)代小說中的�？思{因素[D];上海外國語大學(xué);2010年
9 單雅嬌;《京華煙云》的文化回譯研究[D];上海外國語大學(xué);2010年
10 郭新;社會主義核心價值體系內(nèi)在結(jié)構(gòu)研究[D];大連理工大學(xué);2010年
，本文編號：2208513
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