本文選題：油畫民族化 + 中國油畫傳統(tǒng)��； 參考：《當代文壇》2009年05期

【摘要】：作為舶來品的油畫藝術(shù),經(jīng)過幾百年的不斷發(fā)展,已經(jīng)融入了中國文化藝術(shù)的血脈之中。本文通過分析油畫民族化、中國油畫傳統(tǒng)以及藝術(shù)市場化等三個當今中國油畫藝術(shù)面臨的主要問題,研究中國油畫的藝術(shù)范疇和生存狀態(tài)。在藝術(shù)市場化的今天,油畫拍賣行為已經(jīng)從消費鑒賞行為向市場投資行為轉(zhuǎn)變,本文結(jié)合中國油畫作為外來門類藝術(shù)的特殊狀況以及藝術(shù)市場化的新形勢,探討中國油畫在發(fā)展中如何保持自身藝術(shù)主體性的完整以及中國油畫藝術(shù)自由之路何在的問題。
[Abstract]:As an imported oil painting art, after hundreds of years of continuous development, has been integrated into the blood of Chinese culture and art. This paper studies the artistic category and living state of Chinese oil painting by analyzing the three main problems of the nationalization of oil painting, the tradition of Chinese oil painting and the marketization of art. In the art market today, oil painting auction behavior has changed from consumer appreciation behavior to market investment behavior. This paper combines the special situation of Chinese oil painting as a kind of foreign art and the new situation of art marketization. This paper discusses how to maintain the integrity of the artistic subjectivity of Chinese oil painting in its development and the problem of how to free the art of Chinese oil painting.
【作者單位】： 西南民族大學藝術(shù)學院;
【分類號】：J124

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1 見習記者 王洋;這樣一個吳冠中藝術(shù)價值和市場價值的“較量范本”[N];中華工商時報;2010年

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本文編號：2102328