本文選題：童話寫作 + 幻想��； 參考：《廣西師范大學(xué)》2000年碩士論文

【摘要】： 在世界兒童文學(xué)的發(fā)展過程中，童話始終是一個(gè)重要和主要的品種。它以其自身獨(dú)特的姿態(tài)、美妙奇異的情節(jié)，輝煌燦爛的場面、幽默有味的語言，以及淡言微詞中的深刻寓意，贏得了眾多讀者的青睞。其中既有天真活潑、好奇求知的孩子們；更有老成持重、童心猶存的中老年讀者。由此可見童話作品受到了各個(gè)地域、各個(gè)階層、各個(gè)年齡階段讀者的歡迎。 在莊嚴(yán)瑰麗的文學(xué)殿堂里，童話無疑也是一支巨大有力的擎天柱。盡管時(shí)間的車輪已經(jīng)駛進(jìn)了二十一世紀(jì)，而擁有千百年悠久歷史的童話作品，卻一直在歷史的長河里，顯示出它永恒的魅力。 童話的魅力就在于它的幻想性。本文認(rèn)為：童話是以幻想為主要特征和藝術(shù)手段來塑造形象，折射生活的一種寫作文體。從寫作學(xué)的角度來概括就是：童話，是一門幻想的寫作藝術(shù)。 要證明這樣的觀點(diǎn)，首先就要論述幻想是童話的本質(zhì)這一根本的問題。(一)對童話的語義考證，我們可以知道，作為一種文學(xué)樣式，童話，在其誕生之初便帶有幻想的品質(zhì)。(二)經(jīng)過對童話這種文體變化的追蹤，我們也可以發(fā)現(xiàn)，幻想在童話的發(fā)展變化過程中不是被削弱了，更不是消失了，而是越來越受到重視，越來越得到加強(qiáng)；(三)從童話的發(fā)展過程中，我們也可以看到人類為幻想精神尋找安身立命的場所作出的執(zhí)著努力。即使到了科學(xué)高度發(fā)展的今天，甚至科學(xué)更為發(fā)達(dá)的未來，人類仍需要童話這樣的使幻想精神得以安居和發(fā)展的溫暖家園；(四)童話的幻想比起其它文學(xué)體裁的幻想，其幻想的重要程度要強(qiáng)得多。其它文學(xué)體裁的幻想僅僅是作為一種附屬因素而存在，并不體現(xiàn)某一文學(xué)樣式的根本(或重要)特征。而在童話中，幻想?yún)s占據(jù)最重要的位置�？梢�，幻想確實(shí)是童話的本質(zhì)。 其次，，為了更清楚、更全面、更深入地認(rèn)識童話的本質(zhì)，本文追根溯源，繼續(xù)考察童話幻想的起源。試圖通過童話幻想的最初心理發(fā)生過程去認(rèn)以童話幻想。人類學(xué)家經(jīng)過考察，可以確定童話出現(xiàn)在原始社會，而原始社會中，最初的童話幻想是起于原始人對外部周圍世界茫茫無知的情況下發(fā)生的，他們對周圍事物有著神秘的感覺和認(rèn)同的感覺，從而賦予周圍事物以靈性和人性的色彩，他們用互滲的思維方法將周圍事物與人的生命現(xiàn)象神秘地聯(lián)系起來，把人與外部事物視為一體，把荒誕的夢與起初真實(shí)的存在視為一體。因此，最初的童話幻想是無意識的幻想，到了原始社會后期，圖騰的標(biāo)志、禁 忌的風(fēng)俗都建立在原始拜物思想的基礎(chǔ)上。原始人意識到應(yīng)該借用某些動植物的力量來 為自己壯膽。意識到可以通過不去觸犯某些事物來避免災(zāi)難，雖然這些是毫無現(xiàn)實(shí)可能 性的幻想，但卻已經(jīng)是有目的、有企圖的幻想。 第三，童話之所以能顯示出它永恒的躲力，“幻想”起到了舉足輕重的作用。童話 的幻想使寫作主體與寫作受體在創(chuàng)作和閱讀童話本體的過程中達(dá)到某種契合，從而使寫 作受體進(jìn)人寫作主體營造的幻想世界，使寫作受體感受到一種詩意流飛、情景交融的意 境美。而這種由童話幻想產(chǎn)生的意境美，是因?qū)徝澜?jīng)驗(yàn)中的移情現(xiàn)象而產(chǎn)生的。 第四，童話幻想與其它因素的關(guān)系：重心是幻想的基礎(chǔ)；重話的幻想必須以現(xiàn)實(shí)生 活作為基礎(chǔ)：而夸張、擬人等藝術(shù)手法是表現(xiàn)童話幻想的主要手段。 第五，童話的發(fā)展，必然表現(xiàn)為蚤話幻想的發(fā)展。經(jīng)過千百年的歷史發(fā)展至今天的 童話，其幻想因素必然地顯示出時(shí)代的特點(diǎn)．所以談?wù)摦?dāng)代童話寫作中童話幻想的幾點(diǎn) 新變化是不可回避的問題。這一部分隨時(shí)代的發(fā)展必將會呈現(xiàn)出新鮮的內(nèi)容。 所以，在當(dāng)今乃至將來，童話如何運(yùn)用幻想這個(gè)藝術(shù)手段更好地反映新的現(xiàn)實(shí)，更 好地體現(xiàn)新一代兒童的思想感情，是我們要小斷探討的理論問題。 總的來說，本文論述童話寫作中的幻想問題，所涉及和討論到的觀點(diǎn)、內(nèi)容范圍， 論述的角度是新的，所以說是“新論”。
[Abstract]:In the course of the development of children's literature in the world, fairy tales have always been an important and main variety. With their own unique posture, wonderful strange plot, brilliant scene, humorous and flavorless language, and the profound meaning in the light words, it has won the favor of many readers. They are more mature, childlike and middle-aged readers. This shows that the works of fairy tales are welcomed by readers from all regions, all walks of life and all ages.
In the solemn and magnificent palace of literature, the fairy tale is undoubtedly a powerful and powerful Optimus. Although the wheel of time has already entered the twenty-first Century, the fairy tale with a long history has been in the long history of its history, showing its eternal charm.
The charm of a fairy tale lies in its fantasies. This article holds that a fairy tale is a writing style that portraying the image with the main features and artistic means of fantasy and reflecting life. From the point of view of writing, fairy tales are a fantasy writing art.
To prove this point of view, first of all, we should discuss the fundamental question of fantasy is the essence of fairy tales. (1) the semantic textual research of fairy tales, we can know that, as a literary style, fairy tales have the quality of fantasy at the beginning of their birth. (two) after tracing the change of the style of fairy tales, we can also find that fantasy is in fairy tales. In the process of development and change, it is not weakened, but not disappearing, but more and more attention, more and more strengthened. (three) from the development of fairy tales, we can also see the persistent efforts made by human beings to find the place of life for the spirit of fantasy. That is, to the high development of science today, and even more science. In the future, human beings still need the warm homes of fairy tales to secure and develop their fantasies. (four) the fantasy of fairy tales is much more important than the fantasy of other literary genres. But in fairy tales, fantasy occupies the most important position. It can be seen that fantasy is indeed the essence of fairy tales.
Secondly, in order to make a clearer, more comprehensive and deeper understanding of the essence of fairy tales, this article traces its origins and continues to examine the origin of fairy tales, trying to recognize fairy fantasies through the initial psychological process of fairy tales. Anthropologists can determine the appearance of fairy tales in primitive society, and the original fairy tales in primitive society. It occurs when the primitive people are ignorant of the outside world. They have a sense of mystery and identity to the surrounding things, which endow the surrounding things with the color of spirit and human nature. They connect the surrounding things to the life of the people in a mysterious way by means of mutual infiltration. As a whole, the dream of absurdity is regarded as an integral part of the original existence. Therefore, the original fairy tale fantasy is an unconscious fantasy, to the later stage of the primitive society, the sign of totem, and the prohibition of the totem.
Jealous customs are based on primitive fetishism. Primitive people realized that they should borrow some animal and plant power.
Be brave for yourself. Realize that you can avoid disasters by not offending certain things, though these are unrealistically possible.
Sexual fantasies, but they are purposeful and attempting fantasies.
Third, the fairy tale can show its eternal hiding power. Fantasy plays a pivotal role.
The illusion makes the writing subject and the receptor of writing achieve some agreement in the process of creating and reading the fairy tale ontology.
As a receptor, it enters into the fantasy world created by the main body of writing, so that the reader can feel a poetic flow, a feeling of harmony.
The beauty of artistic conception created by fairy tales is due to empathy in aesthetic experience.
Fourth, the relationship between fairy tale fantasies and other factors: the center of gravity is the foundation of fantasy; the illusion of heavy words must be based on reality.
Living as a basis: exaggeration, personification and other artistic techniques are the main means of expressing fairy tale fantasies.
Fifth, the development of fairy tales is inevitably manifested in the development of fantasy of fleas.
Fairy tales, whose illusions inevitably show the characteristics of the times, talk about fairy tales in contemporary fairy tales.
The new change is an unavoidable problem. This part will show fresh contents along with the development of the times.
Therefore, in today's and even future, how fairy tales apply the illusion of artistic means to better reflect the new reality, and more
To embody the thoughts and feelings of the new generation of children is a theoretical issue that we need to discuss briefly.
In general, this article discusses the fantasy problem in fairy tale writing, the viewpoints and contents discussed and discussed.
The angle of discussion is new, so it is "new".
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2000
【分類號】：I058

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 廖錦超;;兒童童話研究沿革及其研究的認(rèn)知轉(zhuǎn)向[J];科技信息;2012年04期

相關(guān)碩士學(xué)位論文 前3條

1 蘇芳;論羅爾德·達(dá)爾兒童幻想故事中的奇幻世界[D];天津理工大學(xué);2011年

2 廖錦超;童話建構(gòu)的認(rèn)知解讀[D];廣西師范大學(xué);2006年

3 徐術(shù)根;從張?zhí)煲�、鄭淵潔童話創(chuàng)作看中國熱鬧童話的發(fā)展[D];四川師范大學(xué);2008年

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