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  本文選題：尼采 + 希臘悲劇��； 參考：《湖北大學(xué)》2011年碩士論文

【摘要】：古希臘神話中的酒神狄奧尼索斯是一個特殊的神祗。他不僅是農(nóng)業(yè)之神,也是葡萄種植業(yè)和釀酒的保護(hù)神,他不僅掌握著葡萄酒醉人的力量,還能夠布施歡樂與慈愛,因而在古希臘成為極有感召力的神。尼采摯愛古希臘時代的哲學(xué)、美學(xué)與文化藝術(shù),對酒神更是情有獨(dú)鐘。酒神特有的氣質(zhì)非常符合尼采思想中的理想人格。經(jīng)過反復(fù)探究、思考與個人加工,尼采美學(xué)中的“酒神”成為貫穿其一生所有思想的重要內(nèi)涵,本文主要從三部分入手對尼采的酒神內(nèi)涵進(jìn)行解析： 第一部分：論述“酒神”的來源與基礎(chǔ)。首先從古希臘神話故事中追溯酒神的來源,探尋狄奧尼索斯的身世經(jīng)歷和人們對酒神狂熱崇拜的儀式,并結(jié)合尼采與當(dāng)代社會及其個人的具體背景,深入挖掘尼采“酒神”內(nèi)涵的成型基礎(chǔ)。 第二部分：對尼采悲劇中的酒神進(jìn)行多視角、全方位闡釋。酒神頌和歌隊(duì)的演變,直接導(dǎo)致了希臘悲劇的產(chǎn)生。尼采認(rèn)為,在精神層面上,希臘悲劇由酒神與日神相互激蕩相互作用而產(chǎn)生,并詳細(xì)地描述了兩種因素從對立到結(jié)合的歷史進(jìn)程,表明悲劇的酒神本質(zhì),并從藝術(shù)家、悲劇人物和欣賞者三個層次分析了顯現(xiàn)在悲劇中的酒神要素。尼采的酒神研究與探索,是二十世紀(jì)西方美學(xué)研究的重要貢獻(xiàn),也是文學(xué)研究的重要內(nèi)容之一,值得進(jìn)一步深入開掘。 第三部分：對尼采“酒神”內(nèi)涵的評估。尼采的酒神論對于整個西方思想界都有重大的意義,產(chǎn)生了極其深遠(yuǎn)的影響。當(dāng)然,尼采這種激進(jìn)的學(xué)說依然存在歷史與自身的缺失與局限。但至關(guān)重要的是,尼采以酒神為起點(diǎn)形成了他的悲劇人生觀,通過審美的藝術(shù)感悟參與并分享生活與生命,為世人指出了一條通向理想境界的精神道路,這正是尼采酒神論對存在世界的價(jià)值和意義。
[Abstract]:Dionysus, the god of wine in ancient Greek mythology, is a special god. He was not only the god of agriculture, but also the protector of grape farming and winemaking. He not only possessed the intoxicating power of wine, but also gave merriment and kindness, so he became a very inspiring god in ancient Greece. Nietzsche's love of Greek philosophy, aesthetics, culture and art is especially keen on Dionysus. The unique temperament of Dionysus accords with the ideal personality in Nietzsche's thought. After repeated exploration, thinking and personal processing, the "Dionysus" in Nietzsche's aesthetics has become an important connotation of all his thoughts throughout his life. This paper mainly analyzes Nietzsche's connotation of Dionysus from three parts: the first part: the origin and foundation of Dionysus. First of all, from the ancient Greek mythology to trace the origin of Dionysus, to explore Dionysus' life experience and the ritual of people's worship of Dionysus, and to combine Nietzsche with the specific background of contemporary society and its individual. Excavate the forming foundation of Nietzsche's "Dionysus" intension. The second part: to the Nietzsche tragedy of the Dionysus in many perspectives, all-around interpretation. The evolution of the Dionysian Ode and the Song team led directly to the Greek tragedy. Nietzsche thought that in spirit, the Greek tragedy was produced by the interaction of Dionysus and the Sun God, and described in detail the historical process of the two factors from opposites to union, indicating the essence of the tragic Dionysus, and from the artist to the artist. Tragic characters and appreciators analyze the elements of Dionysus in tragedy. Nietzsche's study and exploration of Dionysus is an important contribution to the study of western aesthetics in the 20th century and one of the important contents of literary research, which is worthy of further exploration. The third part: the evaluation of the connotation of Nietzsche's Dionysus. Nietzsche's theory of Dionysus has great significance and profound influence on the whole western ideological circle. Of course, Nietzsche's radical theory still has its history and its own limitations. But the most important thing is that Nietzsche took Dionysus as the starting point to form his tragic outlook on life, participated and shared life and life through aesthetic art, and pointed out a spiritual road to the ideal state for the world. This is the value and significance of Nietzsche's Dionymy to the world of existence.
【學(xué)位授予單位】：湖北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：B516.47;I01

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本文編號：2041014