發(fā)布時(shí)間：2018-06-19 01:53

  本文選題：意象 + 歷史區(qū)分　； 參考：《新疆大學(xué)》2005年碩士論文

【摘要】：意象是主客體相結(jié)合的統(tǒng)一體,它由情感與理性等多方面因素相融 合而成。意象不只是藝術(shù)的構(gòu)成單位,更是藝術(shù)作品本身、是藝術(shù)品區(qū) 別于其他事物存在的獨(dú)特標(biāo)志。它的存在是多層次的,包涵著豐富的內(nèi) 容與表現(xiàn)形態(tài);它既是美的事物的形象體現(xiàn),又是理性之光的抽象投射。 意象,作為一個(gè)極富于美學(xué)含義的范疇,值得我們不斷深思和探討。本 文將從意象的審美含義出發(fā),探討意象在審美視野下的發(fā)生發(fā)展歷程, 并對(duì)意象的審美特性作一總結(jié)和認(rèn)識(shí)。 全文共由正文三個(gè)部分及結(jié)束語(yǔ)組成。 正文第一部分是從歷史的角度對(duì)意象的概念流變作定義和區(qū)分。通 過大量的史料和文獻(xiàn)考證,意象的確是我國(guó)美學(xué)史上一個(gè)古老的范疇, 并且較早的出現(xiàn)了審美意義上的情感意象論。從一般的心理印象、一般 的象征性符號(hào)意象到審美情感逐漸在藝術(shù)創(chuàng)作中積累、完善,最終形成 具有審美意味的意象,即審美意象,這是一個(gè)意象不斷審美化的過程, 同時(shí)也是一個(gè)意象思維不斷超越的過程,是藝術(shù)家內(nèi)心生命的形象顯 現(xiàn)。對(duì)比中西方意象理論,后者就提出年代上明顯要晚,且與我們有所 區(qū)別。中國(guó)意象論重視情與景的融合;西方意象論重視情感與形式的統(tǒng) 一。由于對(duì)意象中情感因素的重視,都使得意象的審美含義得到突出和 彰顯。 正文第二部分從意象的結(jié)構(gòu)與創(chuàng)作出發(fā),從構(gòu)成審美意象要素的 “意”和“象”兩方面,重點(diǎn)考察意象審美的心理機(jī)制和符號(hào)化特征。 指出意象的審美發(fā)生過程就是通過各種意象符號(hào)的塑造來(lái)表現(xiàn)審美的 人所具有的內(nèi)在精神及其美學(xué)超越過程。其中,審美想象起到了極為重 要的作用,意象的審美發(fā)生需要借助審美想象,才能以象化意,完成意 象的審美創(chuàng)造和美學(xué)解讀。而各種意象的物化形態(tài)或物質(zhì)媒介也為我們
[Abstract]:Image is a unity of subject and object, which is composed of emotion and reason. Image is not only the unit of art, but also the work of art itself. Its existence is multi-level, including abundant internal capacity and expressive form; it is not only the image embodiment of beautiful things, but also the abstract projection of rational light. Image, as a category rich in aesthetic meaning, deserves our constant deep thinking and discussion. Starting from the aesthetic meaning of image, this paper discusses the development of image under the aesthetic vision, and makes a summary and understanding of the aesthetic characteristics of image. The full text consists of three parts of the text and concluding remarks. The first part of the text defines and distinguishes the concept evolution of image from the historical point of view. Through a large number of historical data and literature research, imagery is indeed an ancient category in the history of aesthetics in China, and early appeared in the aesthetic sense of emotional imagery. From the general psychological impression, the general symbolic symbol image to the aesthetic emotion gradually accumulates in the artistic creation, consummates, finally forms the esthetic meaning image, that is, the esthetic image, This is a process of continuous image aesthetic, but also a process of image thinking constantly transcending, is the image of the artist's inner life. Compared with Chinese and Western imagery theory, the latter is obviously late and different from us. Chinese imagism emphasizes the fusion of emotion and scenery, while western imagism emphasizes the unity of emotion and form. Because of the importance of emotional factors in image, the aesthetic meaning of image is prominent and obvious. The second part of the text starts from the structure and creation of image, from the two aspects of "meaning" and "image", which constitute the elements of aesthetic image, and focuses on the psychological mechanism and symbolic characteristics of image aesthetics. It is pointed out that the aesthetic process of image is the inner spirit and aesthetic transcendence of the aesthetic person through the shaping of various image symbols. The aesthetic imagination plays a very important role, and the aesthetic appearance of image needs the help of aesthetic imagination to complete the aesthetic creation and aesthetic interpretation of imagery. And the materialized forms or media of all kinds of images are also for us.
【學(xué)位授予單位】：新疆大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 何艷珊;老子音樂美學(xué)思想與相關(guān)藝術(shù)審美[D];中央音樂學(xué)院;2011年

相關(guān)碩士學(xué)位論文 前10條

1 王新嶺;中國(guó)古典美學(xué)“象”范疇研究[D];山東師范大學(xué);2011年

2 趙彥博;翻譯美學(xué)視角下的羅慕士《三國(guó)演義》英譯本研究[D];華中師范大學(xué);2011年

3 童尚蘭;中國(guó)古典文學(xué)中蝴蝶意象的文化意蘊(yùn)[D];華東交通大學(xué);2011年

4 李微微;蕭紅創(chuàng)作的文學(xué)意象描寫研究[D];黑龍江大學(xué);2011年

5 吳靜;從意象的營(yíng)造看宋代詠物詞詞境的發(fā)展過程[D];西北師范大學(xué);2007年

6 孔鐳;論文學(xué)翻譯中文化意象的傳遞[D];重慶師范大學(xué);2009年

7 趙靜;創(chuàng)新思維視角下中學(xué)生詩(shī)歌意象學(xué)習(xí)的個(gè)案研究[D];重慶師范大學(xué);2009年

8 申長(zhǎng)崴;莫言小說(shuō)中“肉”意象的文化解讀[D];東北師范大學(xué);2009年

9 朱崇菖;林白小說(shuō)中的意象研究[D];廣西師范大學(xué);2012年

10 李嚴(yán)琴;古典詩(shī)詞中的燈燭意象及其文化意蘊(yùn)探究[D];華東交通大學(xué);2012年

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本文編號(hào)：2037817