本文選題：格式塔 + 異質(zhì)同構(gòu)　； 參考：《曲阜師范大學(xué)》2005年碩士論文

【摘要】：在文學(xué)理論和美學(xué)發(fā)展史上,“心-物”關(guān)系問(wèn)題一直是眾多理論家們關(guān)注的焦點(diǎn)。在西方學(xué)界,由于受主客二分思維模式的影響,有的學(xué)者偏重于“心”,如“移情派”;有的學(xué)者偏重于“物”,如“客觀性質(zhì)派”。而格式塔文藝美學(xué)家們?cè)谌诤狭爽F(xiàn)代物理學(xué)、現(xiàn)象學(xué)、結(jié)構(gòu)主義等眾多最新知識(shí)之后,獨(dú)辟蹊徑提出了“異質(zhì)同構(gòu)論”。這一理論從“心-物”之間的相互關(guān)系入手,將人的生理領(lǐng)域、心理領(lǐng)域和外在對(duì)象視為彼此關(guān)聯(lián)的整體,是現(xiàn)代文藝美學(xué)發(fā)展史上的一次突破性創(chuàng)新。 本文旨在運(yùn)用歷史與邏輯相結(jié)合的方法,首先,把異質(zhì)同構(gòu)論放在西方心理學(xué)、哲學(xué)、美學(xué)發(fā)展的坐標(biāo)軸上進(jìn)行縱橫比較研究,透析其產(chǎn)生的學(xué)科背景。然后,從“整體活動(dòng)”、“外部同構(gòu)”、“內(nèi)部同構(gòu)”、“組織原則”、“質(zhì)的呈現(xiàn)”等五方面用其思想精髓對(duì)藝術(shù)活動(dòng)進(jìn)行邏輯解讀。最后,結(jié)合當(dāng)下中國(guó)文藝美學(xué)熱點(diǎn)問(wèn)題如“審美理想迷失”、“美的本質(zhì)探尋”、“研究方法的轉(zhuǎn)型”等探討了異質(zhì)同構(gòu)論的當(dāng)下的品格,另外,還簡(jiǎn)要探討了異質(zhì)同構(gòu)論的弱點(diǎn)及不足。而且在行文中注意到了中西文論的比較研究,由此來(lái)凸現(xiàn)中國(guó)古代文論的現(xiàn)代價(jià)值。
[Abstract]:In the history of literary theory and aesthetics, the relationship between mind and matter has always been the focus of attention of many theorists. In western academic circles, due to the influence of the mode of thinking between subject and object, some scholars put emphasis on "heart", such as "empathy", and some scholars focused on "object", such as "objective nature". After integrating modern physics, phenomenology, structuralism and so on, Gestalt literary estheticians put forward the theory of heterogeneity and isomorphism. This theory starts with the relationship between the mind and the object, and regards the physical field, the psychological field and the external object as the interrelated whole. It is a breakthrough innovation in the history of modern literature and art aesthetics. This paper aims to use the method of combining history with logic, first of all, put the theory of heterogeneity isomorphism in western psychology and philosophy. The comparative study on the coordinate axis of aesthetic development is carried out, and the disciplinary background of its emergence is analyzed. Then, from five aspects of "whole activity", "external isomorphism", "internal isomorphism", "organization principle" and "presentation of quality", the artistic activity is logically interpreted with its ideological essence. Finally, combining with the hot issues of contemporary Chinese literature and art aesthetics, such as "lost of Aesthetic ideal", "Exploration of the essence of Beauty", "Transformation of Research methods" and so on, it discusses the contemporary character of heterogeneity and isomorphism. The weakness and deficiency of the theory of heterogeneous isomorphism are also briefly discussed. In addition, the comparative study of Chinese and Western literary theories is paid attention to, which highlights the modern value of ancient Chinese literary theory.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類(lèi)號(hào)】：J0

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前4條

1 董昌秀;格式塔異質(zhì)同構(gòu)論視域下的文學(xué)研究[D];西北大學(xué);2011年

2 王彥;試析中西文論中情景關(guān)系的不同內(nèi)涵[D];內(nèi)蒙古大學(xué);2010年

3 童瑩;林語(yǔ)堂翻譯的格式塔心理學(xué)詮釋[D];南京農(nóng)業(yè)大學(xué);2009年

4 金鐘;格式塔理論觀照下的中國(guó)賞石文化研究[D];江南大學(xué);2012年

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本文編號(hào)：2006625