發(fā)布時(shí)間：2018-06-06 19:09

  本文選題：超現(xiàn)實(shí)主義 + 超現(xiàn)實(shí)主義因素��； 參考：《華中師范大學(xué)》2012年碩士論文

【摘要】：本篇論文有橫向和縱向的兩條主線,縱向的主線就是就中國(guó)當(dāng)代青年藝術(shù)家作品中的超現(xiàn)實(shí)主義因素本身進(jìn)行分析研究,橫向的主線是通過(guò)與我國(guó)“85新潮”時(shí)期藝術(shù)家作品中的超現(xiàn)實(shí)主義因素做一個(gè)對(duì)比,研究超現(xiàn)實(shí)主義因素自“85新潮”時(shí)期藝術(shù)家創(chuàng)作至中國(guó)當(dāng)代青年藝術(shù)家創(chuàng)作中的轉(zhuǎn)變。 中國(guó)當(dāng)代青年藝術(shù)家的作品中出現(xiàn)了超現(xiàn)實(shí)主義的因素,如果把他們的繪畫都定義為超現(xiàn)實(shí)主義的繪畫,顯然是不妥當(dāng)?shù)?任何藝術(shù)的發(fā)生都有其特定的條件。本文的研究目的在于研究中國(guó)當(dāng)代青年藝術(shù)家作品中出現(xiàn)超現(xiàn)實(shí)主義因素的原因,以及這種超現(xiàn)實(shí)主義因素是如何呈現(xiàn)的,當(dāng)代青年藝術(shù)家作品的敘事特點(diǎn)。筆者通過(guò)研究,認(rèn)為藝術(shù)的創(chuàng)作和特點(diǎn)總是受到藝術(shù)家所處的社會(huì)環(huán)境和時(shí)代背景的影響,其中還包括了藝術(shù)家的成長(zhǎng)背景、當(dāng)時(shí)的社會(huì)文化、視覺(jué)環(huán)境等等,可以說(shuō)藝術(shù)作品是具有時(shí)代的烙印的,另外跟他們個(gè)人的性格、成長(zhǎng)經(jīng)歷有直接的關(guān)系。文章通過(guò)對(duì)中國(guó)當(dāng)代藝術(shù)家作品的具體分析,總結(jié)出中國(guó)當(dāng)代的青年藝術(shù)家運(yùn)用了超現(xiàn)實(shí)主義的表現(xiàn)手法,將他們個(gè)人的生活體驗(yàn)、生活中的情緒、對(duì)人生的思考表達(dá)出來(lái)。中國(guó)當(dāng)代青年藝術(shù)家的藝術(shù)作品中的超現(xiàn)實(shí)主義因素與西方超現(xiàn)實(shí)主義是有本質(zhì)上的區(qū)別,與“85新潮”時(shí)期的作品中的超現(xiàn)實(shí)主義因素也呈現(xiàn)出不同的特點(diǎn),青年藝術(shù)家們通過(guò)超現(xiàn)實(shí)主義的手法來(lái)表達(dá)自我是有原因的,并且也出現(xiàn)了他們不同于任何時(shí)代、藝術(shù)家的呈現(xiàn)的方式,他們的作品以個(gè)人化、卡通化為特點(diǎn)。 本篇論文分為三個(gè)章節(jié)：第一章,主要是闡述了西方超現(xiàn)實(shí)主義產(chǎn)生的社會(huì)時(shí)代背景,其中就包括了第一次世界大戰(zhàn)的影響、超現(xiàn)實(shí)主義與達(dá)達(dá)主義的緊密聯(lián)系、當(dāng)時(shí)社會(huì)普遍存在的思想文化、超現(xiàn)實(shí)主義的理論依據(jù)。超現(xiàn)實(shí)主義繪畫的特點(diǎn),具體分析了代表畫家的作品。第二章,闡述了“85新潮”時(shí)期中國(guó)藝術(shù)家作品中的超現(xiàn)實(shí)主義因素。首先,概括了“85新潮”時(shí)期的社會(huì)文化環(huán)境,以及他們選擇超現(xiàn)實(shí)主義的原因,這一代藝術(shù)家的成長(zhǎng)背景。陳述當(dāng)時(shí)兩個(gè)藝術(shù)潮流的主要思想,代表畫家的代表作品。第三章,中國(guó)當(dāng)代青年藝術(shù)家作品中的超現(xiàn)實(shí)主義因素,主要分析了中國(guó)當(dāng)代青年藝術(shù)家作品中出現(xiàn)超現(xiàn)實(shí)主義因素的原因,從青年藝術(shù)家所處的社會(huì)背景、成長(zhǎng)環(huán)境、大眾文化的影響、視覺(jué)環(huán)境的超現(xiàn)實(shí)幾個(gè)方面來(lái)全面剖析。之后具體分析了超現(xiàn)實(shí)主義因素在中國(guó)當(dāng)代青年藝術(shù)家作品中的呈現(xiàn),和所具有的不同于前一代人的特點(diǎn)和具有的意義。 中國(guó)當(dāng)代青年藝術(shù)家在中國(guó)當(dāng)代藝術(shù)隊(duì)伍中無(wú)疑是最年輕最有生機(jī)的,外界大多把他們分類為70后藝術(shù)、80后藝術(shù)、還有卡通一代,寫他們的文章有很多,文章的切入點(diǎn)是以他們的作品形象具有卡通化的特點(diǎn),把他們有很大一部分是支持或者是否定他們的卡通式的藝術(shù),筆者發(fā)現(xiàn)鮮有分析他們作品中的超現(xiàn)實(shí)主義因素相關(guān)的研究,筆者從分析藝術(shù)作品本身的超現(xiàn)實(shí)主義因素的角度看中國(guó)當(dāng)代青年藝術(shù)家的創(chuàng)作心理、他們的藝術(shù)就是他們的生活,以及他們作品的個(gè)人敘事的趨勢(shì),是本文的創(chuàng)新之處和特色所在。
[Abstract]:This paper has two main lines, both horizontal and vertical, and the longitudinal main line is to analyze the surrealism factors in the works of Chinese contemporary young artists. The horizontal line is to compare the surrealism factors to the surrealism factors in the works of "85 tide" in China. The transformation of artists to the creation of contemporary Chinese young artists in the 85 new trend.
There are some surrealism factors in the works of Chinese contemporary young artists. If they are all defined as surrealistic paintings, it is obviously inappropriate and any art has its specific conditions. The purpose of this study is to study the surrealism factors in the works of contemporary Chinese young artists. The reason, and how the surrealism is presented, the narrative characteristics of the contemporary young artists' works. Through the study, the author thinks that the artistic creation and characteristics are always influenced by the social environment and the background of the times, including the background of the artist's growth, the social culture and the visual environment at that time. And so on, it can be said that the art works have the brand of the times, and have a direct relationship with their personal character and growth experience. Through the concrete analysis of the works of contemporary Chinese artists, the article concludes that the contemporary Chinese young artists use the surrealism technique to experience their personal life and life. The surrealism in the art works of Chinese contemporary young artists is essentially different from the Western surrealism, and the surrealism in the works of the "85 new tide" is also different from the surrealism. There are reasons for reaching themselves, and there are also ways that they are different from artists in any era. Their works are characterized by personalization and cartoons.
This paper is divided into three chapters: the first chapter is mainly to explain the social background of the Western surrealism, including the influence of the first World War, the close connection between the surrealism and dada, the ideology and culture of the society, the theoretical basis of the surrealism, and the surrealism painting. The second chapter describes the surrealism factors in the works of Chinese artists in the period of "85 tides". First, it summarizes the social and cultural environment in the period of "85 new tides", and the reasons for their choice of surrealism, the background of the growth of this generation of artists, and the statement of the two artistic tides at that time. The main idea of the flow represents the representative works of the painter. The third chapter, the surrealism factors in the works of Chinese contemporary young artists, mainly analyzes the reasons for the surrealism in the works of Chinese contemporary young artists, from the social background of the young artists, the environment of growth, the influence of mass culture, and the super visual environment. After a comprehensive analysis of several aspects of reality, the presentation of surrealism in Contemporary Chinese young artists' works is analyzed, and the characteristics and significance of the previous generation are different from those of the previous generation.
There is no doubt that Chinese contemporary young artists are the youngest and most vital in the Chinese contemporary art team. Most of them classify them into 70 post art, post-80s art, and cartoon generation, and write a lot of their articles. The entry point of the article is the cartoon character of their works, and a large part of them is support. Or whether or not their cartoon art is determined, the author finds that there are few studies related to the surrealism in their works. I look at the creative psychology of Chinese contemporary young artists from the perspective of the surrealism of the art works themselves. Their art is their life and the individual of their works. The trend of narrative is the innovation and characteristics of this article.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J120.9

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本文編號(hào)：1987802