本文選題：翻譯 + 規(guī)范��； 參考：《華東師范大學(xué)》2005年碩士論文

【摘要】：林紓(1852-1924) ,字琴南。清末著名翻譯家。曾與二十幾位口譯者合作,以古文 翻譯一百七十余部西方小說,其中世界文學(xué)名著有四十種左右。林紓的譯作不僅開闊 了當(dāng)時(shí)國人的眼界,而且也促進(jìn)了我國現(xiàn)代小說的發(fā)展。但是很多人認(rèn)為林譯小說的 質(zhì)量不高。木文運(yùn)用了翻譯規(guī)范理論從歷史的社會(huì)的角度重新對(duì)林譯小說進(jìn)行了探 討。 全文共分五章。 第一章介紹了本文的寫作背景、意圖、目的以及寫作方法。 第二章回顧了前人對(duì)林譯小說的評(píng)價(jià)。從面世至今,對(duì)于林譯小說的評(píng)價(jià)是毀多 于譽(yù)。由于采用意譯,其中不乏刪節(jié),又因其本人不通西文,譯文忠實(shí)度不高。甚至 有人對(duì)其是否是翻譯產(chǎn)生了疑問。又因?yàn)榱旨倢?duì)新文化運(yùn)動(dòng)的保守姿態(tài)被夸大,使得 他的翻譯也遭到貶低。但是這一切與林紓的翻譯曾風(fēng)靡一時(shí)的事實(shí)和它的歷史地位極 不相稱。 第三章介紹了翻譯規(guī)范理論并試圖結(jié)合圖里和徹斯特曼對(duì)翻譯規(guī)范的分類搭建 探討林紓翻譯的框架。以源語文本為品評(píng)譯作標(biāo)準(zhǔn)的研究方法已經(jīng)受到了挑戰(zhàn)。因?yàn)?它的解釋力相當(dāng)有限,而且容易將問題簡單化,導(dǎo)致結(jié)論片面。圖里的翻譯規(guī)范理論 使我們可以把視線投入宿語文化中,擺脫簡單的譯文原文的對(duì)比閱讀。又由于規(guī)范本 身的歷史性和社會(huì)性,使我們可以將林紓的翻譯與它所處的歷史文化相結(jié)合。本文結(jié) 合圖里與徹斯特曼對(duì)翻譯規(guī)范的分類,從五個(gè)方面多層次多角度地對(duì)林紓的翻譯進(jìn)行 考察,其中原發(fā)型規(guī)范和原初型規(guī)范試圖宏觀地把握翻譯發(fā)生時(shí)的歷史文化背景;操 作規(guī)范則微觀地但卻直觀地反映了規(guī)范對(duì)翻譯過程的影響,而預(yù)期規(guī)范和職業(yè)規(guī)范則 從另外的側(cè)面表明翻譯過程中讀者期待和職業(yè)道德的影響。 第四章著重運(yùn)用翻譯規(guī)范理論研究林紓的翻譯。對(duì)原發(fā)型規(guī)范和原初型規(guī)范的考 察,我們成功地將林紓與其合作者的翻譯活動(dòng)置于當(dāng)時(shí)的社會(huì)歷史背景下,他們?cè)诋?dāng) 時(shí)翻譯西方小說并使用意譯是順應(yīng)當(dāng)時(shí)的規(guī)范的。通過研究操作規(guī)范,文章探討了他 們?cè)诜瓭芍惺褂脛h節(jié),添加和改動(dòng)的原因,我們發(fā)現(xiàn)有時(shí)是受到古文表達(dá)的限制,有 時(shí)則出于對(duì)時(shí)局的考慮,喚起讀者,有時(shí)屈從于讀者的閱讀習(xí)慣等等。最后通過預(yù)期 規(guī)范和職業(yè)規(guī)范的討論,將讀者的期待與作為翻譯人員應(yīng)遵循的職業(yè)規(guī)范納入了我們 的視野。翻譯活動(dòng)中諸多的決定因素共同地影響了翻譯的最終結(jié)果。
[Abstract]:Lin Shu (1852-1924). A famous translator in the late Qing Dynasty. Has worked with more than two dozen interpreters in ancient Chinese Translation of more than 170 Western novels, of which there are about 40 world literary masterpieces. Lin Shu's translated works are not only open At that time, the Chinese people's vision, but also promoted the development of modern Chinese novels. But many people think that Lin's translation of the novel The quality is not high. On the translation of Lin's novels from the perspective of history and society, the translation norm theory is used in woodwriting. To ask. The full text is divided into five chapters. The first chapter introduces the background, intention, purpose and writing method of this paper. The second chapter reviews the previous comments on Lin's novels. From the beginning of life to now, the evaluation of Lin's novels has been ruined. Yu Yu. As a result of the use of free translation, there is no lack of abridged, but also because they do not understand Western language, the translation is not high fidelity. Even. Some people question whether it is a translation. And because Lin Shu's conservative attitude toward the New Culture Movement was exaggerated, His translation was also belittled. But all of this is related to the fact that Lin Shu's translation was all the rage and its historical status. Out of proportion. Chapter three introduces the theory of translation norms and tries to combine Toury and Chesterman's classification and construction of translation norms. This paper probes into the framework of Lin Shu's translation. The research method of using source language as the standard for evaluation and translation has been challenged. Because. Its explanatory power is very limited, and it is easy to simplify the problem, leading to a one-sided conclusion. The Theory of Translation norms in Picture So that we can focus on the target language culture and get rid of the contrastive reading of the original text of the simple translation. And because of the code, The historical and social nature of the body makes it possible for us to combine Lin Shu's translation with his historical culture. Article conclusion Heturi and Chesterman's classification of translation norms, from five aspects, multi-level and multi-angle analysis of Lin Shu's translation. Among them, the original style norm and the original form norm try to grasp the historical and cultural background of translation. The influence of norms on the translation process is reflected microscopically but intuitively, while the expected norms and professional norms reflect the impact of norms on the translation process. On the other hand, it shows the influence of readers' expectation and professional ethics in the process of translation. Chapter four focuses on the study of Lin Shu's translation with the help of translation norms. An examination of the original hair style Standard and the original Type Standard We have successfully placed the translation activities of Lin Shu and his collaborators against the social and historical background of the time. The translation of Western novels and the use of free translation conform to the norms of the time. By studying the operational norms, the article discusses him. We use abridges, additions and changes in translation, and we find that they are sometimes limited by the expressions of ancient Chinese. Time out of consideration of the situation, arouse the reader, sometimes succumbed to the reader's reading habits and so on. Final adoption of expectations The discussion of norms and professional norms has incorporated the expectations of readers and the professional norms to be followed by translators. In the field of vision. The final outcome of translation is influenced by many determinants in translation activities.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2005
【分類號(hào)】：I206.5;I046

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