本文選題：裝置藝術(shù) + 現(xiàn)當(dāng)代藝術(shù)�。� 參考：《文藝?yán)碚撗芯俊?014年05期

【摘要】：正本組四篇文章均圍繞"藝術(shù)與物"的關(guān)系而展開。《人與物居間性展開的幾個(gè)維度》論設(shè)計(jì)的哲學(xué)基礎(chǔ),《論施坦伯格的約翰賞析》分析前衛(wèi)藝術(shù)研究中由于對(duì)物性研究的誤解而產(chǎn)生的難以自圓其說(shuō)的闡釋,《從現(xiàn)代藝術(shù)到后現(xiàn)代藝術(shù):以物性為中心的范式轉(zhuǎn)型》勾勒物的凸顯在現(xiàn)當(dāng)代藝術(shù)中的根本意義,最后一篇《如何理解裝置藝術(shù)》則是從物性的角度切入對(duì)裝置藝術(shù)特殊性的研究。西人上世紀(jì)晚期即有關(guān)于文化、設(shè)計(jì)研究的"物轉(zhuǎn)向"之說(shuō),但是本組文章沒(méi)有取文化研究微觀政
[Abstract]:The four articles in this group all revolve around the relationship between art and things. < several Dimensions of Human and material Intermediate Development > on the philosophical basis of Design, on John's appreciation of Steinberg. > Analysis of objects in the study of avant-garde art The interpretation of "from Modern Art to Post-modern Art: the Paradigm Transformation with materiality as the Center" the basic significance of highlighting things in modern and contemporary art. The last article, how to understand installation art, is to study the particularity of installation art from the angle of material property. In the late of the last century, the Western people had the theory of "material turn" about the study of culture and design, but this article did not take the micro-politics of cultural research.
【作者單位】： 四川大學(xué)文學(xué)與新聞學(xué)院;
【分類號(hào)】：+
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本文編號(hào)：1942217