本文選題：復(fù)合符號(hào)文學(xué)文本 + 數(shù)字化技術(shù)　； 參考：《廣西師范大學(xué)》2012年碩士論文

【摘要】：文本是西方文學(xué)理論的核心概念之一,按照哲學(xué)思潮產(chǎn)生的時(shí)間段來(lái)劃分,文本研究經(jīng)歷了前結(jié)構(gòu)主義、結(jié)構(gòu)主義與后結(jié)構(gòu)主義時(shí)期,文本觀也形成相應(yīng)的變化和發(fā)展。到了二十世紀(jì)末二十一世紀(jì)初,由于社會(huì)的發(fā)展、傳播媒介的變革,文本的形態(tài)與傳播方式同過(guò)去相比發(fā)生了較大的改變,“復(fù)合符號(hào)文學(xué)文本”即是從構(gòu)成文本的符號(hào)要素角度考察了當(dāng)代數(shù)字化技術(shù)背景下文本的形態(tài)、特征、內(nèi)部符號(hào)結(jié)構(gòu)等方面的內(nèi)容,以此反映文本所體現(xiàn)的新的審美范式及時(shí)代精神。 不同于傳統(tǒng)紙質(zhì)文本重語(yǔ)言文字符號(hào)的特性,復(fù)合符號(hào)文學(xué)文本是由語(yǔ)言文字符號(hào)、圖像符號(hào)、聲音符號(hào)等復(fù)合交融所生成的文本形式,既包括了傳統(tǒng)文本中的圖文相生的文本樣式,是一種靜態(tài)平面復(fù)合符號(hào)文學(xué)文本,又包括了“電視散文詩(shī)歌”、flash詩(shī)歌、小說(shuō)等的動(dòng)態(tài)平面復(fù)合符號(hào)文學(xué)文本,此外,在數(shù)字化技術(shù)背景下,以網(wǎng)絡(luò)為傳播媒介的新文本時(shí)代,更為顯著的是以超文本、超媒體文本為代表的立體交叉復(fù)合符號(hào)文學(xué)文本,此類文本突顯了數(shù)字化技術(shù)對(duì)符號(hào)融合的編碼作用,是復(fù)合符號(hào)文學(xué)文本在當(dāng)代的主要文本形態(tài)。 以數(shù)字電子為載體、網(wǎng)絡(luò)為平臺(tái)而展現(xiàn)的復(fù)合符號(hào)文學(xué)文本具有抽象性與具象性相契合、形式與內(nèi)容交織的根本特性。復(fù)合符號(hào)經(jīng)由不同的編碼解碼方式,既能表現(xiàn)表層符號(hào)的直觀感受性,又能通過(guò)中介符號(hào)來(lái)達(dá)到深層的心靈感悟,復(fù)合符號(hào)的特性有時(shí)在表層符號(hào)層面上就已包含深層的心理意涵；此外,復(fù)合符號(hào)文本在功能特性上表現(xiàn)為象征性與體驗(yàn)性。在文本符號(hào)系統(tǒng)方面,復(fù)合符號(hào)文學(xué)文本表現(xiàn)出表層符號(hào)的能指漂浮與所指滑動(dòng)的特性,因此,能指多態(tài)性而所指多義性；不同于傳統(tǒng)文本中介符號(hào)層的意象群隱喻作用,復(fù)合符號(hào)文學(xué)文本的中介符號(hào)層以“界面”、“窗口”等形態(tài)出現(xiàn),有媒介作用,但又不單單是作為中介傳達(dá)的工具而存在,本身也具有符號(hào)信息的隱喻意義；在深層符號(hào)層面,復(fù)合符號(hào)文學(xué)文本則隱匿性的表達(dá)著深層的審美意蘊(yùn)。 在審美與價(jià)值建構(gòu)方面,復(fù)合符號(hào)文學(xué)文本一方面以電子數(shù)碼的形態(tài)消解著文本原有的韻味,另一方面又借助虛擬現(xiàn)實(shí)的張力不斷拓展著文藝審美的向度,改變了人們對(duì)文本詩(shī)性的認(rèn)知與體驗(yàn),重新建立人與虛擬世界間的審美關(guān)系,是一個(gè)解構(gòu)與建構(gòu)共同作用的辯證過(guò)程。
[Abstract]:Text is one of the core concepts of western literary theory. According to the time period of philosophical trend of thought, text research has experienced the period of pre-structuralism, structuralism and post-structuralism, and the text view has formed corresponding changes and development. At the end of the 20th century and the beginning of the 21 century, due to the development of society and the transformation of the media, the form and mode of communication of the text had changed greatly compared with the past. The "composite symbolic literary text" is to examine the form, characteristics, internal symbolic structure of the text in the context of modern digital technology from the perspective of the symbolic elements that constitute the text. This reflects the new aesthetic paradigm and the spirit of the times embodied in the text. Different from the characteristics of traditional paper texts, literary texts are formed by the combination of language symbols, image symbols, sound symbols, etc. It not only includes the text style of the traditional text, which is a kind of static plane compound symbol literary text, but also includes the dynamic plane composite symbol literary text of "TV prose poem" and "TV prose poem", the novel and so on. Under the background of digital technology, in the new text era with the network as the medium of communication, it is more obvious that the literary text with hypertext and hypermedia as the representative of the crossed and composite symbols. This kind of text highlights the coding effect of digital technology on symbol fusion and is the main text form of composite symbol literature text in contemporary times. The literary texts of composite symbols, which are presented on the platform of digital electronics and network, have the basic characteristics of being abstract and figurative, and intertwining form and content. Through different coding and decoding methods, composite symbols can not only express the intuitionistic perception of surface symbols, but also achieve deep spiritual perception through intermediate symbols. The characteristics of composite symbols sometimes contain deep psychological implications at the surface level; in addition, the text of composite symbols is symbolic and experiential in its functional characteristics. In the aspect of text symbol system, the literary texts of composite symbols show the characteristics of signifier floating and signified sliding of surface symbols, therefore, signifier polymorphism leads to polysemy, which is different from the metaphorical function of image group in the intermediate layer of traditional text. The intermediate symbol layer of the literary texts of composite symbols appears in the form of "interface" and "window", which has the function of media, but not only exists as a tool of intermediary communication, but also has the metaphorical meaning of symbolic information. At the level of deep symbol, the literary text of compound symbol expresses the deep aesthetic meaning. In the aspect of aesthetic and value construction, on the one hand, the literary text of composite symbols dispels the original charm of the text in the form of electronic digital, on the other hand, with the help of the tension of virtual reality, it expands the aesthetic direction of literature and art. It is a dialectical process of deconstruction and construction to change people's cognition and experience of poetry and to re-establish the aesthetic relationship between human and virtual world.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I0

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