本文選題：藝術(shù)觀念 + 藝術(shù)慣例��； 參考：《青海社會科學(xué)》2009年06期

【摘要】：文章借鑒社會學(xué)視域下的藝術(shù)界"慣例"概念,反思了我們一般習(xí)以慣之的藝術(shù)觀念的性質(zhì)。作為一種特殊的慣例,藝術(shù)觀念的確立不是藝術(shù)家或批評家個人的成果,而是藝術(shù)界各行動者彼此協(xié)商而又相互妥協(xié)的產(chǎn)物。而藝術(shù)觀念一旦確立,它又會加入到藝術(shù)界的文化再生產(chǎn)過程中,作為慣例機(jī)制起著規(guī)范和篩選的作用。對于"存在著藝術(shù)與非藝術(shù)之分"等這類傳統(tǒng)藝術(shù)觀念而言,其作用甚至是以一種集體無意識的形式實(shí)現(xiàn)的。
[Abstract]:Based on the concept of "convention" in the field of sociology, this paper reflects on the nature of the art concept that we are accustomed to. As a special convention, the establishment of artistic concept is not the result of individual artists or critics, but the outcome of negotiation and compromise among various actors in the field of art. Once the concept of art is established, it will be added to the process of cultural reproduction in the art world, which plays a normative and screening role as a routine mechanism. For such traditional artistic concepts as "there is a distinction between art and non-art", its function is even realized in the form of collective unconsciousness.
【作者單位】： 南京大學(xué)哲學(xué)系;
【分類號】：J0

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