本文選題：中國早期 + 馬造型��； 參考：《蘇州大學》2012年碩士論文

【摘要】：本文探索和研究中國早期各個歷史發(fā)展階段的馬造型形式及其內(nèi)涵與價值。第一章的論述內(nèi)容是馬造型藝術得以存在和發(fā)展的基礎，簡述馬匹進化、馴化和利用歷史。第二至五章論述從遠古、先秦到秦漢時期的馬造型藝術，梳理造型成就和審美流變。我們把這些造型分為發(fā)生期、發(fā)展期和成熟期這三個分期。第六、七兩章論述生肖中馬這種文化現(xiàn)象和馬的變體。第八章內(nèi)容是馬造型藝術的內(nèi)涵與價值。最后一部分是本文的結語。 綜觀古代中國早期各個地區(qū)的文字和實物資料，關于馬的資料比較豐富。早期遺留下來的繪畫和出土文物中，保留了許多生動的馬造型藝術。古代的人們與馬的關系遠比今人來的密切，古代的人們自從會假以馬力進而超越自身局限以后，，就加快實現(xiàn)了在更廣闊地域的活動，人類社會的發(fā)展速度和水平也借此提升了。本文試圖從中國早期藝術的角度較為系統(tǒng)的審視這個特殊地位的動物，分析它獨特的美和給人帶來的精神上的意義。通過對中國早期的馬造型藝術研究，對闡述中國文明的精神當然有著重要意義。馬的造型藝術是馬文化和精神的重要載體，馬的人格化在中國古代的審美地位是獨特的。所謂“國之大事，在祀與戎”，馬是戎的關鍵裝備，也是本文的“大事”。
[Abstract]:This paper explores and studies the horse modeling form and its connotation and value in different stages of early Chinese history. The first chapter is the basis for the existence and development of horse plastic arts, and briefly describes the history of horse evolution, domestication and utilization. The second to fifth chapters discuss the horse plastic arts from ancient times, pre-Qin to Qin and Han dynasties, combing the achievements of modeling and aesthetic evolution. We divide these models into three stages: occurrence, development and maturity. The sixth and seventh chapters discuss the cultural phenomenon of horse in Chinese zodiac and the variation of horse. The eighth chapter is the connotation and value of horse plastic arts. The last part is the conclusion of this paper. Looking at the ancient Chinese early written and physical materials, the material about horses is relatively rich. Among the early paintings and unearthed relics, many vivid horse-shaped arts were retained. The relationship between ancient people and horses is much closer than that of modern people. Since ancient people could use horsepower to surpass their own limitations, they accelerated their activities in a wider area, and the development speed and level of human society also improved. This paper attempts to examine this special animal systematically from the angle of early Chinese art and analyze its unique beauty and spiritual significance. It is of great significance to expound the spirit of Chinese civilization through the study of Chinese early horse plastic arts. Horse's plastic art is an important carrier of horse culture and spirit, and its personification is unique in ancient China. Ma is the key equipment of Rong, and it is also the great event of this article.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J120.9

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本文編號：1877837