發(fā)布時間：2018-05-12 01:14

  本文選題：文學語言 + 電影語言　； 參考：《暨南大學》2004年碩士論文

【摘要】：從電影誕生的那一刻起，文學與電影之間就展現(xiàn)著獨特的愛恨情仇的復雜關(guān)系。文學成就了電影初期的繁榮，如今，電影帶著全部生產(chǎn)力的最新結(jié)果，幕天席地轟鳴而來，吸引了大批作家，詩人，和許許多多的讀者，成為了文學存在與發(fā)展的最大威脅。電影傳播手段的發(fā)展和變化使得傳統(tǒng)的文學樣式不僅在創(chuàng)作方式、作品的市場、作品的受眾對象、作品的社會地位等等起了前所未有的沖擊和變化，它的偉大與可怕還在于它水滴石穿，，有意無意地塑造觀眾的趣味、喜好，以及欣賞習慣、文化生活的模式，乃至深層心理文化結(jié)構(gòu)的功能。那么文學閱讀與電影觀賞區(qū)別有多大?觀眾為何放棄閱讀并走入電影院?電影又是如何改變了讀者的文學閱讀方式，而這些改變又如何影響著文學? 本文著重比較了文學語言與電影語言，并從受眾的角度討論電影欣賞過程和文學閱讀過程的不同之處，以及文學面對電影沖擊后所獲得的新的創(chuàng)作經(jīng)驗和美學啟示。
[Abstract]:From the moment the film was born, the relationship between literature and film showed the complex relationship of love and hate. Literature has achieved the prosperity of the early stage of the film. Now, with the latest results of all productive forces, the film has been roaring, attracting a large number of writers, poets, and many readers, has become the greatest threat to the existence and development of literature. With the development and change of the means of film communication, the traditional literary style has not only had an unprecedented impact and changes in the way of creation, the market of the work, the audience of the work, the social status of the work, and so on. Its greatness and horror also lie in its water dripping through, intentionally or unintentionally shaping the audience's interest, preferences, and appreciation habits, the mode of cultural life, and even the function of the deep psychological and cultural structure. So how big is the area of literary reading and movie viewing? Why did the audience give up reading and go to the cinema? How did movies change the way readers read literature, and how do these changes affect literature? This paper focuses on the comparison between literary language and film language, and discusses the differences between the process of film appreciation and the process of literary reading from the perspective of the audience, as well as the new creative experience and aesthetic enlightenment gained by literature in the face of film shock.
【學位授予單位】：暨南大學
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：I0-05

【引證文獻】

相關(guān)碩士學位論文 前2條

1 陳艷清;影像文化語境下“影視同期書”研究[D];南昌大學;2008年

2 李云飛;情感出路—淺析當代電影的情感治愈功能[D];安徽大學;2012年

本文編號：1876456