本文選題：藝術(shù)家 + 手法主義��； 參考：《新美術(shù)》2010年06期

【摘要】：正16世紀(jì)后期,當(dāng)文藝復(fù)興藝術(shù)家們的偉大成就在人類智慧的生命進(jìn)程中被推向一個又一個完美境地之際,一個重在模仿或超越大師手法而非其精神,即為后人稱為手法主義的風(fēng)格[Mannerism]逐漸掀起,乃至盛極一時。受此思潮的影響,一些年輕的藝術(shù)家僅僅以時人就大師手法所給予
[Abstract]:In the late 16th century, when the great achievements of Renaissance artists were pushed into one perfect place after another in the life of human wisdom, one focused on imitating or surpassing the master's technique rather than its spirit. That is, the style [Mannerism] called manipulationism by later generations gradually set off, and even flourished for a while. Under the influence of this trend of thought, some young artists give it only in the form of contemporary masters
【分類號】：J110.94

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