本文選題：關于 + 新時期��； 參考：《西北師范大學》2004年碩士論文

【摘要】： 新時期的文藝學研究取得了顯著的成績，涉及不同維度、不同層面的多種多樣的問題。本文主要從兩個方面探究新時期文藝學研究的問題。 一、關于新時期文藝學研究的背景。這部分內容論述了三個問題：1、時代背景。新時期我國社會開始轉型，其總體特征是由封閉走向開放，由禁錮走向寬松，這為文藝學研究創(chuàng)造了良好的社會環(huán)境。2、哲學基本思想的演進。分別從哲學本體論和認識論兩方面，概要論述了現(xiàn)代哲學基本思想的演進情況。指出當代哲學觀念具有多元性；同時，顛覆了傳統(tǒng)哲學的話語霸權，打破了傳統(tǒng)哲學觀念一統(tǒng)天下的格局。這為新時期的文藝學研究創(chuàng)造了良好的學術思想環(huán)境。3、西方文論的引進和當代文學的發(fā)展。我國當代文學的發(fā)展，打破了傳統(tǒng)文學固有的一些創(chuàng)作模式，出現(xiàn)了一些新的創(chuàng)作景觀，為新時期文藝學廣泛深入的探討提供創(chuàng)作的根據(jù)。西方文論的引進，活躍了新時期文藝學研究的思維，開拓了研究空間，直接推動了新時期文藝學的發(fā)展�？傊�，新時期文藝學研究的良好背景，是新時期文藝學發(fā)展的重要的原因之一。 二、關于新時期文藝學研究的四個重要的理論問題。1、馬克思主義文藝學的哲學基礎。指出馬克思主義哲學的核心思想是關于實踐的思想。不少學者認為，實踐觀應成為馬克思主義文藝學的哲學基礎，它對于解決學界關于文學歸屬問題的爭論，提供了一條新的思路。2、現(xiàn)實主義。阿多諾的否定性的哲學觀和藝術觀對認識和理解現(xiàn)實主義具有重要的啟發(fā)意義。本文認為現(xiàn)實主義就是批判的現(xiàn)實主義，除此之外的現(xiàn)實主義都不是真正的現(xiàn)實主義。這一認識即合于藝術的本質規(guī)定，又有著文學史的根據(jù)。3、文學的存在方式。本文認為，把文學視為一種審美活動得到了許多學者的肯定，比較好地解決了文學的存在方式問題。但是以審美界定文藝存在特質的觀點卻值得商榷。4、概念的使用。文藝學中使用的一些重要概念，一直以來都有多種涵義。不同的學者往往在不同意義上使用它們。例如，本體、形式、理性、意識形態(tài)就是這樣被使用的，，這在一定程度上造成了理論研究的混亂，是新時期文藝學研究存在的重要問題之一，需要進行清理和界定。 三、總結。指出本文揭示了新時期文藝學發(fā)展的一些重要原因和存在的問題，重新解讀了某些概念，并提出了一些建設性的意見，對于認識新時期文藝學研究的狀況，推動當代文藝學研究的發(fā)展，建設中國的文藝學都具有重要意義。
[Abstract]:The study of literature and art in the new period has made remarkable achievements, involving a variety of problems of different dimensions and different levels. This paper probes into the problems in the study of literature and art in the new period from two aspects. First, the background of the study of literature and art in the new period. This part discusses three questions: 1, the background of the times. In the new period, the society of our country began to transform, its general characteristic is from closed to open, from imprisonment to loose, which has created a good social environment for the study of literature and art, and the evolution of the basic philosophy thought. This paper discusses the evolution of modern philosophy from two aspects of philosophical ontology and epistemology. At the same time, it overturns the discourse hegemony of traditional philosophy and breaks the pattern that traditional philosophy dominates the whole world. This has created a good academic thought environment for the study of literature and art in the new period, the introduction of western literary theory and the development of contemporary literature. The development of contemporary literature in our country has broken some of the inherent creative modes of traditional literature, and some new creative landscapes have emerged, which provide the basis for the extensive and in-depth discussion of literary and art studies in the new period. The introduction of western literary theory has activated the thinking of literary and art research in the new period, opened up the research space, and directly promoted the development of literature and art in the new period. In a word, the good background of literary and art research in the new period is one of the important reasons for the development of literature and art in the new period. Second, there are four important theoretical problems in the study of literature and art in the new period. 1. The philosophical basis of Marxist literature and art. It is pointed out that the core thought of Marxist philosophy is the thought of practice. Many scholars believe that the view of practice should become the philosophical basis of Marxist literature and art, which provides a new way of thinking. Adorno's negative view of philosophy and art has important enlightening significance for understanding and understanding realism. This article holds that realism is critical realism, except realism is not true realism. This understanding not only accords with the essence of art, but also has the basis of literary history. This paper holds that the view of literature as an aesthetic activity has been affirmed by many scholars and has solved the problem of the existence of literature. However, it is worth discussing the use of the concept of aesthetic definition of the characteristics of literature and art. Some important concepts used in literature and art have always had many meanings. Different scholars often use them in different senses. For example, Noumenon, form, rationality and ideology are used in this way. To a certain extent, this has caused confusion in theoretical research and is one of the important problems in the study of literature and art in the new period, which needs to be cleaned up and defined. III. Summary. This paper points out some important reasons and existing problems in the development of literature and art in the new period, reinterprets some concepts, and puts forward some constructive suggestions, so as to understand the present situation of the study of literature and art in the new period. It is of great significance to promote the development of contemporary literature and art research and to construct Chinese literature and art science.
【學位授予單位】：西北師范大學
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：I0

【引證文獻】

相關碩士學位論文 前1條

1 余艷;“走向文化詩學”與“走向文本社會學”之辨[D];南昌大學;2007年

本文編號：1792475